Julius Caesar Research Paper

The overall all renditions are block-like and sculpted with geometric reduction of details. The anatomy is made up of planes, completely symmetrical. The hair, ears, and eyes have been reduced to simple shapes – again, all identically symmetrical. Kouros is depicted nude, symbolic of Archaic Greece's emphasis on the ideal individual male and autonomous Greek citizen. In contrast, Aphrodite is a considerably large female (7 feet tall and substantially wider than the Kouros). Given the larger than real-life scale, this statue probably served as a cult image in a temple. The statue's excellent state of conservation also suggests that it was kept indoors. It is free standing but also in an anatomical, not just mechanical sense. The pose is full and rounded, not solely frontal. You get a sense of the body being relaxed, with one hand extended in a gesture that gives a sense of it moving forward.

Everyone knows of Augustus Caesar, the first Roman emperor. There is a whole month named after him. Augustus was a great leader favored by the people and by neighboring countries. But most people don’t know that he also banished his daughter and granddaughter, that his potential heirs kept mysteriously dying, and that he was extremely egotistical. Even though he expanded his empire more than any other leader had before and reformed the entire government of Rome, he still had many pitfalls that kept him from being a perfect leader.

The statues, Heyl Aphrodite and Capitoline Gaul, both contain human-like features, but only one shows the ideal woman figure. By observing Heyl Aphrodite, viewers notice her soft, curvaceous figure. Her body is proportional creating balance and harmony. Fabric hugs the goddess’s body, draping over her right breast, while exposing the left, conveying a sense of sexuality. Her lack of eye contact expresses weakness, while her body posture, with the aid of the fabric, shows movement. Merker compares the artwork in her book, when she writes, “The raised right shoulder gives a sense of movement; although there is no torsion, one feels there ought to be and is reminded of the unstable, twisting movement of the Heyl Aphrodite in

Augustus, who was once named C. Octavius, was the grand-nephew of Julius Caesar. Due to Caesar’s death from the uprising in 44 B.C., it was stated from his will, that Octavian was to be adopted as Caesar’s son. So his name was changed to C. Julius Caesar Octavianus (Porter, 2010). Later throughout his political and military career, he controlled Rome under the title Augustus (Brand, 2013). This begins a story of a young man to an emperor of the Roman world.

He was a very hostile man, and didn’t want the fame that an Emperor should receive. II. Augustus was the very first and was considered to be the best Emperor of Rome. His uncle, Julius Ceaser, was his guardian and sent Octavian to learn under Aplollodurus who was a distinguished

The Statue of Asklepios is a classic Greek sculpture that portrays a person of the most perfect and athletic form. The piece is of a man standing beautifully while draped in a toga. The toga is draped over his left shoulder and cuts across to the right side of his body near his lower abdomen and then continues to cover his legs until his ankle. The toga also is draped over the pieces entire back. The piece is missing his head, his left arm and both his right foot and almost its entire right arm. The piece has a smooth, but not glossy, exterior in all of the areas except for the parts that have been broken off. Asklepios is portrayed as an incredible fit and beautiful being. The abdomen is extremely muscular and shows off the miraculous fitness of the model. The toga has many wrinkles, creating a lot of shadow and darks and lights. It also is wrapped in a way that is both loose and tight in different areas of the sculpture. It is tied right next to the left pectoral and the left armpit. This piece emphasizes the muscular body of this man while at the same time portraying him standing in such a nonchalant way through the curvature and relaxed look of the figure. And unlike the Torso of a God, this piece clearly shows movement through the shape of the body and the folds of the toga because

The statue is a Roman reproduction of a Greek work. It shows Venus, the goddess of love, standing bare-breasted and clutching a piece of cloth draped around her hips. At her feet, there is a dolphin that, practically, adds support to the piece and artistically makes an allusion to Venus's birth from the sea. As the notes from the Getty Museum explain, the statue is derived from a very popular Greek statue created by the sculptor Praxiteles around 350 B.C. The statue was so popular that it was copied by many artists.

