Juxtaposition In The House On Mango Street

With all of the bad things going on around Esperanza, she was very optimistic and made the best of everything she could. For example, in chapter one, Esperanza explain how she and her family had always grown up poor and that they always had dreams of one day owning a big beautiful house like the ones that they saw on television. One with a back yard and a basement. When Esperanza's family was forced to move her parents had purchased the first house that they could afford so they wouldn't have to continue paying rent. The house was nothing like what they had spoke of or dreamt about. But Esperanza states, "I then knew I had to have a house. One I could point to. But this isn't it. The house on Mango Street isn't it. For the time being, Mama said. Temporary, says Papa. But I know how those things go.." Within this paragraph it shows that Esperanza isn't exactly happy about where she is living but she is going to make the best of it and do what she has to do to get out of there and have a house of her own. One that she can point to.

Imagine feeling like you don’t belong and never will, or that the odds of your success is a slim chance to none. The House on Mango Street written by Sandra Cisneros, leads us into a world of poverty, broken dreams, and slithers of hope. The House on Mango Street follows the life of a young girl by the name of Esperanza Cordero, who occupies her childhood in an indigent Latino neighborhood in Chicago, Illinois. The books expresses her dire need to have a place where she can call home, and escape the harsh reality of her expected life. Though, her life on Mango Street is bearable with help of her little sister Nenny, her two best friends Rachel and Lucy, and her other friend Sally. On her journey to adulthood, Sandra Cisneros will show how Esperanza assimilates into a mature young lady, who truly find her identity, and develops emotionally as well as physically.

Esperanza parents promised her that they were going to get a house, but the house they get does not meet Esperanza assumption. " And our house would have running water and pipes that worked. And inside it would be real stairs, not hallway stairs, but stairs inside the house like on T.V. (page 4 The House On Mango Street) Esperanza didn’t like her home.

In The House On Mango Street, By Sandra Cisneros, The author talks about her outdated and poor community in a Latino section of Chicago through Esperanza's character. She is forced to constantly move from broken down apartments, to tiny rundown homes. Esperanza recently moved into a poor and outdated, mostly Latino neighborhood in the city of Chicago, which is very similar to the author's hometown. In vignette number one Esperanza says, “The house on Mango Street is ours, and we don't have to pay rent to

The novel “The House on Mango Street” is written by Sandra Cineros. It deals with family, neighbourhood and dreams of a young Mexican girl, Esperanza Cordero growing up in Chicago. The novel begins when the Corderos move into a new house on Mango Street in the Latino section of Chicago. The fact that it is the first house they have ever owned, make them proud. But when Esperanza sees it, she is disappointed by the red, dilapidated house. It is not the one their

The House on Mango Street is a collection of vignettes written by Sandra Cisneros that is about a young Mexican-American girl named Esperanza, and the struggles of her life as she transitions from childhood into adulthood. Esperanza wants to find her true identity, but the conflicts and struggles that she faces throughout the story. Her town is a part of her adventure to find her self identity. She picks herself up, learning and figuring herself out throughout the novel. The author uses symbolism throughout the vignettes to convey the deeper meaning of conflicts developed in the novel, to show the difficulties of growing into adulthood.

When passing through a poor neighborhood, have you ever thought, “this place is dangerous.” even though you just see what’s on the surface? The dirty buildings, run down stores, and unkempt roads persuade us to perceive that neighborhood in a negative light, but you might do this unconsciously because ever since we were young, socioeconomic status is what separates the “good”, from the “bad”. Sandra Cisneros’, House on Mango Street, shows us how harmful having a previous notion of a place or person can be. In the novel, we meet Esperanza Cordero, a girl whose parents never strived above the working class. Because of their low income, they are forced to move into neglected homes on the verge of crumbling, their final stop being Mango

It means sadness, it means waiting” (10). Not only is Esperanza’s name a way to trace her origin but it is also symbolic to the book as a whole. Her name illustrates how the Spanish inside her is sad and it is putting her in a position that is weighing her down and keeping her from becoming someone. The English counterpart is what is keeping her going and motivated to find a way to escape Mango Street and all it encompasses. Just like a genuine immigrants dream when they come to America, Esperanza’s name means “hope” and she uses this hope for a better life to “One day I will pack my bags of books and paper. One day I will say goodbye to Mango. I am too strong for her to keep me here forever. One day I will go away” (110). Cisneros uses the name of her character to give her a place in a Latino setting and start expounding on her thoughts and feelings that come with that life.

