Juxtaposition In The Great Gatsby

Throughout the book, F. Scott Fitzgerald uses many juxtaposing forms in his writing. Evidently, he opposes two forms from the kiss scene and the final scene of the novel. During the kiss scene, Gatsby says that “when he kissed this girl, and forever wed his unutterable visions to her perishable breath, his mind would never romp again like the mind of God.” Fitzgerald states that Gatsby’s mind will never “romp” anymore which shows that Gatsby’s dream of being with Daisy will finally be accomplished and he will not be constantly dreaming of being with her. The word “wed” also builds on this idea of achievement because when you wed someone, you are making an enormous commitment to that single person. This idea of being wedded to Daisy shows

A soft breeze lifts off the Sound and brushes Nick Carraway’s face as he emerges from the shadows into the moonlight. His eyes first gaze across the bay to the house of Tom and Daisy where Nick sees past the walls to people who “...smashed up things and creatures and then retreated back to their money or their vast carelessness or whatever it was that kept them together...” (Fitzgerald: 187- 188). Nick’s head then turns to his side where he views Gatsby’ s mansion. His heart swells for the man who was unable to let go of the past, and move toward his future. With the two houses juxtaposed in his mind’s eye, Nick ponders his experiences in the East, and enters the car to take him home with a new

In The Great Gatsby, Daisy and Tom Buchanan are two wealthy but careless residents of East Egg, New York. Jay Gatsby, Daisy’s old boyfriend, lives in West Egg and recently became wealthy, as opposed to the inherited wealth that she and Tom have. Gatsby is still in love with Daisy, and throws parties every weekend in an attempt to get her attention. Towards the beginning of the novel, Gatsby invites the narrator Nick Carraway, who is also his neighbor and Daisy’s cousin, to one of his parties. In chapter three of The Great Gatsby by F. Scott Fitzgerald, Nick uses vivid imagery, figurative language, and syntax in descriptions of Gatsby’s parties in order to communicate both the enticing appearance of wealth, as well as its destructive nature.

Anna Luise’s mother is very similar to the characters of Daisy in The Great Gatsby and Mrs Montgomery in Doctor Fischer of Geneva, in that they all hurt people in pursuit of their own gains, thus leading to the conclusion that love and tenderness are not the hallmark of femininity. Anna Luise’s Mother, although an overlooked character, is one who symbolises Fischer’s contempt for humanity. Moreover, the speaker’s inability to commit herself to her husband, Dr Fischer, is made apparent when Greene states she ‘was leaving him by entering a region into which he couldn’t follow her’; perhaps suggesting that she has found peace by leaving him. The words ‘leaving’ and ‘region’ reinforces the idea of abandonment. The juxtaposition of the words ‘leaving’

Through Gatsby, Fitzgerald displays a wistful tone by illustrating Gatsby's yearning to start over, contradicting the compelling nature normally associated with the “Roaring 20’s.” For instance, Gatsby’s regretfulness is shown in his “want[ing] to recover something, some idea of himself,” contrasting the glamorous and thrilling view of the “Roaring 20’s” (110). This reveals how Gatsby longs for a chance to be with Daisy once again. In addition, a wistful tone is established by Gatsby’s longing to start over. Nick notices that Gatsby’s “life had been confused and disordered since then, but if he could once return to a certain starting place” he could find the missing piece he was searching for (110). This description of his life signifies that

Through the use of powerful diction and irregular syntax, Fitzgerald creates feeling of unfulfilled potential. Fitzgerald uses clear, piercing phrases such as “Daisy tumbled short” and “colossal vitality of his illusion” to show how unreachable Gatsby’s dream had become for both parties involved. Fitzgerald’s strong word choice illustrates the magnitude of the change happening in Daisy and Gatsby’s relationship, and how Gatsby and Nick are both feeling anticlimactic with the aforementioned change. Gatsby has been hoping and dreaming of having Daisy’s love again for nearly five years, and Nick has planned this meeting for the two to act as a catalyst for the rekindling of a flame Gatsby and Daisy once had. In other words, Gatsby and Nick both have their hopes up and some investment in the reunion. Daisy on the other hand “tumble[s]” in and is excited and joyous. She had not dreamed of this, planned on this, or hoped for this like the

Fitzgerald utilized details to mirror the external and internal worlds to illustrate to the reader the changes that happen in Gatsby and Daisy’s relationship. This emphasis makes their tragic relationship more dramatic, it illustrates to the reader how their relationship progresses and how it’s doomed to fail. Examples of this are when Daisy and Gatsby meet once again, during lunch at Daisy’s house, and in the moment of Gatsby’s death.

The passage is structured into three sections, each differing in the use of narration, description, and dialogue. The first paragraph is Nick’s narration that prepares the reader to discover the “strange story” of Gatsby’s youth. The following five paragraphs are an intriguing mixture of narration and description. Gatsby’s descriptive revelation of his past is retold through by Nick’s narration. The filter of Nick’s own opinions inevitably affects the nuance of Gatsby’s experiences. Nick’s biased disapproval of the rich is conveyed through subtle words such as “bought luxury,” which implies his scorn for the rich who enjoy excessive luxury at the expense of others’ efforts.The last paragraph consists of Gatsby’s monologue only, in which the expression of his thoughts are independent of Nick’s opinion. Through this Fitzgerald provides the reader with Gatsby’s honest thoughts, in which his illusions are further made obvious. For example, his misguided belief that Daisy thought he “knew a lot because [he] knew different things from her” is overconfident and idealistic, giving the reader an insight into his character.

