Kaphar Meaning

Malcolm X uses symbolism throughout “Prison Studies” so that his target audience can visualize his process for gaining his education for self-improvement. “In

He wants his readers to imagine the pain and humiliation of the ill treatment that African Americans endure on a daily basis. King writes of vicious mobs lynching people’s mothers and fathers, policemen killing people’s brothers and sisters, a man and his wife not receiving the proper respect they deserve because of their skin color, and the notion that African Americans feel insignificant within their communities; this is why these peaceful demonstrators of whom the clergymen attack “find it difficult to wait” (King, 20). However, King believes that soon, injustice will be exposed, like “a boil that can never be cured so long as it is covered up” (King, 30). This vivid description helps arouse an emotional response, driving shame into the hearts of his white readers.

In this analysis ,”Letter from Birmingham Jail” by Martin Luther King’s was exhibiting his skills in the usage of Ethos, Logos ,and Pathos to respond to his fellow Clergymen who blamed him for organizing the blacks to demonstrate and make the whole world aware of how they are been treated in the Birmingham community. After reading King’s letter I have realized that he was such a passionate and strong man who was able to fight to the end to achieve his goal, had it not because of his actions the injustice will still be going on in this country up till now. Despite everything his opponents do to bring him down, he still stood strong to fight for the black community. I was also impressed about his work of art and the choice of words that he uses to make his letter a success. After I finished reading the essay I felt sad for him going to jail and the punished he experienced over there, but it takes one person’s sacrifice to save the rest.

By concentrating on an ethological approach, Dickerson also makes her family disconnect from stereotypes. In first person point of view, she is able to describe her situation through her knowledge and background. For example, Dickerson describes Johnny with a settled and calm tone of voice. She writes, “Johnny speaks little, never cries, never complains, works diligently to become independent” (225). Because he is black, most people would associate Johnny with violence and gangs. In Black Men and Public Space by Brent Staples, a black men strolling down the avenue was assumed to be a criminal. The color of his skin, in correlation to his environment, evoked a sense of danger. However, through an educated voice, Johnny is not that dangerous black kid who got shot. Johnny is a sensitive victim of an unfortunate shooting. It is very easy to label an individual according to racial status. For this reason, Dickerson is required to inform the reader of elements that do not support these stereotypes. The disconnection from stereotypes satisfies her objection, and broadens the perspective of society.

Even in modern society, the simplest of things can shift the delicate atmosphere. A black man entering a room, or any space, full of white people, can automatically transform the ambiance. This ‘ability’ may not be a desired effect, but in certain situations, it becomes inevitable. Through the use of different rhetorical devices, Brent Staples is able to demonstrate his realization of his “ability to alter public space in ugly ways” simply because of his race and stature in his essay, “Black Men and Public Space.” Staples uses the rhetorical techniques ethos, logos, and pathos in order to get on the “same side” as the reader while still presenting the essence of his argument. The author is able to sympathize with his “victims” and justify their feelings, appealing to ethos. He also analogies and details about his background, such as his doctorate in psychology, and the fact that he was a reporter to appeal to logos. Additionally, by using vivid imagery and creative diction, he engages the reader by use of pathos, evoking the emotions of the reader. With the use of rhetorical devices, Staples is able to effectively describe his experiences of being perceived as a criminal, solely based on his “unwieldy inheritance” (205), while, additionally, extending this concept to be true throughout society.

Brent Staples “Black Men and Public Space” is a look at how people perceive black people in the 1960s. Staples explains how people would treat him on a day to day basis. Even when he was a child he would be looked at differently because of his color. He quickly establishes ethos, logos and pathos credibility tough the many examples. This article shows the injustices done to him while living in New York. Brent Staples Black Men and Public Space uses pathos, ethos, and logos effectively throughout the essay.

In today’s American society, being born black is often life threatening and comes with many struggles and fears. The author Brent Staples visibly demonstrates the presence of black men, in his article “Black Men and Public Spaces”. Staples illustrates to the readers how black men attempt to live their lives as normal as possible, but are unable to because of the fear society has of them. Brent Staples attests to the turbulent lives black men face in society, from their childhood to an adult age. Staples is able to demonstrate the various issues black men face in society with the use of logos, ethos, and pathos.

