Julius Caesar Compare And Contrast Portia And Calpurnia

The husbands' reaction to their wives sacrifice is also different. After Portia stabs herself, Brutus exclaims that she is a `noble wife' and agrees to let her in on the conspiracy. Caesar reluctantly agrees to

Relationships between characters play a great part in Julius Caesar, the Shakespearean tragedy about the scheming of Caesar's death, which then are shown to affect all aspects of Roman life. Some relationships show the concealed discord between characters, some show the conniving spirit of those who desire power, while others show how some hearts are devoted entirely to the greater good of the republic. The dialogue between Brutus and Portia, along with that of Calphurnia and Caesar, plays a significant role in the development of the plot. Portia is a symbol of Brutus's private life, a representative of correct intuition and morality, just as Calphurnia is for Caesar, but

Through the tragedy of Julius Caesar, Shakespeare showed the importance of respect between couples. Through not found in primary manuscripts, Shakespeare effectively developed the perceptive and loyal personalities of the wives. Wedded to Portia, Brutus distanced Portia from his emotional battle. Aware of this, Portia spoke to Brutus showing great oratory skills as she emphasized three-points displaying why Brutus must consult her. Likewise, Calpurnia pushed persistently to convince her husband, Caesar, to remain in the safe confines of their villa, because she noticed the oddities occurring and knew the severity of her dream. Though in a worldly environment, the godly principles of listening to wise council, but also submitting to one’s spouse

In the Tragedy of Julius Caesar by William Shakespeare, Calphurnia, Caesar's wife, tells Caesar that he should not go out today because it’s the Ides of March, but that she also had a dream. A dream that she saw a statue of Caesar that had blood running down it while Romans were washing their hands in the blood of Caesar with smiles on their faces. Eventually, Caesar does get murdered and there's a funeral held for him which Brutus and Marc Antony talk at. They Roman's follow both men, but can not decide who is more effective.

Draped in flowing teal cloth, Portia is a visual anomaly in comparison to the rest of the cast, who standardly is dressed in a strict uniform of white collared shirts, black kilts, and red sashes to accent. The stark contrast of just colour itself ostracizes Portia from the rest of the characters; a notable costuming choice, as she represents an entirely different dimension to the life of Brutus. In Julius Caesar. By William Shakespeare. Dir. Ron Jenkins. Shakespeare Company, Ground Zero Theatre, and Hit and Myth Productions, at Vertigo Theatre, Calgary. 06 October 2017. Performance, designer Victoria Krawchuk creates an archetype of Portia’s role in the show through costuming. Portia’s more traditional Roman look, an elegant dress and bare feet, resonate the image of a mythological goddess; symbols of both femininity and strength. Encompassing these characteristics perfectly, Portia acknowledges them herself in 2.1, 292-302, (Shakespeare, William. “Julius Caesar.” The Norton Shakespeare: Essential Plays, The Sonnets, edited by Stephen Greenblatt, Norton, 2016, pp. 1115-1180,) in which she states,

Two of the more memorable emperors to the Romans were Augustus Caesar (27 BC to 14 AD), and Caligula (37 AD to 41 AD). Although only having ruled the empire by a separation of 23 years and belonging to the same family (through marriage and adoption), their empires couldn’t have been more different. It is possible to determine the impact of an emperor’s rule based on their many vices and virtues, as well as the choices that they make in relation to them. The author Suetonius expressed in his writings the many vices and virtues that put into perspective the kind of leaders that these emperors appeared as to their polis. As we explore the concept of vices and virtues, as well as what kind of ideals these two rulers represented, we will begin to be presented with a clearer picture of what an ideal emperor would have looked like. A vice can be described as an immoral or wicked behavior; while a virtue can be described as a behavior showing high moral standards. Suetonius and the Roman people had a high interpretation of the concept of virtue and vice, as well as their role in the ruler’s life.

Caesar known as one of the greatest rulers, built the empire that is known as Rome today.(17) During his time ruling Caesar was strong, fearless, and powerful. Even though he was a powerful leader, did Caesar let his ego become the cause of his death?(28) In the excerpt Calphurnia uses the appeal to ethos to help persuade Caesar into not attending the ceremony.

