Chapter IV. Conclusion
My Story is the replica of Kamala Das’s psychosexual structure in patriarchal society. Das begins to write when she is admitted in hospital after a serious bout. My Story is the revolutionary product of patriarchal society as it breaks the canonical rules made by patriarchal society. In patriarchal society women are not treated as human being but treated as sexual object.Theyare forced to represses their sexual desire for outer goodness. Das presents herself as the revolutionary figure and reveals her psychosexual growth from her childhood to adulthood.
From her childhood, Kamal is the pathetic character. Firstly, she is the victim of colonialism. Secondly, she is deprived of parental love and care.Kamala tries to achieve
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Kamala develops the gap to the mother as she believes that mother has sent her far from her father and brother. Father and brother are her love objects. Quitecontrarily, the mother becomes the object of angriness and dissatisfaction. As a result, the two wishes; possessing phallus and receiving a child from her father remain strongly in to her unconscious mind. It prepares her for later sexual roles. This is true in the sense that she is also not free from this complexity. Kamala’s unconscious desire to have penis and receive baby from her fatheris not complete.Such complexity of receiving father’s love is replaced by the desire of receiving love from other male partners and giving birth to a son.
Kamala Das’sMy Story is the documentation of her psychological development fromthe childhood to womanhood. The sense of loneliness and frustration of her unsuccessful married life, creates various problem in her life. She suffers from the mental disease. She is sometime guided by death instinct and sometimes by life instinct. Anxiety and loneliness force her for suicidal attempt but her involvement in creative works, givingbirth to three sons and at last realization of value of life shows her victory over death instinct by life
After leaving Gautama, Siddhartha decides to experience the world of ordinary living. Siddhartha sees a beautiful young courtesan, Kamala, and begs her to teach him the art of love. She tells Siddhartha that he
After leaving Buddha, Siddhartha moves to a village. In the village, Siddhartha meets a woman named Kamala. Kamala influences Siddhartha to change the lifestyle to which he has grown accustomed (http://www.imsa.edu/~trasched/siddhartha/phys.html.
Siddhartha meets this beautiful woman named Kamala. He is intrigued by her and wants to get to know her. Kamaswami is also an involved character in the book that contributed with the way Siddhartha gains so much of his wealth. Siddhartha learns from the two of them to make money, and all is well for a little while, but
Kamala soon becomes Siddhartha’s lover, and she helps him learn the ways of the city, leaving his ascetic life as a Samana behind. She then has a child that is from Siddhartha, whom Siddhartha had never met. Kamala does not have a very spiritual life, and Siddhartha influences her to seek a more spiritual lifestyle to better herself. She becomes tired of being a courtesan and realizes she can be a better person. The author brings Kamala back into the story when the news of Gotama’s advancement towards death breaks out into the villages; “One day, when very many people were making a pilgrimage to the dying Buddha, Kamala, once the most beautiful of the courtesans, was also on her way. She had long retired from her previous way of life, had presented her garden to Gotama’s monks, taking refuge in his teachings. . .” (Hesse 90). Kamala is one of the most important characters in the book because she is able to teach Siddhartha about physical love, and lead him to spiritual enlightenment.
Siddhartha begins to deviate from his holy walk in life when he meets Kamala. In Siddhartha Kamala is a pleasure woman who owns a beautiful grove outside of a larger town. “Siddhartha saw how beautiful she was
Siddhartha reaches a town and is moved by the beauty of the courtesan Kamala as she enters her grove in a sedan. This starts Siddhartha stage of the flesh. He asks her to be his teacher in the arts of love, but Kamala laughs and says that she receives only those young men who approach her in fine clothes and shoes, with scent in their hair and money in their purses. When she learns that Siddhartha can read and write, she conducts him to the businessman Kamaswami, who will help him to acquire the tokens necessary for entrance into her garden of pleasure. Kamala gives him a kiss in exchange for a good poem, and the amount of knowledge in that kiss amazes Siddhartha.
Two writers, Curtis Sittenfield and John Updike have written pieces that are insightful works about the lives of men and women. The works are written in different styles. While Sittenfield’s Your Life as A Girl describes the struggles of a girl growing up, Updike’s the Disposable Rockets describes the physical and psychological charactericts of men while also briefly describing his own life experiences. Both of these writings express a similar controlling idea about the harmful effects that social pressures can have on the lives of men and women. Similarities can also be seen in these two works when the frustration of dealing with one’s own body is expressed.
