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Juuxtaposition And Diction In In Cold Blood By John Capote

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Murder happens every day. When someone hears the term “murderer” on the 5 o’clock news, they often think about the victim, and how devastating the occurrence must be to the friends and family of the victim. Often people don’t think about the murderer. Thee book “In Cold Blood” offers a new and unique point of view. Through the use of amplification, juxtaposition, and informal diction, Capote offers a new perspective on murder cases, and causes readers to think more in depth about everybody involved in the murder.
In the book “In Cold Blood”, Capote utilizes large amounts of amplification, particularly when giving descriptions of people. When Capote writes descriptives of perry and dick he writes about how Dick had received many injuries that resulted in a “face, which seemed composed of mismatching parts. It was as though his head had been halved like an apple, the put together a fraction off center. Something of the kind had happened; the imperfectly aligned features were the outcome of a car collision in 1950-- an accident that had left his long-jawed and narrow face tilted, the left side rather lower than the right, with the results that the lips were slightly aslant, the nose askew, and his eyes being not only situated at uneven levels but of uneven size. . .” (capote 31). This level of descriptive is not often used when describing a cold-blooded killer. The significance being that the reader is left to almost feel sympathetic to Dick for having been through a car

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