King continues on by affecting the reader, on an emotional level, by going through and explaining some of the unending amount of torturous events that the black community had to endure daily. In an essay by an anonymous writer it says, “He uses a dialog that reaches into the pit of your soul and places you on an emotional rollercoaster.” When he says, “when you have seen vicious mobs lynch your mothers and fathers at will and drown your sisters and brothers at whim; when you have seen hate-filled policemen curse,

Imagine being wrongfully persecuted and mistreated based on assumptions painted by society. The portrayal of the young black male in the late 1980s has not changed much in the United States. Brent Staples is able to reveal the truths of racial stereotyping in the United States, and the stigmas placed on young black males with the use of imagery in Black Men and Public Space. Appealing to the readers’ senses allows for better understanding of the time period Staples is writing about. Visual imagery is used to contrast how Staples appears to his “victims” and how these “victims” appear to the public. The fear the general public has of black males is exposed by appealing to the auditory senses. Non-verbal reactions and body language of those around Staples uncovers their true sentiment towards black males. Imagery is an essential tool in uncovering the racism and stigmatization of black males in the United States. Appealing to ones senses is a very effective way to bring depth and meaning to a message.

Kehinde Wiley’s early works were of people he pulled off the streets of Harlem. His art blurs the boundaries between traditional and contemporary modes of representation and the critical portrayal of the masculinity of black and brown men. Generally, western art has and does not focus on the narratives of people

Textual Analysis Essay This argument analysis examines the article Black Men and Public Space. This article is about Brent Staples, an african american man, who explains his experiences with being mistaken as a criminal numerous times simply because the color of his skin. The author of the article uses many rhetorical devices such as rhetorical appeals, like pathos and ethos, superior diction, and connotation to strengthen his argument. Staples effectively persuades readers that not all black men are criminals.

“The brutality with which official would have quelled the black individual became impotent when it could not be pursued with stealth and remain unobserved. It was caught—as a fugitive from a penitentiary is often caught—in gigantic circling spotlights. It was imprisoned in a luminous glare revealing the naked truth to the whole world” – Martin Luther King (8, Kasher)

There are two separate pieces our group has chosen from the Blockson Collection that both coincide with the overall theme we wish to interpret and explore in our final exhibition and presentation. The first is Emory Douglas’s 1969 All Power to the People, which was initially published on the back poster of the Black Panther Newspaper. The second is Charles White’s Dawn of Life drawing from his 1953-1954 The Art of Charles White: A Folio of Six Drawings. While each artwork individually speaks for itself, the common theme portrayed between the two is this notion of moving towards a new generation. Douglas’s piece shows a representation of the fight for social justice for African Americans, and the idea that the desired outcome of equal opportunity

Richard Hunt is a sculptor whose work largely draws on abstraction, crafting organic shapes with industrial materials. His approach to his art is one that is based on compulsion, as he combines various curvilinear and angular forms to form an ambiguous hybrid that captures the African American experience. By crafting an unconventional layering of different shapes, Hunt is able to create a conceptual piece that is open to interpretation. Similarly, Betye Saar aims to promote thought-provoking reflection. By carefully utilizing racial stereotypes into her artistic vision, Saar is able to manipulate racist devices into a more positive message. Her exaggeration of certain caricatures of African American life served as a new symbol for

King is able to unify the protesters, encourage them to rise up together, and defeat the atrocity of racism by alluding to their anguish through personification and imagery. For example, King recognizes that “the nation is sick”(King 2). King assigns human qualities to the nation in order to comment on the offenses committed against the African Americans by the people of the nation. These offenses remind the audience of their common struggle and unify them. In doing so, King reveals that this is an issue but it can be resolved and the audience can heal the nation as they would a human being. Imagery in King’s speech also develops the intensity of the distress African Americans face. To illustrate, King describes “thirteen hundred of God’s children here suffering, sometimes going hungry, going through dark and dreary nights” (King 4). This gut-wrenching image causes the audience to feel immense sorrow and anguish for the African Americans depicted. These emotions are uniform in every member of the audience and thus unites them on an emotional level. A pathetic appeal is integrated into King’s argument to stop this pain and