Keith Analysis

This subject matter is about one of the most under rated paintings in my opinion of all time painted by a very under rated painter whom is Tim Ashkar, and the painting is no other than Beauty of Color. The artwork is full of different shades of beautiful black women wearing their elegant attire along with exquisite heads dresses and simply luscious pearl necklace along with the ear rings to match. All of them have peaceful and pleasant looks on their faces with their backs straight wearing beautiful array of earth tone colors with eyes to match. It seems like they arrange from young to not so old but all of their faces are very distinctive from one another, so it’s very easy to see who’s who.

He starts to look after her which give us evidence about his alteration because of their condition and for everything she has done for

develop sexually, which she is not fully ready for. She is finally accepts her place in her

Duane Hanson, born in 1925, used his traditional painting and sculpting techniques to create a realistic sculpture of a football player. The work is known as Football Player, made in 1981. Hanson used oil on polyvinyl, clothed, helmet, and styrofoam cup. By painting this sculpture realistically with oils and adding real hair and clothes, this sculpture has been mistakenly thought of as a human being. Hanson was able to create a mix media of a football player.

Tim Shaw is a sculptor who created a sculpture of a man in fire. This sculpture is called Erebus; it took him 7 years to finish this piece. This sculpture especially caught my attention as it is seen as a very strong and powerful sculpture. I have decided to draw this this sculpture because it could relate to my theme Decay. In my perspective by looking at this sculpture of a burning man could show that this man is at his last stage of life where he is about to die. This sculpture has a lot of meaning behind it…

- Nick implies Myrtle’s personality changes because of her appearance change- she can’t think for herself and needs the clothing “with the influence of the dress her personality had undergone a change”.

As I have shown time and time again Marc Change seems not to be able to keep his story straight.

In this article the writer, Greg Silver, starts out by talking about a 25 year old waitress who has broken her arm, and has no insurance or money for the medical bills. Due to these reasons her arm healed on its own but healed crooked. This has caused it to be painful for her to hold a tray while working. She asked the writer what was she supposed to do. Greg Silver has been a primary care physician for 30 years now and he’s heard so many stories from Americans who don’t have insurance or the money for their medical bills, so they suffer in pain. “Even with the affordable care act we leave 28 million people without any coverage.” He talks about how we need a streamlined single-payer program that would provide universal coverage for everyone, “such as Rep. John Conyers’ House Resolution 676 and Sen. Bernie Sanders’ Senate Bill 1804.”

He is different from all the other guys that she ever had a bad luck to know, but nonetheless all she wants of him is «a non-pressure bang, once a week, on the sly, with a man who's been through it all and is nicely cooled out.» (p. 40). She plays her role, she satisfies him like no other woman ever before, sho doesn't want anything else from him, no expectations, no feelings, no true relationship, she's becoming his Voluptas.

She is the wife of Gerald MacLeod and the mother of Rennie MacLeod. Although Gerald and Elizabeth are separated for the entirety of the story, she holds on to the dear memories she has of Gerald, even though they cause her to suffer.

Accordingly, Fantomina acts repetitively throughout the novel to gain the attention of Beauplaisir as a result of an identity crisis. This is relevant because she has a process of developing a character and subsequently seducing Beauplaisir, but she never realizes that she succumbs to each new role. Succumbing to the role almost as a method actor, she hides her true identity by burying beneath each character she embodies. Method acting tends to take a toll internally on a person and Fantomina is clearly affected, “she found herself involv’d in a Difficulty, which before never enter’d into her head”, she feels pulled into the role here and it reflects in her thoughts showing internal strife on how she initially uses her first character to interact with suitors (Haywood, 43). Therefore, Fantomina painstakingly undergoes a full transformation to become each identity to the fullest extent she can while discarding the previous layer of identity until her final true identity is revealed. Slowly, she peels away false attributes in the characters she acquires. As previously stated, the method of her embodiment of a role causes her to subconsciously adapt this persona as her own disguise. This method is how she can successfully adopt new alternative identities.

In the book The Summer I Turned Pretty, by Jenny Han the main character is realizing that her relationship with one of her best friends is changing. She is struggling to deal with the fact that the one person she thought she would always be with may not be the right one for her. This is all happening while she is slowly falling in love with his brother, and her best friend. The author used flashbacks throughout the entire story to reveal more about the characters and to show how their relationships have grown. I think that another thing that she is trying to achieve is trying to raise the stakes by showing how if she falls for him, there would be a lot of challenges to go along with it.

This excitement and nervousness compels Kathy to pursue all odds to become one of the grown-ups. This would appear to lead her away from individuality, but it ultimately, after finally being pushed over the edge into maturity, allows a more profound realization that she doesn’t need to conform.

It not only threatens, but also breaks through. Betrayed by love once in her life, she nevertheless seeks it in the effort to fill the lonely void; thus, her promiscuity. But to adhere to her tradition and her sense of herself as a lady, she cannot face this sensual part of herself. She associates it with the animalism of Stanley's lovemaking and terms it “brutal desire”. She feels guilt and a sense of sin when she does surrender to it, and yet she does, out of intense loneliness. By viewing sensuality as brutal desire she is able to disassociate it from what she feels is her true self, but only at the price of an intense inner conflict. Since she cannot integrate these conflicting elements of desire and gentility, she tries to reject the one, desire, and live solely by the other. Desperately seeking a haven she looks increasingly to fantasy. Taking refuge in tinsel, fine clothes, and rhinestones, and the illusion that a beau is available whenever she wants him, she seeks tenderness and beauty in a world of her own making.

her own person, and increasingly a part of the society in which she is an