Karzan Soundtrack

Even though the film is essentially a visual experience, the use of sound has become extremely important in modern film. The modern viewer hears a complicated soundtrack that is as meaningful as the image on the screen. Three elements comprise the film's soundtrack: the dialogue, the sound effects, and the musical score. The proper balance and mix of these elements produced the essential emphasis required, which created the desired effects. As explained by Joseph Boggs and Dennis Petrie,

Their traditional instruments create the mood of the film, having some of the best musical scores that I’ve heard in a film. Zhangs use of instrumental music throughout his scenes create a sense of intensity and mood. At the beginning of the scene the music starts with a soft tune and slowly increase in volume as Broken Sword walked through the hall ways. The scene used more of a strings melody that created a calmer, more intimate scene. This is then followed by a dynamic transition into the following fighting scene. As the film progresses though the fighting scenes, the score evolves into a more epic and intense melody which uses the sounds of objects in movement, accompanied by a percussion that creates an intense mood, and the soft vocals of a female to create a more elegant melody. Dun Tan, the composer of the score used more traditional forms of instruments to create a feeling of immersion in the time period chosen. The music is one of the strongest elements in the film really creating the

The music throughout the film plays a big role in the way it is perceived and the overall tone and message. The directors and producers used background noise and music very wisely in order to convey the emotions of a scene. In the movie, it reaches a certain point where it almost looks as though things are looking up for education. It is when the documentary starts describing the “new acting chancellor of the district of columbia schools”, during this scene the makers want you to really pay attention and become almost shocked by this turn of events. However, they do not only grab your attention by the words and clips shown, but also by the loud, upbeat music that is suddenly played while she is being announced. Also, later in the movie they use this same

     The music helped in elaborating this great film. As I mentioned in class different instruments helped create different moods for different scenes in the movie. We heard the cello and the violin to create sadness and remorse. The flute created eeriness and the trumpet created awareness. I thought these were instruments and tools that help make this film extraordinary.

give of a certain impact that they want. This is shown at a part of

The audio although normally overpowered by the visual aspect played a key role in defining and empowering the movie. The music was fast and uplifting during celebration and on

The right sound had to influence the way each scene was taken. If there was cheerful and lighthearted music, then you would think there was a prime, pleasant scene like when everyone is having a good time. On the other hand, if the music was depressing and dramatic, then you would think that something bad is going to or is happening. I think that the music did an excellent job at determining the mood of the scenes.

As Ali's face dissolves to a flashback, non-diegetic music accompanies the overview of Algiers. The musical motif which begins as the camera starts to pan is exemplary of the parallel relationship between the aural and visual elements in the film. As Joan Mellen has highlighted, the arabic soundtrack, as if from another world, expresses the

A film that characterizes animals with voices produces a harder stereotype to conjure in regards to the accents the animals have. In the jungle setting of Tarzan, Kara, Tarzan’s gorilla mother, has a Standard American accent and is loving and kind to her adopted human son. Tarzan also has a Standard American accent and is consistently portrayed as a hero. Tarzan’s American accent and his robust and muscular features accentuate him as the important character of the film due to the stereotypes these characteristics are associated with. However, Jane, his love interest, is British and she is anything but evil. She is not a hero, but has no ill-intent among Tarzan and his family. In contrast, Clayton, the antagonist of the film, is also British,

While well-crafted sound design and sound effects are so very necessary in the creation of a film, music touches the emotion, the psyche, and the things you cannot see. Sound design and effects don’t do this nearly as efficiently and naturally. Without music it would be much more difficult to follow the emotional ups and downs of a film. (Freer)

Clayton’s many uncensored, villainous tropes act as a model for what children should know as unacceptable behavior. In one scene of the movie, Clayton manages to convince Tarzan of the gorilla nests’ location through equivocation. He says, “If only [Jane] could've spent more time with the gorillas. She's so disappointed…” (Tarzan).

The music interacts with dialogue in the film; the techno beat is, at times, accompanied by vocals, which correspond with not only what is happening in the scene, but also the internal diegetic dialogue—another important motif.

Music has played a major role through out the entire film. It is used as a

One would have to say that one of the most notable features of the film would have to be its soundtrack, which incorporates no music but only diegetic sound, from the preliminary noise of the river flowing under the bridge through the even louder sounds of the forthcoming American tanks to the quaking clamors of the ending battle scenes. A prodigious example of sound transpires within the middle of the film. It is when the boys are woken from their cots and called into combat; the sequence features electronically distorted sounds that together equally insinuate the boys’ disorientation as well as the disorientation of the viewers.

If we see a film about a jungle, normally the soundtrack is composed of instruments like bongos or shakers. This is because we instantly associate this sort of music with jungles and indigenous tribes.