Kamala Das

Unconscious sexual drives are the most powerful behaviours of mankind. Libido, colloquially known as sex drive, drastically affects one’s thoughts and actions and leads to abnormal behavioural consequences. Guy de Maupassant’s “Was It a Dream?” is about a man who spends all his spare time mourning over his lover’s grave. The story reveals the adverse psychological relationship to sexuality, as the man’s actions are molded by his affection towards his lover. Hence, sexual drives lead to an unconscious mind and results in displacement of love as it is a powerful and pleasurable tool that all human beings desire.

The short story, “Interpreter of Maladies,” written by Jhumpa Lahiri, is about an Indian tour guide who has an epiphany once he realizes that one of his clients finds his side job, an interpreter for the doctor, romantic. Mrs. Das, the one who appears to show interest in the tour guide’s occupation, struggles throughout her married life to remain loyal and loving to her husband. This characteristic of Mrs. Das’ is highlighted through the author’s use of tone, which is defined as the way the author feels about a certain character. As well, the use of tone, seen specifically in the diction, syntax, and detail of this story, helps to identify and support various themes. Lahiri’s use of a condescending tone towards Mrs. Das bolsters the theme that unfaithfulness causes someone to become alienated from their family.

Many of these poems describe romantic relationships and the relationship’s effect on the speakers’ behaviors. Whether the speaker feels lovesick, obsessive, or excited, the behavior of the speaker is different than it was when he/she was not in love. These love poems from Deir el-Medina depict the effects of a romantic relationship on the behavior of the people involved.

Consciously, the woman communicates that she yearns for her lover, yearns to engage in sexual intercourse with him. Subconsciously, however, the need to “bear” her partner’s “weight” indicates that there is a burden attached to her expectations surrounding this engagement. This specific word choice takes the passion out of the erotic, so much so that the psychoanalytic interpreter is left to wonder why this woman is actively pursuing something that she clearly does not enjoy. To draw upon the developing thesis, the answer is that she does so in order to avoid acknowledging her repressed sexuality. In this way, the lover is not a ‘lover’ in the romantic sense of the word, but rather a sexual object. He is an objectified prop manipulated in order to fulfill

Throughout our lives, many of us crave and strive to be loved and cherished. Many find purpose and happiness when they share reciprocated affection with another person. Heartbreak often occurs when what we wished for in a relationship is not returned in the same manner. Miranda in “Sexy” by Jhumpa Lahiri felt this at the end of her relationship with a married man named Dev. He had treated her unlike anyone else before. This caused her to believe their relationship meant the same to him as it did to her, despite him being married to another women. Mr. Kapasi in “Interpreter of Maladies” found affection towards a woman who was cold towards her family, but was warm and showed great interest in him. He had started to believe she was different

“I always thought that if I could pull off great boots [...] that would make me happy. But the hair gets in my face, the boots pinch… and this leotard is giving me an epic wedgie.” Ms. Marvel in No Normal and Generation Why defies “the typical oversexualization and damsel in distress archetype of women in comics.” (Sujei Lugo, Boston Public Library) Ms. Marvel is not depicted similar to how women are depicted in other comics. Kamala Khan’s costume and wardrobe—especially her costume and what she decides to wear—is anything but typical. When Kamala Khan decides to “run around JC all powered up,” she realizes that she needs a costume. After finally acknowledging the costume, Kamala’s first words to Ammi upon arriving at home are “Ammi! Where’s

When Aanakwad brought the new baby out of the trees that autumn, the older girl was like a second mother, even waking in the night to clean the baby and nudge it to her mother's breast. Aanakwad slept through its cries, hardly woke. It wasn't that she didn't love her baby; no, it was the opposite—she loved it too much, the way she loved its father, and not her husband. This passion ate away at her, and her feelings were unbearable. If she could have thrown off that wronghearted love, she would have, but the thought of the other man, who lived across the lake, was with her always. She became a gray sky, stared monotonously at the walls, sometimes wept into her hands for hours at a time. Soon, she couldn't rise to cook or keep the cabin neat, and it was too much for the girl, who curled up each night exhausted in her red-and-brown plaid shawl, and slept and slept, until

The narrator is an undoubted neurotic man. Fist of all, he is pure isolated, which comes to surface when his wife mentions that he is on possession of any friends. In a sense, he feels

In the poem “Stalker,” Vahni Capildeo describes a reflection on marriage commitment by a presentation of the past, present, and future of a relationship. Incorporating syntactic devices and comparison, the speaker describes the nature of their changing relationship in different stages. Starting as strangers, the man and the speaker grows closer as the poem progresses described by image patterns; however, the speaker ends in fear of the future of their relationship through tone and alliteration. The progress of the relationship has a sense of uncertainty, explaining that the future is unpredictable, so there is always a sense of fear and anxiety.