The theme at the heart of the novel “The Great Gatsby” by F Scott Fitzgerald lies in the doomed relationship between the protagonist, Jay Gatsby and Daisy Buchanan. Narrated by Nick Carraway, the friend of Gatsby’s whom Gatsby finally confides in at the most tragic moment of his life, the story unfolds against the backdrop of the roaring 20’s.

“In his blue gardens men and women came and went like moths among the whisperings and the champagne and the stars” (Fitzgerald 39). In his character, his relationships, and his gatherings, Jay Gatsby epitomized the illusion of a perfect romance. When Gatsby and Daisy met in 1917, he was searching for money, but ended up profoundly falling in love with her. “[H]e set out for gold and stumbled upon a dream” (Ornstein 37). Only a few weeks after meeting one another, Gatsby had to leave for war, which led to a separation between the two for nearly five years. As “war-torn lovers” Gatsby and Daisy reach the quintessential ideal of archetypical romance. When Gatsby returned from the war, his goal was to rekindle the relationship he once had with Daisy. In order to do this, he believed he would have to work hard to gain new wealth and a new persona. “Jay Gatsby loses his life even though he makes his millions because they are not the kind of safe, respectable money that echoes in Daisy’s lovely voice” (Ornstein 36). Gatsby then meets Daisy’s cousin, Nick Carraway, who helps to reunite the pair. Finally being brought together after years of separation, Gatsby stops throwing the extravagant parties at his home, and “to preserve [Daisy’s] reputation, [he] empties his mansion of lights and servants” (Ornstein 37). Subsequent to their reconciliation, Tom Buchanan, Daisy’s husband, begins to reveal sordid information about Gatsby’s career which causes Daisy to

When Gatsby reveals to about his relationship with Daisy, Nick’s relationship with Gatsby takes a full u-turn as it rapidly advances their association from simple acquaintances to close friends. Nick’s outlook of Gatsby undergoes a similar transformation. When Nick learns of the previous relationship between Gatsby and Daisy, Gatsby’s actions make sense to Nick. The mansion, the extravagant parties, and the green light were all in the efforts for making Daisy notice him. Gatsby lives his life for the past life that he lived. He spends his life seeking the attention of his love, Daisy, and as Nick explains, “He wanted to recover something, some idea of himself perhaps, that had gone into loving Daisy. His life had been confused and disordered since then, but if he could once return to a certain starting place and go over it all slowly, he could find out what that thing was…” (Fitzgerald 110). Gatsby sought out the American dream in order to win over the love of Daisy which creates a different perception of himself to Nick. Nick, now knowing Gatsby’s intentions worries about Gatsby’s possible rejection, and then warns him that, “[he] wouldn’t ask too much of her, you can’t repeat the past.” (Fitzgerald 110) But Gatsby, blinded by love, strives to win Nick’s married cousin’s heart. Nick perceives Gatsby as a man dwelling on the past

In the novel The Great Gatsby, Fitzgerald uses tone, diction, syntax and imagery to voice Nick's perception of the world around him. In this passage his use of language is used repetitively to convey Jordan Baker, Daisy and Tom Buchanan's lives. On the outside it may look like they all are living a perfect and ideal life, however Fitzgerald's illuminating use of language highlights how far from perfect their lives truly are.

It is often said that certain literary works and characters within such works represent real-world issues. In the work The Great Gatsby by F. Scott Fitzgerald, the character of Gatsby is shrouded in ambiguity to the reader, providing them with a possibility for personal interpretation. In the work, Gatsby’s character develops from a character representing materialism and a fixation on status to one filled with humility and selflessness for his romantic devotion towards the character of Daisy. Through this shift, the reader is provided with insight in order to draw parallels between Gatsby and two distinct periods in American history. The materialistic side of Gatsby, driven by wealth and his status in Long Island, represents the moral corruption and materialistic desires of America in the 1920s, whereas the romantically devoted Gatsby represents wartime America, devoted to sacrifice and nobility. The contrast within the life of Gatsby allows for a profound insight into the significance of the work as a representation of changing American values.

A narrator, by definition, is how an author chooses to portray information to readers in their work. An author’s choice, in how to tell a story is ideal to the effect it has on readers. In F. Scott Fitzgerald’s timeless classic The Great Gatsby, Nick Carraway tells the entire story as a first-person, peripheral narrator. Fitzgerald purposefully chooses Nick as a partially removed character, with very few emotions and personal opinions. By doing so, readers experience the same ambiguity of other character’s thoughts, are carried smoothly throughout the plot, and Nick’s nonjudgmental character lets readers form opinions of their own.

In literature the juxtaposition of two characters is often seen to make people want to read the book and also see if the two characters are really that different. In The Great Gatsby Fitzgerald creates an effect by comparing different characters such as Gatsby and Tom. He creates this juxtaposition to show the American dream and the reality of the society he shows the behind the scenes of how it is really like to be rich which doesn’t mean everything is perfect when you have money.