Kafka Metamorphosis Analysis

The title of the story “The Metamorphosis”, by Franz Kafka is misleading. Merriam-Webster defines metamorphosis as the “change of physical form, structure or substance, especially by supernatural means, a striking alteration in appearance, character or circumstance”. While there is an obvious change in the appearance of the character Gregor Samsa, it becomes apparent after reading the story, that his appearance is not the only thing that transforms. In the story, Gregor wakes up one morning to realize that he has changed into a giant insect. Not only did he transform into a creature, but he was also stripped of his humanity. The author Franz Kafka uses this symbolism to focus the reader's attention on one character that mirrors himself and his life. Both Kafka and Gregor are traveling salesman from Prague, experience dysfunctional personal relationships throughout their life and suffer from psychological conditions including alienation and isolation. Franz Kafka’s life, a heartbreaking story of human conflict, parallels with the main character of metamorphosis, Gregor Samsa.

In Kafka’s “The Metamorphosis”, the character Gregor transforms from a man into a bug, specifically a cockroach. Although Gregor physically changes, he does not change as a person. Gregor merely accepts his new condition as a bug and his family’s continuous abuse and hostility. Gregor’s acceptance of his new bug form is representative of his passive personality before and after his transformation. Gregor’s passivity, in response to the hostile world around him, causes his eventual downfall. Therefore, Kafka uses the character Gregor to exemplify how a passive attitude can cause one’s demise.

Everyone has people they depend on. People that he or she knows will always be there when they’re needed. But what happens when those people just don’t show up or just all of a sudden stop caring? The feeling of loneliness can break down a person’s character and reduce him to a shell, or in this case and exoskeleton, of who he once was. We can see this in The Metamorphosis by Franz Kafka. When Gregor Samsa finds himself transformed into a giant beetle-like creature, what he needs more than anything is the love and support of his family, but he disgusts them. They shut him up in his room so that no one can see him. They are ashamed of him, and quickly forget that he was part of their own flesh and blood. All that they can see is the monster that appears on the on the outside. Gregor’s sister and parents betray his love for them and leave him feeling lonely in the most terrifying and desperate time of his life.

In the metamorphosis by Franz Kafka, there are significant actions and transformations which make the story sad, and strange with a happy ending. Explanations that are dramatic events that intensify the excitement of all these actions. Reality and reflection play an important role in this story because the events that happened could be applied and assimilated with modern society.

Ralph Freedman’s critical essay titled “Kafka’s Obscurity” on Franz Kafka’s The Metamorphosis delves into the idea that from changes in the protagonist’s physical limitations, familial bonds, and his being “[he] is finally reduced to a mere speck of self-awareness which is ultimately extinguished” (Freedman 131). General questions of “why” and “how” are almost immediately dismissed due to the calm and monotonous tone that Kafka implements throughout the novel. Instead, the reader is encouraged to ponder the consequences of separating one’s mind from their body, in particular, how long can their humanity stay intact when the rest of them is replaced. Freedman reveals the “paradoxical” (Freedman 131) nature of The Metamorphosis in which the demise of one’s life may also be blissful release, especially when the individual in question was arguably inhuman to begin with. The transformation itself is emphasising the character’s current dejection and is highlighted by the transformations mirrored in the family as well.

Growing up, Franz Kafka questioned his father’s use of power not only at home but also in the workplace. Kafka’s father referred to his employees as “paid enemies.” Upon noticing “the submissiveness expected of [workers] toward their superiors” in his own asbestos factory, Kafka found this true for not only his father but also most of the upper class (Speirs and Sandberg 7). Disappointed by this class hierarchy, Kafka attended anarchist meetings and referenced communist writers in his diaries (Cohn). These meetings led him to develop a similar ideology to Karl Marx, who attributed “all… [of] history [to] class struggles.” In The Metamorphosis, Kafka channels a Marxist viewpoint through Gregor Samsa’s life before his metamorphosis and his family’s life after the metamorphosis.

Everyone knows that one person from school who does not fit in. These people are known to us as strange, weird, and different from the standards set by the majorities of society. In the article, “Isn’t Everyone a Little Bit Weird?” at the beginning of Unit 2 in the My Perspectives textbook, the reading describes how even the most remarkable individuals how some hidden unexpected traits. “The Metamorphosis” is a short story by Frank Kafka. Gregor, the main character, wakes up to realize that he has turned into a bug. Throughout the story, we see how his life is slowly falling apart as his family suffers from his transformation. Overall, outsiders are not those who are misjudged or misunderstood because everyone is weird in some way, even as they attempt to fit in, people never take time and are quick to create judgements of others, and society wants all identities to be equal in order to avoid the fear of change.

