Julie Heffernan Self Portrait as Wunderkabinett Essay

Never before have I seen a museum as grand as the Metropolitan Museum of Art in New York. From its architecture to its massive art collection, The Met has a little bit of everything and one is sure to find something that captures his or her interest. Considering that The Met is the United States' largest art museum, it is easy to get lost within its many corridors and wings. My visit to The Met took place during the last week of July. Despite the almost unbearable heat and humidity that hung in the air, visiting museums under these climate conditions is a welcome respite from a suffocating, yet bright summer afternoon.

Therefore, the oil painting Self-Portrait in a Fur-Collared Robe that was created by Albrecht Durer represents the main idea of the depictions of Christ or the Christ-like scheme. Durer painted this artwork by using himself as a model and posing as much as the traditional manners of Jesus—such as looking straight in a symmetrical posture and staring directly at the audience or viewers. In addition, this painting indicates the artist’s belief that God is the creator. He also believed that artistic skills—which all artists, including himself, have in their entire life—are the God-given talent. Moreover, all tones and techniques—such as using warm colors, focusing on brown and black colors, and using the light to highlight the subject matter—make

It must have been 13 years or so since I have been to the art museum, back in elementary school, on a one of a kind field trip. 13 years is way too long to have been away from the art museum, as my experience this year reminded me that. It was a beautiful, sunny October day, although it felt like July, and it was an even better day to talk a walk through the vast, mesmerizing pieces of art that the museum has to offer. The North Carolina Museum of Art provides an abundance of artwork from various time periods, cultures, and one can find art anywhere from Egyptian, to classical, to modern and contemporary art. The artwork that the museum provides not only displays an abundance of artwork, but

Deemed to be one his most famous compositions, Johannes Vermeer, using oil on canvas, created The Allegory of Painting in 1666. A standout piece of Seventeenth Century, this still life representation of a painter in his studio depicts some of the best naturalistic qualities of this era. His usage of light, space, color, and symbolism blends harmoniously to create the perfect illusion. In the foreground we see the painter himself, seated on a wooden stool and dressed in ravishing garments not necessarily suited for this time period. However, his outfit is still thought to be characteristic of a painter. The symbolism behind this atypical attire is unclear, however, perhaps Vermeer chose this style dress as a means to sustain a consistent theme of lavish across the piece. The elegance in the marble flooring, chandelier, and intricate drapery all contribute to this theme.

In his times of dire need, this man would always look at the large painting in admiration. If only everyone could reflect his image. But no, humanity was so undeserving of what it already has obtained. The one to the left of that holy image, was that of his father. His father was likely the next thing closest to Jesus. Or at least he thought so. Well, though? No, he knew it to be nothing but the only truth. On the right side, was a picture that was differing from the others. It lacked the intricately engraved,wooden frames. But nevertheless, it was simply pinned to the wall. The flames danced upon those walls, illuminating the pictures of what we should all aspire to be. Perfection. Well, those pictures portrayed perfection to the man, accept for the one pinned to the wall. In a sudden fit of rage, strong hands tore the picture from the wall, sitting it directly in the center if the candles. His eyes seemed to glow brighter than the light of the candles,as he watched the picture of Historiaburn. He finally eliminated one from his list. He stared at the tiny gold labels under the frames. 1﴿ The Good ﴾Father﴿ 2﴿The Righteous Judge ﴾The Savior﴿ 3﴿ The Evil Finally, he could put up a new picture. That of Levi Ackerman.. It felt like she was a dandelion in the wind, floating on the air and sky. Her body felt that of cozy and content. It was very easing,and almost hypnotic. Within that moment, the feeling abruptly left. Mountains of reality

Construct a Joan Miro-inspired fantasy skyscape in the fourth-floor family gallery. Channel the Firebird, one of Charlotte's most iconic images, in the second-floor classroom with a glitter glue mosaic art activity. Take inspiration from the exhibition All That Sparkles... 20th Century Artists' Jewelry and create your own jewelry and keychains in the museum lobby. Guided gallery tours are also available at 1 and 3 p.m. These tours are complimentary, and meet in the museum lobby.