“Born Bad” is the vignette I chose to address from The House on Mango Street. I didn’t find it to be significant at first because of the style of writing the author uses. I’ve not read any books using little vignettes as chapters. This style of writing makes me feel like I am reading about situations that seem random and disconnected. Esperanza was born on the evil day, what does this really have to do with her being a woman and not fitting in on Mango Street? Lucy, Rachel, and Esperanza made fun of Aunt Lupe the day she died, a sad event but what does that have do with her being a foreigner on Mango Street?

In The House on Mango Street, the vignette “The Family of Little Feet” first seems like a random story, and is often disregarded, overlooked, and labeled “insignificant” because the story is oriented around three pairs of high-heeled shoes that arealmost immediately thrown away. As a result, seems like an arbitrary story that isn’t connected with the other vignettes. However, after careful reading, the story is relevant to the story since the shoes are a symbol that helps us further understand the characters and develops a theme.

The symbol for the theme, everything is not as it appears, relates to Rafaela, Sally, and Esperanza is a bird cage. The girls are trapped in a cage much like beautiful birds are kept from the outside world. However, all the girls dream of becoming worth something to the outside world. Rafaela and Sally are physically trapped by the male figures in their lives, where as Esperanza is mentally trapped within her own insecurities.

Symbolism plays a large role in the structure of most art styles. Whether the style is music or film making, the tactic of symbolism has the potential to show the creativity of the composer. Vyacheslav Ivanov, a notable Soviet writer, said it best. He described symbolism as “an art, that is, significant and “complex," able to "suggest" that which in itself purposely remains unexpressed or, at most, is faintly suggested; that is to say, an "under- ground current of thought" and, as it were, an "invisible" world behind the clearly expressed image. Likewise, the novel, The House on Mango Street, effectively employs the strategy of symbolism to transform messages that are initially viewed as simple into messages that have deeper meaning. While

Lindsey Rietzsch once said “A negative attitude drains, a positive attitude energizes.” This quote means that having a negative attitude lowers your self versus having a positive attitude where is actually increases attitude and it energizes you by inspiring you. “The House on Mango Street” sets up in Chicago, where the narrator(Esperanza) lives on Mango Street. The House on Mango Street that Esperanza lives in is really bad condition and old. It is so small that the narrator has to share beds in the same room with her family. Esperanza begins to lower her self esteem because she does not like where she lives and every time when some asks, “Where do you live?” She wants a real house that she could point to and she thinks the House On Mango street is not. But later, along the times, Esperanza’s negativity of herself begins to slowly change by looking at nature and take a closer look at the environment she lives in. Cisnero shows that knowing and being able to accept where our background is from is an important part of growing in life also as determining the real you.

Everyone has challenges in their life, their feelings behind their actions make them who they are. In the novel The House on Mango Street by Sandra Cisneros there are many conflicts which explore the characters, to get to know them closer. The internal conflict is used to discover the identity of the main character, Esperanza.

Have you ever felt like the place you belonged to didn’t belong to you? In The House on Mango Street, this is how the main character, Esperanza, felt. The author, Sandra Cisneros, did a good job in portraying a girl who couldn’t find her place. She had a problem accepting where she was from, The House on Mango Street is heartfelt novel and is great to pass the time. In this story, you will be shown the lives of Esperanza, her sister Nenny, their two best friends Rachel and Lucy, and the many people who lived on Mango Street. This book is about a girl who went from denying her place to accepting it.