Julia Morgan Hearst Castle Analysis

The "art for art" remained unknown in ancient Egypt; all creation was a practical purpose: the prosperity and triumph of Egypt, providing the survival of rulers and notables. The beautiful had no value in itself; we would say in modern terms, that the supreme intention was magical action. According to our book (art history by Marilyn Stokstad and Michael W. Cothren): “The architecture is religious or funeral destination; only temples and tombs were built of sustainable materials, although we also know some palaces and fortresses. The statuary, too, funeral (the statue is considered the repository of the soul of the deceased) or divine (the royal statues represent the pharaoh, god on earth or in the hereafter). The reliefs are dependent on strict religious patterns; one painting, especially that found in the tombs of the notables of the New Kingdom, manifest a spontaneity and a certain naturalism, but it was only a substitute art to replace cheaply the painted relief. This liveliness is reflected in the minor arts, and fard for spoons or pots ointments; but the jewels themselves usually hold conventions of religious symbolism”. Although, the step pyramid and sham buildings, funerary complex of djoser would perfectly help to illustrate the image of the art of the ancient Egypt. The Djoser funerary complex, built during the reign of Pharaoh Djoser in Saqqara is located in Egypt. It’s the first of this magnitude and the

The majority of ancient Egyptian structures studied by architectural historians and planners alike, were erected to honor a pharaoh or as a grand tomb for their journey through to the afterlife. Whether the structure was in the form of a temple, tomb or statue, the ritual and spiritual influence is unquestionable. The location, scale, and materials used to construct these monuments are all defining factors of how the space is used and functions.

A poignantly, contrary, contrast between her land, and her art, she has been habitually known for her Monumental, and epically extensive scope and size. Ancient Egypt exudes the expression of human creative skill and imagination.Her

Egyptian sculptures at the exhibition -- flown to Mexico from ancient temples along the Nile and from museums in Cairo, Luxor and Alexandria

The Seated Statue of Nehy is a white limestone Egyptian sculpture from the New Kingdom period dating back to 1250-1200 BCE with the measurements of 51 15/16 x 17 3/4 x 34 9/16 inches. The sculpture’s accession number is 22.106. It was discovered in the Memphite necropolis of Saqqara and was acquired by Henry Walters in 1924 (Egyptian Art New Kingdom 92). The sculpture exhibits texture, large scale, and stylization, which is common in Egyptian sculpture.

Ancient Egyptian art is five thousand years old. It emerged and took shape in the ancient Egypt, the civilization of the Nile Valley. Ancient Egyptian art was shown with emotion beautifully in painting and sculpture, and was both highly symbolic and stylized. The exceptional traditions in Egypt is one of the most important things in the history of art. The tombs and temples of the Egyptians have expressed the grandeur of the kingdom of the Nile. Egyptian sculptors and painters began to formulate patterns to represent figures and stories. Egyptians used the art to represent a continuation of life after death, it was an important part of their culture. They believed that, in order for the spirit to live on, the dead person's body had to be preserved, or mummified, and buried along with supplies of food and drink, tools and utensils, valued possessions. (Scholastic) Egyptian art was becoming more realistic, which moved away from the ways of

The main purpose of this paper is to describe the visual analysis of the artwork. This paper examines an Egyptian half nude portrait art which is taken from Metropolitan Museum of Art (Fig.1). The statue characterized both male and female seated figure with a Braid hair. In this essay, I will present a complete visual description of this artwork (its preservation, costume and iconography), and then I will compare it to another artwork which is chosen from Textbook that is Akhenaten and his Family (Fig. 2).

