Katsu Kokichi’S Autobiography, “Musui’S Story,” Documents

Musui 's Story is a samurai 's autobiography that portrays the Tokugawa society as it was lived during Katsu Kokichi 's life (1802 - 1850). Katsu Kokichi (or Musui) was a man born into a family with hereditary privilege of audience with the shogun, yet he lived a life unworthy of a samurai 's way, running protection racket, cheating, stealing, and lying. Before we discuss how Musui 's lifestyle was against the codes that regulated the behavior of the samurai, it is essential that the role of the samurai in Japanese society be understood.

The Samurai’s Tale by Erik Christian Haugaard is about a boy named Taro, the protagonist in the story. The major characters in the story are Taro, Yoshitoki, Lord Takeda Katsuyori, Lord Akiyama Nobutomo, and Togan. The setting of the story is in Japan, in around the 16th century. In the beginning of the story he was presented as a gift by the great Lord Takeda Shingen to Lord Akiyama after his parents had been killed. By using his wits and suppressing his fierce pride, Taro slowly escalates the ranks of his lord’s household until he achieves his greatest goal—becoming a samurai like his father and Lord Akiyama, whom he has come to admire. The life of a samurai is not so easy, Taro finds himself sacrificing opportunities of love and friendship

The primary beneficiaries of the emerging money economy were the merchants. Daimyo and samurai traded their rice for money with the merchants who soon became very rich. Merchants, cashing in on daimyo debt attained positions of authority within the daimyo households. Many were living lavish lifestyles only dreamt of by samurai. This caused resentment in Japanese society because, although they were socially inferior, merchants enjoyed an elevated status economically (Kunihiko 1997). Perhaps the social class that suffered the most indignities was the samurai who, lacking the means to earn a living on their regular income, indulged in the lifestyle of Edo. Many had to resort to engaging in handicraft for income vice training at the martial arts thus leading to inherent corruption (Nobumitsu 1997).

The samurai were a warrior class in feudal Japan who served the lords of clans in Japanese feudal society. They were highly respected elite warriors in both grand military strategy and individual martial arts. The warrior code that they embodied and the myth of the samurai warrior are still alive in modern Japan today. In his book American Samurai: Myth and Imagination in the Conduct of Battle in the First Marine Division 1941-1951, Craig Cameron draws parallels between the United States Marine Corps and the feudal Japanese samurai. Writing from a post-Vietnam view, Cameron

2. Harutomo Murakami (Taro)- The hero of the story, the son of a poor samurai who died in battle

In Giles Milton’s novel, Samurai William, the reader is taken to the other side of the globe to experience the history of old world Japan. Though out the book, Milton provides reason for complex historical events and actions, while still communicating the subtleties and mysterious customs of the Japanese. The novel also closely examines the wide range of relationships between different groups of Europeans and Asians, predominantly revolving around the protagonist, William Adams. The book documents the successes and failures that occur between the two civilizations, then links them back to either the positive or negative relationship they have. As the book goes on, the correlation is obvious. Milton shows us the extreme role that religion,

He says many times in the book that he went around with his friends starting fights. Many of his other fights come in the form of going to fencing schools and challenging other students. This may show that with the lack of warfare going on samurai's skills in fighting were almost useless and definitely unnecessary during Katsu's time. It was more like a sport than something essential to Japan (as it was before this time). This is no surprise considering that at the time of Katsu's life there probably had been no war for centuries. Also, in a way he was financially dependent on some merchants when ever had to sale arms or his own property to make ends meat. This shows the slow breakdown of the old Japanese hierarchy with the samurai at the top and the merchants on the bottom. We can infer from Musui's Story that now some merchants were more powerful than some samurai.

