Junot Diaz 's Poem ' Negocios '

One’s commitment of immigrating to a new country for a better life indicates that oneself is ready to risk the life given to them by facing many hardships along the way. In the novel Enrique’s Journey by Sonia Nazario, Enrique does exactly that, risking his own life at the age of seventeen in order to reunite with his mother who left him when he was five in order to obtain a better job in the US and give Enrique and his older sister everything she thought they deserved. Nazario utilizes an emotional appeal and metaphors to inform readers of the arduous situations migrants experience on their long and tiring journey in search of a family member and a better future.

Enrique’s journey from Honduras to the U.S. unveils the innate loyalty of a loving child to their mother and presents the dangers that a migrant faces on the road with consistent angst; nevertheless, it supports the idea that compassion shown by some strangers can boost the retreating confidence within a person. In Sonia Nazario’s “Enrique’s Journey,” he seeks the beacon of light that all migrants hope to encounter; “El Norte.” Like many children before him, it is the answer to the problems of a hard life. While being hunted down “like animals” leading to “seven futile attempts,” he is

Junot Díaz’s Drown: A Struggle for Cultural Identity Against an Unjust Society Junot Díaz’s Drown is a compelling and surprising set of short stories, each affecting the reader in a different way, but all making an impression. These stories follow a variety of characters, often depicting the experience of the immigrant experience in the United States. Many themes are present throughout this collection of stories, including a struggle for cultural identity, belonging, love, and loss. According to Lizabeth Paravisini-Gebert (2000), “Drown chronicles the human cost

Cristina Henriquez’, The Book of Unknown Americans, folows the story of a family of immigants adjusting to their new life in the United States of America. The Rivera family finds themselves living within a comunity of other immigrants from all over South America also hoping to find a better life in a new country. This book explores the hardships and injustices each character faces while in their home country as well as withina foreign one, the United States. Themes of community, identity, globalization, and migration are prevalent throughout the book, but one that stood out most was belonging. In each chacters viewpoint, Henriquez explores their feelings of the yearning they have to belong in a community so different than the one that they are used to.

Junot Diaz is a professor at Massachusetts Institute of Technology. He is very widely known for this writing and his background story. In Junot Diaz’s story, “The Money: Starting Out,” he shares a story from his childhood. The story is about when Diaz and his family had just recently moved to New Jersey from Santo Domingo and they felt as if they were “targeted.” The neighborhood that they were living in was not the top of the line, lots of robberies were taking place. The Diazs’ themselves are a victim of robbery, but in the end, everything turns out to be good. Throughout Diaz’s story the reader can better understand and sympathize with this family because of the many uses of pathos and ethos in the passage.

As children grow up in a dysfunctional family, they experience trauma and pain from their parent’s actions, words, and attitudes. With this trauma experienced, they grew up changed; different from other children. The parent’s behavior affects them and whether they like it or not, sometimes it can influence them, and they can react against it or can repeat it. In Junot Díaz’s “Fiesta, 1980”, is presented this theme of the dysfunctional family. The author presents a story of an adolescent Latin boy called Junior, who narrates the chronicles of his dysfunctional family, a family of immigrants from the Dominican Republic driving to a party in the Bronx, New York City. “Papi had been with

Alvarez emphasizes her two failed marriages. It seems like it was a big deal in her life. She described, "I was twice-divorced. No one we knew got divorced at all, and only movie stars got divorced more than once." or " Mami stopped making suggestions. The aunt sighed a lot." These words imply that although she was an adult, her family was very upset about Alvarez's life and they worried about her. In some cultures like American culture, it seems it is fine to get divorced more than one time, however in Iranian culture and Dominican it is a bad thing that can happen to a couple especially for a

Junot Díaz’s Drown, a collection of short stories, chronicles the events of Yunior and his family. Each story focuses Yunior and his struggle growing up as a Dominican immigrant and finding a place for himself within American society. Throughout the progression of the novel, Yunior realizes the stereotypes placed on him and recognizes that being white is advantageous. Yunior’s experience growing up both in the Dominican Republic and the States has shaped his perspective on life and life choices.

Every immigrant has a personal story, pains and joys, fears and victories, and Junot Díaz portrays much of his own story of immigrant life in “Drown”, a collection of 10 short stories. In each of his stories Diaz uses a first-person narrator who is observing others to speak on issues in the Hispanic community. Each story is related, but is a separate picture, each with its own title. The novel does not follow a traditional story arc but rather each story captures a moment in time. Diaz tells of the barrios of the Dominican Republic and the struggling urban communities of New Jersey.

One thing all human beings have in common is the struggle for self identity. Children are raised by parents or guardians who have struggled and fought for their own identities. In many cases, parents are still trying to figure it out, while raising their own children. Such is the case with the characters in Junot Diaz’s, The Brief Wondrous Life of Oscar Wao. The theme of identity is conveyed through the characters’ Dominican culture, social standing, and in finding love. Oscar, Lola, and Yunior are three central characters in Oscar Wao, who’s Dominican cultural and familial expectations were major obstacles as they struggled to establish their identity.

To practice machismo, also known as masculinity in a Dominican culture, males have to hide their flaws and act a certain way. If men express their un-masculine nature, they will be seen as expressing their weakness. In Drown written by Junot Díaz, contains many stories about Dominican Republic male struggles as an immigrant in America. One of the struggles Díaz expresses in his text is appearing masculine in society’s eyes. From the story “Drown”, the unnamed narrator expresses what it means to be masculine. “Boyfriend” is a story about another unnamed narrator observing his neighbor’s relationship, and comparing it to his own past. Yunior, the narrator of the story “Negocios”, explains the history of his father Papi, also known as Ramón. Society creates many definitions for what it means to be masculine, leading the narrator from “Drown”, the narrator from “Boyfriend”, and Ramón struggling to choose between doing what they want for themselves, or do what society wants to see.

As much as Pedro is in love, or at the least lustful for Tita, he still cares for his family. He doesn’t have any sexual interest in Rosaura, now more than ever due to her weight and stench, but he does care for his daughter, Esperanza. Leaving your own child, your own flesh and blood isn’t something most people would do.

Specifically, the scene where Guillermo “Memo” brings his wife and her family to meet his family (Nava, 1995). Explicitly, changing his name to Bill instead of using his birthname, lying to his spouse’s family about Jimmy and making Jose lie about El Californio’s grave in the backyard (Nava, 1995). As a result, this scene if described by Antonia Hernandez would follow one of the four sectors of the acculturation process, notably Guillermo would have fallen into the integration section. Guillermo shows his discomfort about showing his spouse’s family, the Gillespies, the stories of his family by appearing to be hiding part of his familial heritage, lying that he has never been to Mexico, and making his dad lie about El Californio (Nava, 1995). Now there are possibly several factors that convinced Guillermo to integrate himself into American culture.

Ramon’s plan to rob the casino erupts into a blood bath. Velez learns his own son betrayed him and killed Carmen. When Ramon learns that Isabella is going to marry Miguel, he shoots her. Velez meets with Caesar, who has arranged for Sanchez to assassinate Velez and for Diego to take over. However, Velez turns the table on Caesar. He reveals that Diego is his biological son. Also, Sanchez and Velez have always been working together. Caesar is shot and

Ramon was a flat Character and his father was round character. Ramon and his parents came to the United States from Cuba when Ramon was a little child. Ramon’s father did not have a job and they wanted Ramon has