An Hour Patriarchy

The doubt and misconstruction placed upon the women in the stories is a huge factor in the way their characters develop. Mrs. Mallard's sickness was misdiagnosed by both her family and doctor. They believed she suffered from heart problems but no evidence of this was produced during the story. When Mrs. Mallard was up in her room, her sister, Josephine, was worried that Mrs. Mallard would make herself ill because she was alone and suffering from her husband's death. Chopin gives the reader an insight as to Mrs. Mallard's thoughts by using a third person limited omniscient narrator, and by doing so, allows the reader to understand that Mrs. Mallard's family's ideas of her health were false. Near the end of the story the doctors and Mrs. Mallard's family believe that she has had a heart attack because she was happy to see that her husband was alive, while in actuality, she died because didn't want to live if she had to live with him.

because she knows she has no one to live for, there will be no one forcing her to do anything that she doesn’t want. She develops the sense of independence and confidence before she dies of a heart failure. Kate Chopin tells how the character Mrs. Mallard`s feeling changes in the course of the story and how her general view of life changes in the aftermath of her husband`s death. Mrs. Mallard is a weak and dependent woman at the beginning of the story. But as the story progresses, she realizes how her husband’s death doesn’t mean the end of her life but rather the beginning of a new independent life in the years to come.

Written in 1894, “The Story of an Hour” is a story of a woman who, through the erroneously reported death of her husband, experienced true freedom. Both tragic and ironic, the story deals with the boundaries imposed on women by society in the nineteenth century. The author Kate Chopin, like the character in her story, had first-hand experience with the male-dominated society of that time and had experienced the death of her husband at a young age (Internet). The similarity between Kate Chopin and her heroine can only leave us to wonder how much of this story is fiction and how much is personal experience.

However, the story ends with Mrs Mallard’s freedom being ripped away from her as she dies from shock upon seeing her husband walk through the door. When the doctors come to pronounce her dead, they said “she had died of heart disease, … the joy that kills”. This is foreshadowed that the beginning of the story when it is said that Mrs Mallard “was afflicted with heart trouble”. Also this use of irony suggests how the male ideology of the doctors is foolish and misplaced.

These thoughts were a bit suspicious and frightful to acknowledge. As Mrs. Mallard sits next to her window she begins to contemplate what feelings are emerging from her, “There was something coming to her and she was wanting for, fearfully. What was it? She did not know; it was too subtle and elusive to name” (Chopin 653). This depicts the anticipation of change that is about to come into her life. Chopin describes it not as a physical object, but something she internally knows when it fact it blossoms into a new realization. With all these perplexed emotions she encounters from looking out the window to “patches of blue sky showing here and there through the clouds” (Chopin 653), these thoughts become the factor of releasing herself from her forbearing attitude into the new impression of individualism and

Mrs. Mallard is, outwardly, a typical woman in the 19th century with a husband, family, and home. It is first apparent that Mrs. Mallard is not satisfied with her role as a wife when she receives the news of her husband’s death and begins to feel a sensation of joy that overcomes her. The wife’s unhappiness with her married life is enhanced when the narrator states, “She breathed a quick prayer that life might be long. It was only yesterday she had thought with a shudder that life might be long.” (Chopin 16) The reader infers that Mrs. Mallard was figuratively suffocating under the duties and stereotypes a 19th century woman was subjected to, such as caring for a house and family instead of pursuing a career outside of the home. Mrs. Mallard views her husband’s death as an escape from her role and a chance to have control over her life and choices, showed when she whispers “Free! Body and soul free!” (Chopin 16) In the final portion of the story Mrs. Mallard’s husband returns home, having never been in an accident, and she dies of what doctors determine is an overwhelming joy for seeing her husband alive. The reader infers that Mrs. Mallard has lost her chance of a new start and freedom from her role and dies of grief over her loss of freedom. The author contrasts Mrs. Mallard’s lack of control and freedom in her life to

Mrs. Mallard’s heart trouble is symbolic of her broken relationship with her husband, Brently. Of all the possible health issues that Mrs. Mallard could have been battling, it is heart trouble that she if faced with. It is noted that Josephine speaks “in broken sentences; veiled hints” (Chopin, “The Story”), so that the news of Brently’s death is revealed to Mrs. Mallard as carefully as possible. However, the news of her husband’s death actually brings a new life to Mrs. Mallard: “Her pulses beat fast, and the coursing blood warmed and relaxed every inch of her body” (Chopin, “The Story”). Mrs. Mallard’s marriage has confined her to her home and has caused the loss of her freedom, which is represented by her heart trouble. Her death is not caused by the joy of seeing her husband like the doctors thought, but rather due to a loss of joy, as she loses her newly found independence upon seeing Brently walk through the front door. Chopin shares: “When the doctors came they said she had died of heart disease – of joy that kills” (“The Story”). The window in Mrs. Mallard’s bedroom also serves as an important symbol in the story, representing Mrs. Mallard’s freedom. Upon seeing the beauty throughout the streets as she looks out her window, Mrs. Mallard is finally able to realize that the rest of her life is full of countless possibilities (Rosenblum,

