Katherina In The Taming Of The Shrew

In the play Taming of the Shrew by William Shakespeare, Shakespeare includes several appeals of pathos, ethos and logos. In the last passage of the book, Katharina speaks out to all of the characters with a speech. Katharina describes how she has changed into a person who looks to her husband as her lord, her care taker. The characters who listened to her speech seemed impressed on how she has finally changed her rude attitude and how she obeys her husband Pertruchio’s every word.

Taming of the Shrew is a romantic comedy written by William Shakespeare in the 1500’s. It takes place in the city of Padua, presumably during the Italian Renaissance. The major conflict of the play is ‘taming’ a hot-headed woman named Katherine and to overcome the rule her father holds on his two daughters where the eldest marries first. The script brings up a lot of attention in the feminist theory. But, Shakespeare’s play reflects on the archetypes of characters, situations, and symbols. These connections are made in the play to make the audience familiar with the text and provide a deeper understanding.

Katherine Minola is a character who is pivotal to the progression of the exposition in Shakespeare’s The Taming of the Shrew. The dynamic Kate faces everything from being unsolicited and undesirable by men, being forced into marriage, and falling in love with someone who undoubtedly mistreats her from the beginning. Being tossed and thrown from one end of the spectrum to the other allows room for drastic change in attitude, values, and behavior. There is much evidence of a revolution of character in Baptista’s daughter and Petruchio’s wife, Katherine. Reader’s can follow the transformation of an untamable shrew of society to a well loved and respectable woman figure of the upper class.

The final line of the play, which states, “‘Tis a wonder, by your leave, she will be tamed so (Act 5. sc. 2 line 206) ,” reveals Katherina’s strength as a woman once more as she was believed to be untameable for any man due to her previously defiant nature. Nevertheless, the statement also conveys how she betrayed her values as a strong woman and developed to be a proper wife of the Elizabethan era. As is explicitly portrayed through Taming of the shrew, the authority and supremacy of men often result in overpowering strong women to

The Taming of the Shrew is one of Shakespeare's most famous plays, and has weathered well into our modern era. For all the praises it has garnered throughout the centuries, it is curious to note that many have considered it to be one of his most controversial in his treatment of women. The "taming" of Katherine has been contended as being excessively cruel by many writers and critics of the modern era. George Bernard Shaw himself pressed for its banning during the 19th century. The subservience of Katherine has been labeled as barbaric, antiquated, and generally demeaning. The play centers on her and her lack of suitors. It establishes in the first act her shrewish demeanor and its repercussions on her family. It is only with the introduction of the witty Petruchio as her suitor, that one begins to see an evolution in her character. Through an elaborate charade of humiliating behavior, Petruchio humbles her and by the end

In Shakespeare’s comedy, “The Taming of the Shrew”, the author depicts the subjection of a willful woman to the will of her husband. 2 The female protagonist in the play, Kate, has a shrill tongue, a hot temper and irrational attitude giving her the reputation of a “shrew”. The first way Shakespeare portrays marriage in this play is by showing the female subject to being married as the victim who is passed from her father to the suoiter of her father’s choosing. In “The Taming of the Shrew”, Kate is seen as an object in her courting and marriage to Petruchio .

Taming of the Shrew Character Profile · Romantic comedy Time and place written · Around 1592, London Date of first publication · 1623 Tone · The overall tone of the play is light and comic, though the exploration of larger social questions, such as the proper relation of the sexes in marriage, lends much of the comedy a more serious tone. Settings (Time) · Unspecific, though presumably sometime during the Italian Renaissance Settings (Place) · Padua, a city-state in Italy prominent during the Renaissance Major conflict · Petruccio's attempt to "tame" Katherine; that is, to assert his authority in their marriage and overcome her hotheaded

Katherina may be a shrew, but Shakespeare’s The Taming of the Shrew does not truly show a study of how a selfish, spoilt individual is made to conform to society’s expectations, or be tamed into a ‘proper’ woman. At the end of the play, Katherina is not, necessarily, tamed - she just realizes what she must to do in order to get the things she wants. Two main examples of her submitting to Petruchio in order to achieve her desires are in Act 4, scene 5, (the sun versus moon scene) as well as Act 5, scene 2 (the kiss me kate scene and her final monologue).

Katherine is known for being that mean old bitter lady , who doesn't seem to get along with anyone , in others she's " the shrew''. In the story "The Taming Of The Shrew" she is the oldest daughter of Baptist Minola and the sister of Bianca. Who want to get married badly to the man of her dreams, Hortensio, but Katherine had to get married first and who knows how long that would be.

Taming of the Shrew’s most unique character is the titular Shrew, Katherine Minola, whose defiant and oftentimes nasty personality makes her markedly different from the typical Shakespearean woman. Her abrasive and brash behavior defies traditional gender roles of the period and formulates a compelling character with deep intricacies and vast potential for interpretation. The last few scenes of the play mainly revolve around Petruchio, Katherine’s husband, and his attempts to “tame the shrew” and turn Katherine into a typical and subservient wife. In the final stretch of the play, we see Katherine as what seems to be a complete reversal of her original personality, performing a patriarchal monologue on the importance of obeying your husband.

  In Shakespeare’s Taming of the Shrew, Katharina is presented ambiguously with much debate asking whether or not her character is tamed, liberated or whether or not in reality she was a good enough manipulator to make it appear that she becomes tame when in essence her character remains the same.  Within this essay I shall be concentrating on the aforementioned as well as discussing a television adaptation of Taming of the Shrew that presents Katharina not as the expected shrew, but as Petruchio’s tamer.

In Act 5, Scene 2, lines 152-196, of The Taming of the Shrew, Katherine portrays her “transformation” from an undesirable shrew to an obedient wife as she depicts to Bianca and Widow the respect and loyalty that a woman’s “lord, life, [and] keeper” deserves (162). After being encouraged by Petruchio, whom had recently placed a bet with Lucentio and Hortensio on whose wife would be the most obedient, to lecture the two women on their wifely responsibilities, she remarked on the harsh burdens of a man compared to the composed lifestyle of a woman. While Lucentio and Hortensio were lead to believe that Petruchio finally tamed Katherine into a devoted and subservient wife, the reality was that her words were full of hidden sarcasm; the shrew was

The Taming of the Shrew was no exception to the social norms of this time period, and is a sexist play filled with patriarchy. The misogynistic attitudes seen in The Taming of the Shrew are a reflection of the male dominated

‘The Taming of the Shrew’ by Williams Shakespeare was written in the Elizabethan era. The play explores the use of characters to emphasise on gender roles and its relation to modern society. It demonstrates Katherina’s lack of choice, Bianca as the “ideal” woman and Katherina using her advantage of being a woman to get what she wants.

Also, Katherine herself apprehended the error of her ways, making the women feel sheltered and making the men feel self-assured about their dominant position in society. The audience presumably went home contented, because such a shrew was tamed, and could be tamed so well. Katherine’s soliloquy reinforced the moral values of the Elizabethan era, making the conclusion of the play more enjoyable and entertaining. The final scene of The Taming of the Shrew shows ”the triumph of the unconventional over the conventional”, it shows that Katherina and Petruchio’s marriage, which has started rather unconventionally, seems to have better chances of being a happy. Shakespeare speaks out in clearly favors of the unconventional concept of love present in the relationship between Petruchio and