Throughout History, there have been many different groups or events that are still widely known today. Groups of people such as the Indians or Vikings are popular groups which are referenced constantly in today’s society. However, none of these groups is more known or referenced than the Japanese Samurai. Originating in 646 AD, these Japanese warriors developed from a loose organization of farmers to the dominant social class in Feudal Japan. Along with their dominant military and political standing, the samurai brought with them a unique code or moral belief that became the core of Samurai culture. Because of this, the Samurai and their principles still affect modern day Japanese society with social customs today

Next, the Bushido Code shows how the samurai acted around people. One of the rules in the Bushido Code was, “ ‘men must grudge money, for riches hinder wisdom’ ” This means that anyone who was rich in Japan at this time, had to of acted like they didn’t care about money. Wisdom was one of the most important virtues at this time, so if money obstructed

The varying social interactions between status groups in Katsu Kokichi’s autobiography, Musui’s Story, convey a shift from the hierarchically strict Heian/Kamakura epochs to the more socially open late Tokugawa period. Throughout the work, Katsu illustrates his various dealings and communications with peasants, merchants, artisans and fellow samurai. While in theory a social hierarchy still presided, Musui’s Story dismisses the notion that social groups remained isolated from each other, as in previous Japanese eras, and instead reveals that people of Japan in the late-Tokugawa-era mingled with one another during their lives, regardless of their social status. Considering the

The author who brought to us The Tale of Genji, a novel now regarded as the first written novel in history, left behind an arguably more treasurable artifact: a diary that opens a window into history. The Diary of Lady Murasaki by Lady Murasaki Shikibu gives the reader a glimpse of the imperial court during eleventh century Japan and presents the past in an illuminated vision. Being an attendant in the imperial court, Lady Murasaki is frequently involved with the activities of elite Japanese women. Her day-to-day interaction with the nobles and elites enhance her account with the curious perspective of an elite female. As a woman, Lady Murasaki's descriptions are oriented around clothing

The 47 Ronin Story takes place in 1701, approximately 100 years after the Tokugawa Shogunate was formed. The story displays much of the changes going on in Japanese society and culture. From the declining importance of the Samurai, to the rising influence of the merchant class, and finally to the inevitable changing of values that are all exacerbated by the long peace imposed by the Tokugawa Shogunate. The changing of values were not just commonplace among the classes, it also reached into the high echelons of the court. The corruption of the court sparked the beginnings of a series of events that at it's conclusion would inspire a nation and ultimately define them.

In the essentially dual religious system in Japan, ideologies and traditions play a heavy role in the everyday life of the Japanese people. Shintoism and Buddhism intertwine and complement themselves in Japanese culture, despite Buddhism coming in from mainland Asia. A particularly powerful idea from Buddhism is mono no aware, the realization and acknowledgment of the impermanence and its place in the world. This idea that nothing stays the same forever manifests itself heavily in Japanese literature, whether in personal writings or fictional works. Despite spanning hundreds of years, each work was shaped by and include manifestations of mono no aware. I intend to underline and pinpoint instances that mono no aware is influencing these works, and discuss similarities and differences between them. In this paper, I have three works that I will explore, each one corresponding to a different time period before the pre-industrial revolution; The Diary of Lady Murasaki comes from the classical period, Essays in Idleness from the medieval, and the immensely popular play Chushingura from the pre-modern era.

Ninjas are very secretive, dangerous, and dishonorable which are mainly the characteristics they're known by. Although, it was more than that, they were very skilled and passionate about their work. Ninjas have a strong origin, history, and culture but it’s something no one really talks about because it was all kept to themselves. My project is important because everyone believes ninjas are just people who wore black and fought the bad guys. It is more than that, there is a lot that went through their skill and they took it very serious. They did what was believed to be right. No mercy was felt for the people who were gone after and there was no remorse. Although, they did have a master

A sociological thought piece, Chris McKinney’s The Tattoo is bursting with toxic relationships. Amongst these, McKinney uses the strained kinship between Ken Hideyoshi and his father to partially explain how people fall into cycles of violent behaviour. To understand the richness of the text, violence will be characterised as the intentional or unintentional application of force, and/or power resulting in psychological, emotional and/or physical harm, whether it is for the perpetrator’s advantage or not. Thus, a wide definition is given to encompass the numerous acts of harm occurring throughout the novel. Ken’s father is a man instilled with traditional values and beliefs. Therefore, strength and fearlessness are expected to be in Ken to make him tough and prepared to face the world. The reader witnesses these notions take root and unfurl into his father’s ideas of the epitome of hegemonic masculinity. Consequently, this essay will analyse the connection between Ken Hideyoshi and his father as it progresses throughout the novel by looking at how socialisation, hegemonic masculinity and family violence lead impressionable people into deviant lifestyles.