The cultural artifact that I propose to study is a bust of Queen Nefertiti, who was the Royal Wife of the Pharaoh Akhenaten. The bust is said to be painted with stucco-coated limestone, created in 1345 B.C by Thutmose who was a talented sculptor. The bust was discovered in 1912 in Thutmose’s workshop by Ludwig Borchardt and his archaeological team. The bust had many owners in Germany throughout the years, however, it is currently on display at the Neues Museum in Berlin. The Nefertiti bust is a cultural phenomenon, especially for ancient Egypt as well as Berlin. Germany had the bust for over a century now and it has been their pride and joy. The argument between Egypt and Germany over the bust has been going on for decades. Egypt believes that the bust belongs to them and that it was taken

The reliefs of Ankh-neb-ef are limestone panels with paint that originated from the Old Kingdom of Egypt in 2150 BC during the reign of Pharaoh Pepy II. The delicate carving of the panels in the sunken relief presents a magnificent image. They portray Ankh-neb-ef, an ancient Egyptian priest whose name translates to “may his lord live.” In the reliefs, Ankh-neb-ef holds a Kherep-sceptor and a walking stick, which were symbols of authority in ancient Egypt. Egyptian civilization was extremely religious and most ancient Egyptian artworks involved the portrayal of gods, goddesses, and Pharaoh, as well. Moreover, the Egyptian reverence for order and conservative ideals led to the institution of intricate rules that governed how artists represented both humans and gods (Saylor.org 4). For instance, the apparel worn by Ankh-neb-ef in the painting is not a simple fashion statement. The priest is wearing a prestigious sarong and ornamentation, bracelets, and a wide collar. The jewelry kept their owner safe in a dangerous passage to the afterlife. This formula for representing the human figure in a painting remained popular over several centuries (Robins 24).

Egyptians used art as a way to reflect every aspect of their lives. Sculptors were important artist, and in these different architectural sculptures, you will see how models of people and different figures were depicted in stone during the New Kingdom and Old Kingdom eras. Nikare with his Wife and Daughter is a statue that was made from limestone and paint in Egypt during the Old Kingdom era about 2420-2389 B.C or later. Stelophorous Statue of Bay made in 1294–1250 B.C is another sculpture that was also made from limestone about one thousand years apart from the other one. This statue was also made in Egypt. Both sculptures share some similarities to have been made a millennium apart, but with that also comes several differences. Although both statues as a whole may depict different things, it’s the little details in them that we don’t usually analyze in art that make them both similar.

This paragraph will be analysing a primary source from the time of ancient Egypt. The source in particular is a painting made for Ramose, an Egyptian state administrator. He had this job during the reigns of the pharaohs Amenophis III and Akhenaten. His job was regarded very highly amongst ancient Egyptian society. This painting was made from the white limestone fond in the Valley of the Kings. The fine-grained rock that was the limestone permitted attractive decorations in full colour. It was made to decorate Ramose’s tomb and was probably painted by tomb decorators. It was probably created between 1000 BCE-1500 BCE. His tomb was in the Valley of the Kings amongst those of pharaohs, this suggests that

Almost everyone has heard of the ancient civilization of Egypt. Most people generally know when and where the Egyptians lived, what their government was like, how they lived on a day to day basis, and what all they achieved in the many centuries that they flourished. This paper will go in depth on all of these categories.

Just from looking at a few pieces of the art of the ancient Egyptians, you begin to notice many defining characteristics about it that make it unique and different from other styles of art. There are an ample amount of recurring features in the art, so this must mean that these traits and aspects are noteworthy. This next section of the essay will go into detail about a few of the many types of art and the stylistic elements that define ancient Egyptian art and make it special and distinguishable from other types of art, and why some particular aspects of the art are important.

Djoser’s Funerary Complex built during the Third Dynasty (twenty six hundred BCE) measured an astounding eighteen hundred feet long and nine hundred feet wide with thirty four foot white limestone walls. Beyond it’s massive scope, it is significant because it was designed by the first architect we know by name, Imhotep. Imhotep was worshipped as a god within the Egyptian culture, which is not uncommon; but it gives insight to the political ramifications of artists in even this time period thousands of years ago.

During early dynasty Egypt period, Egypt’s kings were reverted as gods in human form. So, Egyptian sculptor created statues of their kings and queens. After creating the statue