Gaius Julius Caesar Octavian hereinafter referred to “Augustus”, was given the title of imperium by age of 19, to gain this, he amassed a private army and marched on the Senate in Revenge for his adopted father’s murder. Augustus developed a peaceful and cultural Ancient Rome . In contrast, both Caesar and Sulla before him, were appointed to dictator under the Lex Valeria (Valerian law) , both had ultimate goals of monarchy, but where Caesar, used the people to ascertain if this would be accepted , Sulla ruled with an iron fist.

Julius Caesar's reign was an unfavorable and chaotic period for Rome, and after his death, a large portion of the empire was handed down to his adopted son, Gaius Octavian. From the ashes of his father, Octavian was able to build an Empire unparalleled. Later, the name Augustus was given to him by Senate. Augustus ostensibly maintained the form of the Roman Republic while in actuality creating the Roman Empire. He introduced the administrative reforms that led to the Pax Romana with its flourishing of trade and the arts. Although Augustus's ascension to power could have not been without it bequested by Julius, it was his use of art and propaganda that reinforced the legitimacy his position.

When examining the statue, there is an old woman bent and weary. Her posture helps clue us in, with her age and the state of her health. The figure is dressed in cloth that drapes off her body as she carries a basket that is filled with what we may think are offerings. On her head, there are vines that create a band around the top of her head used to signify the festival that was going on during that time. The specific detail that is seen on this statue persuades us to want to know the story of this woman. Doing so, the process involves lots of research about the time and art. During the hellenistic period, artists begin to introduce more inner beauty than physical beauty. There is an opportunity to learn more about the structure itself, then settle for what is given and seen.

From an historical perspective, this piece is an excellent example of early classical Rome. You can sense the respect and admiration that the average Roman citizen had for Augustus, in the fine details of the sculpture.

Augustus Caesar was born in 63 B.C , adopted 44 B.C , and died in 14 A.D. He was born as Gaius Octavius, and born Thurinus in Velletri (20 miles from Rome). His mother was Caesar's niece. And was raised by Julia Caesar, Caesar's sister. The country was peaceful under his control. From his birth in 63 B.C. he was Octavius; after his adoption was announced in 44 B.C., Octavian; and beginning in 26 B.C. the Roman Senate conferred on him the name Augustus.

Gaius Octavius, better known to historians as Augustus, succeeded his great uncle Julius Caesar following his assassination. In his wake, Augustus would become the first Emperor of the newly formed Roman Empire and bring massive, sweeping revisions to Roman law as well as centralize the government, military and economic currency of the Empire. He also reemphasized the importance of art, music and literature in Roman culture, bringing about a new era of historically important artists, poets, sculptors, scribes and philosophers. While the beginnings

The Augustus Prima Porta was discovered in 1863. The name Prima Porta derives from the city in which it was found at the site of Livia’s Villa in Prima Porta on the Greek island of Paros. It now resides at the Vatican Museum. The sculpture was made entirely of Parian marble- white semitransparent marble popularized for its sculptural uses. The sculpture depicts Augustus as a powerful military figure with the incorporation of divine imagery. The sculpture is both natural and idealistic in its representation of Augustus. The statue exhibits personalized facial features indicating a sense of natural realism. His facial expression is rather stern, evoking a sense of power and prestige. His physique is athletic, predominantly muscular and measuring to approximately 2.03 metres in height ultimately presenting an idealized form.

Julius Caesar was a Roman statesman who lost it all to foolishly becoming a dictator with king like qualities. Caesars great-nephew, Augustus (then Gaius Julius Caesar) inherited through his late great-uncle, a civil-war torn, distressed country. Throughout the next 40 years from the beginning of Augustus’ reign in 27 BCE to his death in 14 AD, he transformed Rome into a place of great peace. Peace in Rome lasted from 27 BCE to 180 AD, long after Augustus’ death because of the development of the Principate, the reconstruction and social reform of Rome and the Pax Romana. Augustus’ Empire was undoubtedly the most important Empire in Roman history and the peace Augustus created was his greatest achievement during his reign.