Perspectives can be controversial, commonly used as topics for debates and in fact, used to solve certain disputes between people. First, to understand the idea of perspectives, the definition of “perspective” is the state of one's ideas, the facts known to one, the faculty of seeing all the relevant data in a meaningful relationship, basically a mental view or prospect. All these definitions, taken from the dictionary, are linked and are somewhat related the common factor being, they are all formed by certain ideas, ways of seeing the world and its problems or its occurrences in general. An example of clashing perspectives having a significant impact on all of our lives would be perhaps past wars and feuds.

Along with the actuality and the attempts of manipulation in this play reside many forced manipulations. In the same scene in which Calpurnia convinces her husband to not go to the Capitol, a group of conspirators meet at Caesar's house to make sure he does not decide to stay at home, simply so that the planned assassination can, in fact, take place. Brutus, one of the conspirators, tells Caesar that his wife is superstitious, and that he should not be listening to her.

Proving Loyalty In William Shakespeare's tragedy Julius Caesar, the uses of rhetorical questions, repetition, and anaphora help the character of Portia become persuasive and convincing. Anaphora is used to show Brutus that Portia knows the circumstances of the situation, but she still wants to know what Brutus is keeping from her. Making her first case as to why Brutus should tell her what is troubling him, Portia uses anaphora saying, “I grand I am a woman; but withal A woman that Lord Brutus too wife: I grant I am a woman; but withal A woman well-reputed, Cato's daughter” (71). By using the anaphora, Portia conveys a new message to Brutus that she is to be respected, and brings a new tone to her message.

Centuries after the murder of a rising dictator, students, historians, and linguists alike continue to study the death of Julius Caesar as immortalized by William Shakespeare’s play, The Tragedy of Julius Caesar. In this tragedy, Shakespeare examines the days preceding Caesar’s downfall, and the aftermath that ensues. The tragedy describes Marcus Brutus, a character with noble and honorable intentions, influenced by Cassius to support a conspiracy against an ambitious politician, Julius Caesar. Brutus, Cassius, and other conspirators succeed in ending Caesar’s life, but are forced to flee when Rome turns against them. Much controversy has arisen over who is the tragic hero of the play. A tragic hero is a noble character who, despite his greatness, is led to destruction by his own fatal flaw. Although many argue Brutus is the tragic hero due to his prominent role in the play and his heroic, yet flawed, character, Shakespeare remains justified in the naming of his play. In Shakespeare’s accurately titled tragedy, Julius Caesar, rather than Brutus, remains the tragic hero of the play due to his heroic qualities, his fatal flaw, and Brutus’ ineligibility as the tragic hero.

William Shakespeare’s “Julius Caesar” play tells the story of countries overthrown, friendships ruined, and how the envy for power can lead to more trouble than perceived. Not only are main characters affected, but minor characters are also impacted by the long disputes. Particularly speaking of the wives of the two “friends” is perhaps affected the most by their husband’s problems. Although they both believe they know what is going on in their husbands lives, we, as readers, learn they do not have the slightest idea about how their lives are going to turn upside down. Calpurnia, Julius Caesar’s wife, simply has a bad feeling about who her husband is going to see to receive his crown.

Slide 1: Casca is introduced at the very beginning of the story Julius Caesar.As he and the other conspiators talking about killing Caesar and how he is bad you see his cowardly side.He talks good about Caesar and defends him when he is around him,but in secret he talks bad about him.So he flips from saying good things to saying bad things and that makes him fake,weak,and cowardly.

     For thousands of years, humanity has been ruled mainly by a Patriarchal society. In this society women have often been seen as objects or inferior humans through the eyes of their male counterparts. The Elizabethan era was no exception to these beliefs, and works of literature often supported these misogynistic views. In Shakespeare's Julius Caesar, however, the author appears to portray the characters of Portia and Calphurnia in a positive light, ignoring the common stereotypes often associated with female characters. Although Portia and Calphurnia have minor parts in the play, their strength is discernible. Both female characters are portrayed as

Julius Caesar was a Roman general and politician who overthrew the Roman Republic and established the rule of the emperors. Caesar used the problems and hardships of the period to create his own supreme political and military power. Roman Emperor Julius Caesar is regarded as one of the most powerful and successful leaders in the history of the world. His life and his violent death have been widely celebrated in literature and film.