The poem, “sex without love” by Sharon Olds portrays the issues in the society today. Casual sex is on the rise and Olds is puzzled how one can have sex without loving the other partner. She states, “How do they do it, the ones who make love without sex?” (Line 1). She, however, describes sex with beautiful imagery of dancers, making it appealing but the eventual feeling of loneliness is inevitable. Olds choice of words, imagery, and symbolism throughout her texts is contrasting; sex without love is possible but is exemplified as a selfish empty act if love is absent.

Sex Without Love has a theme of how a person can not understand how someone can have sexual relationships without being in love. In this poem Olds is puzzled to how and why a person can share such passion and intimacy with another when there is no love or special bond that holds the two together. Although there is no kind of emotional connection she is not empathetic of the loveless physical connection that is shared between the two beings as they engage in sexual contact. Olds is appalled with casual sex and believes that people misinterpret "I love you" to simply just "loving sex". She feels if there is no love shared that the sex is only a selfish act between two.

One of the poem’s main premises as to why having sex is superior to making love is that the participants are not giving in to a “false Messiah” (15). People who claim to be in love or fawn over their sexual partners are missing the true point of the intimate act. The notion of a false Messiah, which is love and affection, argues that love is not a true savior for people, and it is more of an imposter of happiness. The poem states that when people extract love from the act of sex, each person does not mistakenly love the mediator of satisfaction, but instead focus on praising the true “God”. If one spends so much time admiring a person, he or she will ultimately be disappointed or lose time with the real goal of sex. In the words of the poem, to be attached to the person one is having sex with would mean to “mistake the lover for their own pleasure” (17). He or she would then fail in their endeavors to reach true satisfaction.

Andrew Marvell writes an elaborate poem that not only speaks to his coy mistress but also to the reader. He suggests to his coy mistress that time is inevitably ticking and that he (the speaker) wishes for her to act upon his wish and have a sexual relationship. Marvell simultaneously suggest to the reader that he/she must act upon their desires, to hesitate no longer and ³seize the moment?before time expires. Marvell uses a dramatic sense of imagery and exaggeration in order to relay his message to the reader and to his coy mistress. The very first two lines of the poem suggest that it would be fine for him and his mistress to have a slow and absorbing relationship but there simply isn¹t enough

Love is a powerful feeling; it makes you do crazy thing. Many people spend years trying to find it, others give up thinking they’ll never find it. Love has been defined as an intensive feeling of a deep romantic or sexual attachment to someone. Of course, Love doesn 't have to romantic and/or sexual. People who are ace, as in asexual, aromantic and agender, can still be in relationships that are satisfying for them without the needs of a romantic relationship. Familial love is also non-romantic-sexual. However, in this paper, we will be talking about romantic-sexual love, what it is, and why I believe it’s so important to understand and experience.

The poem “Sex Without Love” written by Sharon Olds is a poem about how people who do not love each other still manage to have sex. She begins with the question many people ask, “How do they do it, the ones who make love without love?”, which immediately gets readers intrigued and to contemplate the question at hand. The author’s use of imagery allows the reader to feel like he/she is actually experiencing the contemplation that Olds is experiencing. Many people argue that sex without love is not morally correct and that it can often give off a negative reputation for many people. However, some people believe the opposite and think that no prior connection is required to have sex. Sex is a very interesting topic because it stirs up many different conversations and opinions. According to Sharon Olds poem, people should have meaningful sex and connections with other humans rather than empty, careless relationships. Most people today prefer having the easy, casual relationship that does not require the extra work entailed in a loving relationship. Olds is able to use imagery, religion and metaphors to express her dislike towards loveless sex.