Standing behind her over her left shoulder is a man wearing a cream colored jacket with wispy blue stripes. He wears a white shirt and a black cravat. His hair falls over his forehead and is reddish brown. He has a small mustache and a goatee beard. He is leaning over the woman’s shoulder with his hand resting on the back of her chair, looking down at her. Behind him in the background over his left shoulder is a woman standing facing left, with black gloved hands raised to the sides of her face. She wears an ornate black hat with feathers and a black dress. Standing next to her with his arm around her is a man with a straw hat with a red hat band, wearing a red and white striped shirt. He faces forward looking at her intently. To his right stands another man facing the woman he has his arm around. This man has a full beard and wears a black hat. Behind him seated at the back table is a woman in a flowered straw hat who is drinking from a glass, she looks directly out of the picture plane past the table in the foreground at the viewer. A man seated to her left is barely visible in profile and past the shoulder of the man in the cream colored jacket. The entire scene is brightly lit with ambient light from the open sides of the porch the majority of which were enters from the front left of the picture plane. The white tablecloth on the table in the foreground glows with reflected

The great thing about art, is that there are multiple portrayals of one idea but, the artist’s own personal style allows one to feel something that another may not. Early Renaissance painters, Giotto di Bondone and Duccio di Buoninsegna established their own unique style to depict a biblical scene known as, The Betrayal of Christ. Through a close analysis of each artist’s representation of, The Betrayal of Christ, one is able to compare and contrast the artists own understanding of the scene through their attention to detail, character, and space throughout the painting. When examining these two works, one will have a stronger emotional response towards Giotto’s interpretation rather Duccio’s, due to his methods of handling organization, figures, and space.

The art and beauty in this painting is exemplified through the eyes of Boucher. It starts with a beautiful couple taking a rest after picking up some followers. Their clothing looks very elegant and colorful which shows that they are aristocrats. The man’s eyes are gazing at a shepherdess who gathered her own flowers. Their eyes are locked despite the man having his own woman right in front of him. The light brushstrokes of the dresses, flowers, and trees

Titian was an Italian artist of international reputation. Like his mentor, Giorgione, put time and talent in creating a mysterious and influential painting, “Pastoral Concert, c. 1508-1510. The Venetian style oil painting on canvas which does not resemble its original color palette; includes two dark haired beautiful females seem evocative and are purposely placed into ‘interactive’ poses, out-to-the—side, near the male subjects.

In the painting described above we can really see all of the changes that were applied during Renaissance period. Also one of the things that really catches the strangers eye is the use of different methods of painting. The author used the one-point perspective in this particular painting which really navigates our eyes to the center of the painting, to the most important part of the painting, to the scene. Also, if you really pay attention to the painting you can get the rhythm and really feel the painting.

Berryhill paint in two very distinct and different styles but Mr. Berryhill’s work is the outcome of generation of artist trying to push the envelope of the standards set the Italians of the renaissance. They both use similar colors but while titian uses colors to represent the reality of the situation Mr. Berryhill uses colors to describe the feeling of the painting. Form the emotions and the sounds Mr. Berryhill splashes color all over not because the color was there when he painted it but because that is the best way to give his audience a feeling of the scene. Titian’s work may seem formulaic to today’s standards but what he was doing at the time was revolutionary. The Italians were pulling the world of art into the third dimensions. This allowed artist to be more creative with depth and scale. If Titian’s painting Assumption of the Virgin was flat and was only used to represent the scene no one would have cared. But Titian used overlapping of the figures and the effects of shadows to make this painting almost seem real. Michael Berryhill uses those same steps to give his painting depth also. The wires of the machine over lap, the box goes back to a corner to show its depth, Titian absolutely helped to create all of modern art because he set some of the standards that modern art is based

The Mint Museum at Randolph is located in Charlotte’s Eastover neighborhood. It was once part of the United States Treasury Department: a mint. In 1936 it became the state’s first art museum. It houses a collection of cozy galleries to display everything from textiles, pottery, ceramics, glass and decorative arts. The exhibit I viewed showcased works from three generations of artists: Newell Convers Wyeth (patriarch), Andrew Wyeth (son) and Jamie Wyeth (grandson).

The painting, Allegory of Faith, located in the Metropolitan Museum of Art, was created by the Dutch Baroque painter Johannes Vermeer. This study of the painting will focus on the subject matter, composition, and the symbolic meaning of the painting in relation to the Catholic faith, as well as the controversy surrounding the success of the painting among modern critics. The characteristic Baroque qualities of this painting will be illuminated through comparison with examples of Dutch 17th century paintings, Vermeer’s other works, and an analysis of his painting technique and style.

In this essay I’ll be analyzing selected works of Francis Bacon and briefly discussing arguments of philosophical and existential meanings behind his paintings; and comparing works of artists that have considered likeness to the works of Bacon.