Siddhartha faces challenges in the city such as overcoming desires and maintaining peace of mind through the cruel city environment. During his tests, Siddhartha meets Kamala, who quickly becomes his friend, lover, and mentor. Kamala supports Siddhartha throughout his tests and trials that he faces while in the city.
Egalia’s Daughters and “Sultana’s Dream” both portray examples of what it would be like to have gender roles reversed in societies. They both criticize gender roles and show people how gender discrimination leaves the submissive gender in suppressed conditions. Poking fun at gender role reversal was one way these books helped in educating the readers. “Sultana’s Dream” has a time of setting of the early twentieth century.
Sexuality has an inherent connection to human nature. Yet, even in regards to something so natural, societies throughout times have imposed expectations and gender roles upon it. Ultimately, these come to oppress women, and confine them within the limits that the world has set for them. However, society is constantly evolving, and within the past 200 years, the role of women has changed. These changes in society can be seen within the intricacies of literature in each era. Specifically, through analyzing The Scarlet Letter by Nathaniel Hawthorne and The Bell Jar by Sylvia Plath, one can observe the dynamics of society in regards to the role of women through the lens of the theme of sexuality. In both novels, the confinement and oppression of women can be visibly seen as a result of these gender roles. Yet, from the time The Scarlet Letter was published to the time The Bell Jar was written, the place of women in society ultimately changed as well. Hence when evaluating the gender roles that are derived from sexuality, the difference between the portrayals of women’s oppression in each novel becomes apparent, and shows how the subjugation of women has evolved. The guiding question of this investigation is to what extent does the theme of sexuality reflect the expectations for women in society at the time each novel was written. The essay will explore how the literary elements that form each novel demonstrate each author’s independent vision which questions the
Kamala, is the main, and indeed, the only female main character in the novel Siddhartha, by Hermann Hesse. Kamala, a wealthy courtesan, is the bridge between the lay people reading the novel and the main character Siddhartha, who is more of a holy man, than a relatable character. Kamala is a kind, yet selfish women who allows for the reader to connect to Siddhartha, by making him more imperfect. Later in the novel, even after Siddhartha has left town, she unintentionally brings Siddhartha, his son, and again provokes him to react as an imperfect human rather than a holy man. Thus, Kamala, while not necessarily a large character, she is integral to the plot and to the reader's ability to connect to the novel.
Junot Diaz, the author of “A Cheaters Guide to Love” writes his short story with many different references to anti-feminism. He writes about women in different ways to show them as powerless, and un-superior to the main character in the short story. From this short story, Diaz conveys the main characters ways when he shows the him talking about, the girl he calls to have sex with, the women at the yoga class, and the files read at the end of the story that show the fifty girls he cheated on his fiancé with. Diaz creates his main character and puts him in the second person to relate to the reader, but show his anti-feministic signs.
The novel Siddhartha written by Hermann Hesse is a philosophical novel that explores the journey of life and to enlightenment. This is done through the narration of the life of a young boy – the eponymous Siddhartha by a third-person omniscient narrator. My goal in this essay is to explore the role of the most important female character in Siddhartha, Kamala.
I could only deceive it…..I am Siddhartha; and about nothing in the world do I know less than about myself, about Siddhartha” (Hesse, 38). Siddhartha struggles not knowing what to do, where to go and who he was. Siddhartha was trapped in a cycle of losing and regaining his self. “You have observed well, you have seen everything. You have seen Siddhartha, the son of Brahmin. Who left his home to become a Samana and who has been Samana for three years. But now, I have left that path and came into this city, and the first one I met, even before I had entered the city, was you. To say this, I have come to you, oh Kamala! You are the first woman whom Siddhartha is not addressing with his eyes turned to the ground. Never again will I love my eyes when I meet a beautiful women” (Hesse, 53). Things suddenly changes after meeting Kamala. Siddhartha starts getting involved in the things that he was once against which are pleasure and money. He struggles and works hard in-order to impress Kamala.
All characters in the novel are living in a man’s world; nevertheless, the author has tried to change this world by the help of her characters. She shows a myriad of opportunities and different paths of life that woman can take, and more importantly she does not show a perfect world, where women get everything they want, she shows a world where woman do make mistakes, but at the same time they are the ones that pay for these mistakes and correct them.