Katherine's Speech In Taming Of The Shrew

The Katherina that gives the final speech in The Taming of the Shrew is quite a departure from the Katherina we were introduced to in Act I. This new Kate is modest, quiet and obedient. All of these qualities were not present until Act V. Such a profound personality change prompts the questions how this happened and what purpose do her changes serve?

Katherina may be a shrew, but Shakespeare’s The Taming of the Shrew does not truly show a study of how a selfish, spoilt individual is made to conform to society’s expectations, or be tamed into a ‘proper’ woman. At the end of the play, Katherina is not, necessarily, tamed - she just realizes what she must to do in order to get the things she wants. Two main examples of her submitting to Petruchio in order to achieve her desires are in Act 4, scene 5, (the sun versus moon scene) as well as Act 5, scene 2 (the kiss me kate scene and her final monologue).

Men had the authority to say whatever they wanted to, no matter what it was. Although they were allowed to do a lot more that women, they were also allowed to say a lot more than women. Men did not really have boundaries when it came to speaking. They were allowed to speak their mind and have an opinion. Men could speak to and about women in a disrespectful and derogatory way. Women were also allowed to have an opinion, but they were not allowed to express it to others. Women were voiceless. They were deprived of their right to speak. The title itself, The Taming of the Shrew, already proves how strong men were compared to women during that time period. If a woman wanted to speak their mind, they would be criticized and judged. They would gain a bad reputation because women were expected to listen to men and follow their commands. However, Katherine did not like that. Instead, she spoke her mind and refused to do certain things. As a result, nobody liked her. They viewed her as a “fiend of hell” (I.i.90). A man would not be called that though. On the other hand, if a man did the same thing, no one would care. “Much more of shrew of thy impatient humour.” (III.ii.29) This proves that even the woman’s father would call their daughter a “shrew”. This was also normal

That the film includes these elements of feminist material reflects its modern context of a society that is not unfamiliar with feminism. In this area it challenges the original text, where within the context of the Elizabethan era, Katherina’s rejection of her inferiority as a woman is unaccepted and repressed. As Hortensio mocks: ‘ ‘Mates’, maid? …No mates for you/Unless you were of gentler, milder mould’ (1.1.59-60), he manipulates Katherina’s reference to him as a ‘mate’- a crude man- to mean ‘husband’ in an attempt to silence her. Such repression- and that of Katherina at the hands of Petruchio- though exaggerated and outrageous, was acceptable and approved of in the context of Shakespeare’s play.

In the play Taming of the Shrew by William Shakespeare, Shakespeare includes several appeals of pathos, ethos and logos. In the last passage of the book, Katharina speaks out to all of the characters with a speech. Katharina describes how she has changed into a person who looks to her husband as her lord, her care taker. The characters who listened to her speech seemed impressed on how she has finally changed her rude attitude and how she obeys her husband Pertruchio’s every word.

Taming of the Shrew is a romantic comedy written by William Shakespeare in the 1500’s. It takes place in the city of Padua, presumably during the Italian Renaissance. The major conflict of the play is ‘taming’ a hot-headed woman named Katherine and to overcome the rule her father holds on his two daughters where the eldest marries first. The script brings up a lot of attention in the feminist theory. But, Shakespeare’s play reflects on the archetypes of characters, situations, and symbols. These connections are made in the play to make the audience familiar with the text and provide a deeper understanding.

The Taming of the Shrew is one of Shakespeare's most famous plays, and has weathered well into our modern era. For all the praises it has garnered throughout the centuries, it is curious to note that many have considered it to be one of his most controversial in his treatment of women. The "taming" of Katherine has been contended as being excessively cruel by many writers and critics of the modern era. George Bernard Shaw himself pressed for its banning during the 19th century. The subservience of Katherine has been labeled as barbaric, antiquated, and generally demeaning. The play centers on her and her lack of suitors. It establishes in the first act her shrewish demeanor and its repercussions on her family. It is only with the introduction of the witty Petruchio as her suitor, that one begins to see an evolution in her character. Through an elaborate charade of humiliating behavior, Petruchio humbles her and by the end