The very first line of one of the most famous novellas of the 20th century, Franz Kafka’s Metamorphosis, is puzzling. It tells us that the main character awakes one day and finds himself turned into “ungeheueren Ungeziefer” (Gooderham par. 4). It has proven difficult to translate the line into English, as there is no precise translation. Meaning some “enormous or monstrous kind of unclean vermin” (Gooderham par. 7), it denotes “something nasty, but not specific” (Robertson 2:31). The meaning of the whole story remains similarly uncertain, and numerous readings of it have emerged in literary criticism. In our paper, we will make an attempt to give a possible interpretation of the novella, supporting it with some arguments, and then we will discuss the story’s ambiguity further.

‘The Metamorphosis’ by Franz Kafka, the composer of the novel, explores the relations between an outsider and an insider, and Gregor Samsa’s relationship with his family, gradually following up on how Gregor decided to become an insect that he was physically being seen as, although he had been psychologically/ mentally been feeling like an “insect” for a while now. Gregor allowed himself to transition into an insect, as he chose he would let his family affect his personal happiness. Subsequently, he made the choice to become accustomed to the routine of the life he was living, to exclude and suppress himself from all persons and things, and to become fully focused on his job and his duties, despite the fact that he despised it so much. Gregor wanted to believe that he was in full control of his own life and emotions, when he only allowed his family to affect him thoughts and progression, similarly just like Kafka’s did as well as confiding to become an insect

Without the constraints of external forces, is human nature inherently good or evil? In Franz Kafka’s novella, The Metamorphosis, Gregor Samsa’s transformation into a "monstrous vermin” serves as a window into the human psyche. Through lack of obligations, decreased sense of shame, and increased sexual drive, Kafka reveals Gregor’s relationship to the outside world weaken, as his internal instincts grow stronger. Kafka utilizes Gregor’s transformation as a symbol to show the dangerous potential of the human “id”, a term coined by Sigmund Freud, to break down social norms. This psychological venture reveals humanity’s true instincts as animalistic, when not contained through personal and societal pressures.

Many views of existentialism are exposed in Kafka's Metamorphosis. One of these main views is alienation or estrangement which is demonstrated by Gregor's relationship with his family, his social life, and the way he lives his life after the metamorphosis. Namely, it suggests that man is reduced to an insect by the modern world and his family; human nature is completely self absorbed. Kafka reflects a belief that the more generous and selfless one is, the worse one is treated. This view is in direct conflict with the way things should be; man, specifically Gregor should be treated in accordance to his actions. Gregor should be greatly beloved by his family regardless of his state. This idea is displayed in three separate themes. First,

Gregor A wise person once stated, “Isn’t it funny how day by day nothing changes, but when you look back. everything is different.” This quote explains that change is inevitable, it will always take place, and it takes place as a surprise most of the time.

Kafka was critical in bringing the new outlook on modern culture and particularly on modern man. Franz Kafka studied the modern man in the face of contemporary culture, and how he was steadfast in retaining his spirituality and identity, and gravitate towards authenticity and happiness. However, Kafka saw how the dehumanizing forces of industrialization and capitalism in the post- the WWI Europe posed a challenge to the modern man. Modern culture can be viewed tolerating and open to all. To Franz Kafka, modern culture coupled with technology is fast changing, and man has to maintain his self-consciousness in order not lose his spirituality and identity amidst these changes (Wintle pp. 708-710). Hence, as modern culture changes with the changing technology, religions are poised to change too, which presents fears to a man about losing his spirituality and identity upon embracing the modern culture. Interestingly, Kafka was mystical in his writings, with a keen interest in themes such as metamorphosis, existential and identity. If we look at “The Metamorphosis,” we can view the idea of how the dehumanizing effects of capitalism and industrialism are indicated within the writings. Kafka contends we become dehumanized with buying power and working too much. The transformation of Gregor seems to indicate a denial of responsibility to the changing forms of society’s conventions and values.

Sigmund Freud, the founder of psychoanalysis which brings unconscious feelings and desires to the conscious level, also mastered the principles of plain and pleasure. Freud acquired three categories of where suffering comes from. One is suffering that comes from our own body, the pain and anxiety we feel knowing our death is inevitable. The second one is suffering that comes from the external world. Everything in our surroundings whose sole purpose is to destroy us.

1. Gregor’s initial reaction to his transformation, more specifically his worrying about missing the train and dwelling on the hardships of his job, reveals the extent to which Gregor’s own self-identity and way of life is dependent on his work. While most people would probably be horrified to find themselves transformed into a bug, Gregor instantly thinks of his job because that is what comprises Gregor’s identify and without his job he has no purpose or worth in his society. As Gregor contemplates his future, he thinks to himself, “Well, there’s still some hope; once I’ve got the money together to pay off my parents’ debt to him [his boss] – another five or six years I suppose – that’s definitely what I’ll do. That’s when I’ll make the big change” (Kafka 8).