The story goes on to explain the emotions that Mrs. Mallard goes through when she is in her room alone, going over the news she had just received. This is the part of the story when the conflict turns from outward to in; a conflict with the character against the situation to a conflict between the character and herself, or the character and her emotions. The passage; “ She was beginning to recognize this thing that was approaching to possess her, and she was striving to beat it back with her will--as powerless as her two white slender hands would have been. When she abandoned herself a little whispered word escaped her slightly parted lips. She said it over and over under the breath: free, free, free,” possesses beautiful imagery that brings the reader into the emotional conflict Mrs. Mallard is experiencing. (Chopin)

Chopin again purposely excludes vital details that would allow the reader to really pinpoint what exact feeling is coming onto the narrator. This lack of explanation further causes the reader to understand the narrator's situation, as both perspectives are really unsure what to think of the ongoing events. Additionally, the mysterious and descriptive diction completes the sensation of the suspense, conveying the sheer weirdness of the feeling that is taking over Mrs. Mallard. Gilman again utilizes her terse

Mallard’s suppressed self that she has endured in the formalities of her life (1). Chopin continues to express how afflicted Mrs. Mallard is with her struggle to come to terms with her current state of emotions and her vision of self by describing Mrs. Mallard’s “dull eyes, whose gaze was fixed away off yonder on one of those patches of blue sky.” While Chopin depicts Mrs. Mallard’s glance as not being one of reflection “but rather indicated a suspension of intelligent thought,” it can be inferred that Mrs. Mallard is processing her self-being not on a rational level but more on her emotional stimuli.

The last example occurs during and after Mrs. Mallard watches the “tops of trees that were all aquiver with the new spring life” (Chopin 1). This shows that the character’s image of the world is already changed since she was informed of her husband’s death. In the twelfth paragraph, Chopin uses her character’s new perspective of the world to exemplify the confinement women felt. The character understood she had “no one to live for during those coming years; she would live for herself” (Chopin 2). Mrs. Mallard’s thoughts revolve around her limitations during marriage. She soon realizes that she would have “no powerful will bending hers” (Chopin 2). Mrs. Mallard was likely controlled her entire marriage; and now she is released from her husband’s dominance. Before opening the door for her sister, she was thinking about “all sorts of days that would be her own” (Chopin 2). The character looked forward to her new life ahead of her because of the new freedom she has gained; she thought about the future that involved her freedom from marriage. Mrs. Mallard eventually says a prayer to herself

The Story of an Hour by Kate Chopin is a short yet complex story, describing Mrs Mallard’s feelings. It focuses on the unfolding emotional state of Mrs Mallard after the news of her husbands death, and has overflowing symbolism and imagery. It is an impressive literary piece that touches the readers’ feelings and mind and allows the reader to have a connection to Mrs Mallard’s emotional process. Although the story is short, it is complete with each word carrying deep sense and meaning. It is written in the 19th century, a time that had highly restrictive gender roles that forbade women to live as they saw fit. Mrs Mallard experiences something not everyone during this time has the luck to have; the happiness of freedom that the reader only

Kate Chopin's short story, "The Story of an Hour" is largely about the forms of repression that women were forced to endure during the epoch in which the story was written (1894) and during much of the time that preceded it. During this time period, women quite frequently had to subjugate themselves to the will of their husbands, or to some other man who had a significant amount of control over their lives. Chopin chooses to address this phenomenon in an indirect manner with this particular short story, although she does so in a thematic manner which, of course, is the ""¦idea that lies behind the story. Every story narrows a broad underlying idea, shapes it in a unique way, and makes the underlying idea concrete" (Clugston 2010, 7.1) The theme that "The Story of an Hour" is based upon is the notion of the liberation of women from the overbearing influence of men. Chopin chooses to illustrate this theme quite dramatically through literary devices of symbolism and metaphor.

Author, Kate Chopin, presents the character of Mrs. Louis Mallard. She is an unhappy woman trapped in her discontented marriage. Unable to assert herself or extricate herself from the relationship, she endures it. The news of the presumed death of her husband comes as a great relief to her, and for a brief moment she experiences the joys of a liberated life from the repressed relationship with her husband. Finally, she recognizes the freedom she has desired for a long time and it overcomes her sorrow: "Free! Body and soul free! She kept whispering." In her soul, the dark clouds are disappearing because she is illuminated. All the memories of her husband are now of the past. She is living in the present. At this point, she is no longer "Mrs.Mallard." She is Louise and is ready to welcome a new horizon of freedom : "Spring days, and summer days, and all sorts of days that would be her own." Overwhelmed with a new sense of herself, she feels as if she

The use of imagery is displayed heavily throughout the story to reflect the feelings of Mrs. Mallard following the news of her husband’s abrupt death. The setting outside her window is very descriptive and allows the audience to connect this imagery to the future that Mrs. Mallard is now seeing opening for her. As she is looking out of the window in her bedroom, she sees “trees that were all aquiver with new spring life” as well as sparrows “twittering in the eaves” (Chopin). This represents the joy and realization of a new life for Mrs. Mallard. She can now start over as a free woman instead of living as a man’s property trapped inside the house; this is where the woman’s place was during this period while only