In addition, Petruchio’s taming has taken away her unique confidence and forced her to change into a woman that accepts the patriarchal norms. Moreover, since Katherine follows the “good girl” definition, it proves Petruchio’s taming plan worked. Likewise, when they finally reach the banquet, Katherine asserts herself as a changed woman who conforms to the social norms. She gives a long speech describing her newly found views: “Even such a woman oweth to her husband,/ And when she is froward, peevish, sullen, sour,/ And not obedient to his honest will,/ What is she but a foul contending rebel,/ And graceless traitor to her loving lord?/ I am ashamed that women are so simple/ To offer war where they should kneel for peace” (V.ii. 160-166). In this ironic speech, Katherine urges women not “to offer war where they should kneel for

In Shakespeare’s comedy, “The Taming of the Shrew”, the author depicts the subjection of a willful woman to the will of her husband. 2 The female protagonist in the play, Kate, has a shrill tongue, a hot temper and irrational attitude giving her the reputation of a “shrew”. The first way Shakespeare portrays marriage in this play is by showing the female subject to being married as the victim who is passed from her father to the suoiter of her father’s choosing. In “The Taming of the Shrew”, Kate is seen as an object in her courting and marriage to Petruchio .

In Shakespeare’s comedy, Taming of the Shrew, the writer explores the idea of a woman being the property of her husband, and having to do everything that he bids her to do. Katherina, the eldest daughter of the Baptista, is well-known for her shrewish attitude. Whereas, her younger sister, Bianca, is the ideal woman-- this results in her having several suitors, and Katherina has none. Katherina eventually marries a man named Petruchio, and through a process, she becomes ‘tamed’. This play has been transposed into several film productions, Zeffirelli’s The Taming of the Shrew, and BBC and Rickards’ Shakespeare Retold; The Taming of the Shrew, are two examples. Between these two productions, Rickards’ version of Taming of the Shrew seems to be the

In specific regards to obedience, Katherine’s forthright nature and defiance of her father clearly put her ahead of her time in The Taming of the Shrew. Since women were supposed to act subservient and dutiful to their male counterparts such as their fathers and husbands, Katherine undermines this belief by simply being unpleasant. Not only is Katherine referred to as “curst Katherine”(1.2.185), but she is also the

Gender roles have normally been dominated by men, with women unwillingly submitting to them. In William Shakespeare’s, The Taming of the Shrew, this idea is presented with the characters Kate and Petruchio. Kate brings about a new attitude of women becoming dominant that is not accepted by Petruchio or the rest of society. Without any support to help her, Kate is unable to keep her own character and conforms to be an obedient wife. In the play Taming of the Shrew, Shakespeare uses the character Kate to display men’s power to break down a woman’s confidence and to portray the patriarchal relationship in marriages of the time.

According to the website Elizabethan era, “Disobedience was seen as a crime against their religion.” During the Elizabethan era, the women who spoke back and who were angry were called names and represented the negative side of society. This can be evident through the character Katherine, who rebels of the idea of men controlling women. Katherine is the opposite when in comparison to an average woman during that time, in that she had a quick tongue. The male characters Gremio and Hortensio would treat her like an animal and said that Katherine would be carted if she continued the way she acted toward males.

Also, Katherine herself apprehended the error of her ways, making the women feel sheltered and making the men feel self-assured about their dominant position in society. The audience presumably went home contented, because such a shrew was tamed, and could be tamed so well. Katherine’s soliloquy reinforced the moral values of the Elizabethan era, making the conclusion of the play more enjoyable and entertaining. The final scene of The Taming of the Shrew shows ”the triumph of the unconventional over the conventional”, it shows that Katherina and Petruchio’s marriage, which has started rather unconventionally, seems to have better chances of being a happy. Shakespeare speaks out in clearly favors of the unconventional concept of love present in the relationship between Petruchio and

In Shakespeare's comedy, The Taming of the Shrew, Shakespeare has a woman as one of the story's main characters. Katherine Minola (Kate) is off the wall, and kinda crazy. Because of her actions, the “male centered world” around her doesn't know what to do with her.