Kahaani and Mumbai Diaries Film Review

Kapasi’s point of view and that of Mrs. Das, we will see some common features and differences, and above all, this is due to the fact that there are male and female points of view. Mrs. Das said how she met her future husband, how they communicated, and most importantly that she got married for real love. As many young girls, she dreamed of a strong marriage, but she ended up in an indifferent relationship with her husband, who on this trip to sees everything through the lens of his camera; she worries about Bobby and wants advice from Mr. Kapasi who is almost the same age as her father, but he has a lustful thoughts and is unwilling to understand her complex situations. As though from different angles. For instance, Mrs. Das always in her glasses and almost never removes them (338), Mr. Das sees the world through his camera (336) and he is missing the really important points that happen with his

“Dadi’s Family” observes what a “traditional” family in Haryana, India is like and the issues / concerns the family faces in “modern” times. In the documentary "Dadi 's family", the film explores the concept of family and the roles that a woman play in life. The roles are daughter, sister, mother, mother-in-law, daughter-in-law, and sister-in-law. These roles are portrayed to us via various members of Dadi 's family. In this family, we have Dada and Dadi (grandmother and grandfather) as the head of the family. We have the two older sons, Meherlal and Mohinder who are married to Darshini and Sita respectively. The youngest son, Rajinder gets married to Kanta in the film. Dadi and Dada also have two daughters Anguri and Saroj who aren’t shown too much in the film but are married in other villages.

Dadi refers to the grandmother, "manager" of an extended family living in the Haryana region of Northern India. When dadi days family, she meant the male lineage with all their wives and children living as one economic unit. With everyone’s income managed by the oldest couple. This film explores the extended family and its problems, particularly through the women of Dadi 's family. The film also addresses the different roles women play in her lifetime, daughters, daughter-in-law, mothers, mother-in-law, sisters, sister-in-law, wives. It also reveals the difficult to fulfil each role. Some important aspect that the film touches on is also patriarchy and the influences of education in changing the status of women.

The parents make frantic attempts to marry Uma- perhaps the final terminus for every Indian girl. She undergoes two traumatic experiences related to matrimony. Firstly, a suitor waits in the wings when the boy's family visits Uma's family and demands the hand of Aruna, the younger sister instead. Meanwhile, another proposal comes for Uma in which the boy's parents ask for dowry under the pretext of using it to build a house for Uma and their son. After the engagement, when negotiation began for the wedding, the prospective groom's parents break off the betrothal with the excuse that the boy was opting for higher education. Uma is a shattered girl when fuel was added to fire in the form of numerous marriage proposals for her younger sister. Aruna was better in many ways, physically, academically and even in

She is portrayed as the middle aged, educated lady. She, with her three children and husband, is living in exile in India. She is devoted to her children, hurt at the flirtation of her husband. She is sensitive by nature, trying to understand why there is communal discrimination and discord in India. Usha, the caretaker of the villa through her Ma come to know about the brutality and oppression of the Worlis and there redemption through a woman whom they recall as named

Films should be both entertainment and should also tackle challenging ideas. It’s good to have varieties of films, because we watch film depending on what we are in the mood for. Sometimes we watch to learn about history we never knew about and

Kapasi and the Das family play a significant role in their lack of a real connection. Mrs. Das confesses about her past affair to Mr. Kapasi, expecting he would give her some advice, after he suggests all she is feeling is guilt. The Das family is generally detached from one another, and at times even hostile. The parents frequently squabble and cannot control their children well. The camera Mr. Das carries symbolizes his apathetic attitude towards the world around him. The children represent their parent’s uncaring attitude since they do not devote any attention to them and leave them to their own devices. Self-indulgent Mrs. Das, whose “romantic” comment to Mr. Kapasi causes him to become infatuated with her, even though a connection between them that is only in his mind. The lack of understanding among the characters reflects a differing perception of duty and family between the two cultures. The story, at its core, is about communication breakdown and the hurtful consequences of

Surrounding Lola and Manni is a number of frightened customers and cashiers. This contrast in setting shows how private the bridge scene is compared to the robbery scene. The privacy of the bedroom scene allows Lola and Manni to show their more sensitive and vulnerable sides.

However, due to Mr. Kapasi’s discernable disgust toward Mrs. Das’s actions and his own misconception of her marriage situation, so he gives her an analytical question about how she truly felt. Mr. Kapasi unknowingly gave himself more power than Mrs. Das. She quickly realizes that Mr. Kapasi is not using his talents to help her and instead he is speaking

In an unobtrusive flat in Delhi, there lives a young woman named Laila who has a cherishing family, heads off to college, and in her available time, longs for orgasms. Her heart has a place for the lead artist of the school band. When he makes it clear to her that he does not care for like her, she is crushed. Luckily, the universe has something for Laila to compensate for the torment, a grant to learn at New York University. In New York, she buys an iPad on sale to watch porn and meet her sexual partners. It appears if Laila asks, the universe will without a doubt ensure she gets. The choice to make a film on a character that does not consist of ordinary merits, acclaims on the grounds that the accentuation is upon how Laila is particularly a consistent young person, even with her disabilities.

The mother gets angry and lashes out questions like, “Don’t you want us anymore,” “You want to be a mem-sahib, a white girl?” Panic is shown because the mother thinks she is losing her child and that one day the little girl would grow to resent and be embarrassed by her family. Climax

Opening with the chaotic streets of India showing the complexity of the daily life and the possibility of getting lost. The camera captures Saroo walking the streets, euphoric and content as he takes in the world despite the absolute chaos around him. Through showing the chaotic streets of India the director, Garith Harvey, provokes

When Nandini reminds Yash to calm down a little, he starts to sing her an old filmi song to placate her. When he forgets the words, Anjali blurts them out. Rukhsar and Daijaan are appalled at Anjali's rudeness to both an elder and a social superior, and hasten her out of the party. On catching sight of Rahul, Anjali is so distracted she bumps into a vase and smashes it. In complete disgrace, she leaves the party.

Karan leaves the country for work and returns with a new girlfriend, the new girlfriend is of a lighter complexion. Karan and Ria see each other in the streets but they do not talk to each other. Ria sadly walks and through some glass stores sees tv advertising Ponds White Beauty Cream. The next part of the commercial is Khan and his new girlfriend in a jewelery store, the girlfriend is upset and then again the Ponds White Beauty Cream comes out. In addition the next scene is Khan enters a flower shop in which Ria is the owner, he sees that she still has the half hearted necklace and leaves. The girl then text him saying "I still love you." and the girlfriend gets the phone and texts back leave me alone. Through the time Ria keeps using the White Beauty Skin Lotion. Karan notices a difference in her but does not know exactly what it is. Ria decides to forget Karan and leaves to the airport Karan, the reaches her and shows her his other half of the heart, Ria is of lighter complex compared to how she was in the beginning.

Even though this is an arranged marriage, it is evident that the future husband is “marrying down” and Aditi is “marrying up”.