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Juxtaposition Of War

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One other juxtaposition of this film is war. In this scene, It detonates the firebombing of civilians which is an act of 'war crime' and the colour red connotatively being the sign of danger. Therefore by reading this scene, it is a reflection of Miyazaki's anti-war pacifism and disapproval to war. It also signifies civilians being victimised in this film while the palace is protected by magic. Suggesting that politicians are allowed to stay in a safer place, while civilians are victimised despite the fact that they are not directly responsible for pursuing the war. Referring to this statement, 'If someone really thinks, in advance, that it is open to question whether such an action as procuring the judicial execution of the innocent should …show more content…

It is true by definition that murder is wrong, however wars, particularly modern wars, seem to require the killing of the innocent, e.g., through anti-morale terror bombing. Therefore war (at least modern war) must be wrong. If accepted, it seems to encompass the immorality of war, like the position of pacifism and the moral faultily of those who engage in war. This is being reflected on the ethics of killing in war. Howl is a representation of pacifism as he does not obey the royal summoning of the coming war preparation. Howl undergoes a physical transformations into a bird like creature and fights of the military. This animated transformation into an animalistic creature during wartime is an obvious metaphor, like myth in that humans are losing their humanity in war. This transformation signifies the animalistic features of a crow and direct links to the presence of crows at battlefields, ready to dine upon the …show more content…

As Howl heart is in the possession of Calcifer's from their previous deal, the demon needs something of Sophie’s in order to complete her bidding. Sophie hands him a strand of her hair. After it has been removed, the remainder of her hair fans out to her shoulder. This symbolises how Sophie is chucking aside some of her vanity, or at the least, attainting a new level of maturity. Also culturally, cutting off hair in ancient Asia as a women symbolises the forgotten past and wanting to start anew. Sophie does this, however it could be considered culturally different with various interpretations elsewhere. This relates to Bignells statement of how culture determines the connotations. Although these meanings or myths, as they are correctly called, can complete change, “The myths which are generated in a culture will change over time, and can only acquire force because they relate to a certain context.”(Bignell, 2002) So the meanings behind the hair can completely change, in regards to the movie, it can change how a whole society interprets it, and people will gain their own different meanings from

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