Kaddish Poem

The dripping droplets of sangria left scars of acne blood pockets on the vast hirsute landscape of his right hand’s skin. The fresh plasma fluid oozed out of his pores as if long, gnarly fingernails squeezed the layer of skin coating the yellow pulp from a new ripe pimple. His heart precipitously pumped into a state of distress as if he was a teenager, with a red-spotted face, being confronted by bullies. He was a hostage to the sharp, rounded metallic end pointed in the direction of his head. He stood at the edge of death’s abyss…

Ginsberg describes Beatniks who ate, wept, coughed, plunged, cut, balled, hiccupped, howled, broke, burned, cowered, and sank, yacketyyakking, screaming, vomiting, whispering. These endless verbs range from ecstatic to violent and give the poem an almost frantic tone that reflects the lives of the oppressed. Ginsberg even titles his poem “howl,” a cry of emotion and sorrow. To howl is to wail in self-pity, to be helpless and alone. Hearing a howl is both frightening and piercingly sad. A howl is a perfect representation of the collective cry of the Beats; a people trapped like helpless animals with nothing to do but howl in despair.

No one in life ever wants to face things alone. On this Howl of a journey that Ginsberg is on,

The 1950s was a decade of extremes and abrupt change where the inhabitants of one of the most robust nations were led to their most vulnerable states, shuddering in fear of Communist tactics as a result of the immense Cold War tensions, lingering in the atmosphere from mainstream media and technological advances. Eliot Katz, author of Poetry and Politics of Allen Ginsberg, highlights Ginsberg’s political impact “[i]n an era filled with too much military conflict, regressive economic policies, and the backsliding of civil liberties, the legacy of Allen Ginsberg [will remain] as important as ever,” (12). Rebellious revolutionary, avid activist, and insightful poet, Allen Ginsberg, wrote and published radical works of poetry during his lifetime,

Similar to Marx, Ginsberg is against the idea of a small fraction of the people having significant control and power. Even though the poem is harsh on America, the goal of the author is not to shun or shame the country but try to better it. He is an extremely critical patriot trying to correct America’s flaws.

With reference to Ginsberg's emulation of Walt Whitman's content, the Norton Anthology, Postmodern American Poetry, states that, "Ginsberg proposed a return to the immediacy, egalitarianism and visionary ambitions of Blake and Whitman." (130). His poem "America" caters toward themes of democracy, something Whitman's poetry also does. Yet unlike Whitman, Ginsberg takes a more questioning stance on America and does not use his poem to praise the nation.

Ginsberg reflects on the satire of people worshipping American culture when it is actually the cause of their trouble. Which glorifies a civilization restricting you to normality, and destroying the best minds. These parts take the reader behind Ginsberg’s belief of the “best minds” American culture changes across the fundamental desires to destroy them.

Century apart, Allen Ginsberg and Walt Whitman share similar cultural, political and moral values, which they express in their literary work. Whitman’s writing is considered controversial for the eighteen hundreds. He sets the stage for generations to come breaking way from the strict Victorian poetic tradition by writing in free verse. Ginsberg follows his footsteps when composing his poem “Howl” by writing in long lines almost resembling prose and subdividing the poem into several parts. Likewise, he uses numerous repetitions to achieve rhythmicity of his verse. Ginsberg’s poem is heavily influenced by Whitman’s philosophy. The works “Song of myself” and “Howl” are similar in ideas, structure and underling themes. The two authors protest against old traditions imposed on the individual by corrupt society, stand against conformity and put emphasis on the need for change. They identify with their generation and dwell on themes such as sexuality, religion and the state of American society.

Ginsberg’s work often represents a struggle for spiritual survival in a dehumanized, repressive society. This can be seen in his writing of “Howl”:

Therefore, in the very beginning, Ginsberg presents to the reader the subject and tone of the poem in the context of this question. Ginsberg’s questions make the audience realize the seriousness of the issues that this poem discusess, such as America, politics, war, humanity, and ethics.

Poet Allen Ginsberg composed "Howl" in 1955 and it was published by City Lights Books of San Francisco, CA the following year. He composed the poem in the middle of the 1950s, one of the greatest decades in history for mainstream America. It had been a decade since the American and Allied victory in the second world war. Numerous American men returned home to a country in much better shape than expected, with many women having entered the workforce to keep the economy and industry alive in their absence. The spoils of war were great and America saw a great era of prosperity and domestic, suburban bliss. More interstate highways were constructed. Many more cars were produced and bought. It was a classic era for mainstream American culture in the 1950s. Yet in the haze of the suburbs, expansion of television, growth of Hollywood, and cars, present here were the seeds of rebellion and counterculture that was more indicative of the following decade, 1960s. One such seed is the poem

Allen Ginsberg is a brand name of the Beat Generation. In Howl, Allen Ginsberg expresses his unconventional views of society throughout the poem. He references his hate for mainstream living and his love for the dark underground world of self expression and spiritual freedom. Ginsberg’s language and opinions are contentious for the 1950s. Howl is written to open the eyes of Americans, and to cry out against conformity and exploitation.

There are many similarities between Whitman’s “Song of Myself” and Ginsberg’s “Howl”. Whitman’s influence can be noticed in Ginsberg’s work which range from a similar style of format, structure, a concern with the general population of America, and the impact that these two great writers had on the rest of the literary world. Another significant influence that Whitman has for Ginsberg is the fact that Whitman had been considered an outcast from the literary world of his era. Whitman appeared as a plainly dressed working man rather than a fancy high societal poet. His long winded style, free verse, and sexual exposure made Whitman stand out from the rest of the other poets. Ginsberg was also not accepted among the poets of his generation. His literary works were banned from the public’s eye. Another similarity was between the two was their subject matter. In the introduction of leaves of grass, Malcolm Cowley said, “Its subject is a state of illumination induced by two (or three) separate moments of ecstasy”.

Allen Ginsberg was one of the founding fathers of what is considered the Beat Generation and the Beat Movement. Throughout his entire life he wrote multiple poems which voiced his certain opinions and thoughts about what America had been going through at the time. American poet, writer, and philosopher, Allen Ginsberg uses his life experiences and ideas on resistance, freedom, and the Beat Movement to express specific ideas within his poems.

The sheer audacity of a statement like this in 1955 has no comparison in present-day American society. In effect, Ginsberg was announcing himself as a criminal, a felon, and a traitor. Yet he antagonizes the situation further by saying, "You should have seen me reading Marx. / My psychoanalyst thinks I'm perfectly right." (P-M 369) Ginsberg's cynical nature shines here as he is pronounced sane by a doctor, who is probably certified by a federal department of medicine, when Senator McCarthy would have you believe that Communists are dangerous and/or mentally instable. It is also important to mention the reference made to marijuana in this passage. Ginsberg was an avid marijuana user and was at the forefront of the psychedelic revolution in the late 1960's, but it is apparent that he used the hallucinogen regularly almost a decade earlier.