Kendrick Lamar's 'Alright'

Music is a creative art form that allows the artist to construct something that expresses a purpose. It evolves over time and changes as the world changes, taking on many different motivations behind the melody and lyrics. In today’s society, anger, oppression, racism, and negative opinions rule the media and popular culture. I believe that African Americans need to show their self worth and not let white people hold them back. With the music in white culture often mocking African American culture and portraying negative stereotypes, African Americans have to find ways to gain respect. In acknowledgement of the negative portrayal of their culture, African Americans respond by creating songs and videos that express their pride in their culture and heritage, react to white oppression, and communicate their independence.

Unlike many other mainstream artists, Kendrick Lamar attaches great importance to the lyrics of his songs. Lamar’s song “DNA”, released last April, became a real breakthrough in the world of hip-hop music. In this song, Lamar reflects on various social issues faced by the modern African-American community of the USA. The song’s lyrics, as well as the music video, portrays the most common stereotypes and biases labeled to the African-American community. The central aim of the song is to sarcastically demonstrate the image of African-Americans as they are viewed by biased media. By the use of symbolical sarcasm and double meanings, Lamar underlines the acuteness of the race inequality that remains existing in the modern America.

Molefi Asante is the author of It’s Bigger than Hip-Hop: The Rise of the Post Hip-Hop Generation. In this article, Asante predicts that the post-hip-hop generation will embrace social justice issues including women’s rights, gay’s rights, and the anti-war movement. To challenge these stereotypes, Asante speaks to the personification of the African-American ghetto and the need to stop glorifying black suffering. For Asante, the post-hip-hop generation no longer expects hip-hop to mobilize disenfranchised youth. Asante states, “The post-hip-hop generation shouldn’t wait for mainstream musicians to say what needs to be said…No movement is about beats and rhythms…. it must be bigger than hip-hop.” Because hip-hop is controlled by corporations, Asante says hip-hop will never be the focus of political change. Asante argues that “old white men” have dictated hip-hop, and by extension the actions of black youth, since 1991. “Allowing white executives, not from the hip-hop culture, to control and dictate the culture is tragic because the music, and ultimately the culture, as we can see today, has not only lost its edge, but its sense of rebellion and black movement- the very principles upon which it was founded.” Asante calls for the rise of “artivism,” a new social movement that uses art to improve community police relations, failing schools and the criminal justice system. Asante encourages the post-hip-hop generation to unite with Latino/Immigration Rights and Black Civil Rights

From the early 1980’s into the early 1990’s, hip-hop was an integral tool in the dissemination of young people’s voices against mainstream politics. These times were tense and rather controversial. It began with Reagan’s call for the reemergence of state rights; this call was a form of political messaging which utilized coded language targeting different groups with dual messages also known as dog whistling. It allowed individual states total power and control in instituting their own policies including segregation. On top of the aforementioned and in light of the increased state regulation, intense and increased police brutality became an unfortunate reflection of the times. As a result, many people, especially those of color, lost trust in

Kendrick Lamar’s song “Alright” talks about race and how African Americans are being targeted and profiled. The song tells about the gun violence and police brutality that is effecting our community, “And we hate Popo, wanna kill us dead in the street for sure, n…” (Line 35). This quote out of his song is significant because in the world we live in someone gets killed every day for the color of their skin color or a profile that someone made off assumptions. As the song goes he tell about how African Americans were discriminated. “When you know, we been hurt, been down before, n… / When our pride was low, lookin' at the world like, "where do we go, n…?”’ (Line 33-34). Throughout the years African Americans are looked down on to the point where they do not know what their purpose is. For some, living in a world where people do not want them there hurts the pride of people.

Many contradicting views surround rap music’s controversial subjects and use of language. While some consider it highly offensive, there is some validity to the rhetoric applied in political rap. In the 1990’s racial inequality is rampant with uprisings and segregated neighborhoods that condemn minorities and lower socioeconomic classes to inhumane living conditions. Specifically, Tupac Shakur’s posthumous song “I Wonder if Heaven Got a Ghetto” combines an emancipatory lyric with a hopeful and upbeat instrumental to assess the racial inequality in society and the possibility of a better future.

Within History, Rap has been considered the “CNN for black people”; what started as a way to express struggles in the ghettos of New York has transformed into one of the most popular genres of music in America. The popularity of rap has allowed many to have their voices heard, created new fashion trends, and even developed popular modern slang used by people throughout the world. The commercialization of rap has resulted in a significant following of the culture in America but also a large number of people who oppose the music. The culture of rap music has a substantial impact on popular culture in America, and by using an open mind and looking past the violence and language, people can better understand the meaning behind rap and the perception that follows it in America today.

Summarizing: This essay about Biggie Smalls and Frank white who bring a unique, unmatched and unparalleled style to the hip-hop community and to the world of music. Biggie Smalls tells the story exactly how he sees it. Frank white shares what he envisions and what he hopes to see. Armand Powell-Archie explains that “People fear what they don’t understand/hate what they can’t conquer guess it’s just the theory of man”(251).They give a clear insight into the daily and everyday struggles of somebody living in the inner city.

Kendrick lamar’s award winning music video for his 2017 single Element shows the many experiences he faced growing up as a black man. The various symbols broadcasted throughout this music video show specific conflicts and struggle that he has dealt with throughout his life and also allowed black man that have been in his position something to relate to. He teamed up with director/photographer Jonas Lindstroem to help him convey his message but in a unique and creative way. The slow moving scenes show a softer depiction of his encounters. They give a sense of understanding which allows the viewer to be able to comprehend and absorb his message. As a whole, it was a collection of the pain, beauty, peace and violence that exists within his “element”.

Kendrick Lamar took the music industry by storm last year after his release of his sophomore album To Pimp A Butterfly. Immediately, the album quickly became critically acclaimed and resulted in multiple awards such as winning four grammys this past winter. The album goes deep into Kendrick’s personal struggles as new found celebrity, while also touching on subjects surrounding the black community. For this paper I took a look at the standout song off the album Institutionalized, that deals with the internal struggle people go through in life because of the barriers of thinking they are imprisoned to in their lives. Along with this, the song also has elements that tie

In “Alright” Kendrick Lamar is speaking to the public about police brutality, or is he sending a deeper message to the people of minority. Kendrick Lamar released the song titled “Alright” in 2015. Upon release the song instantly blew up. It 's catchy and even though people got tongue tied trying to recite the song everyone knew the hook of the song which stated “We gon be alright do you hear me do you feel me we gon be alright.” I wonder did anyone catch the poetic verses Kendrick was saying before the hook. By simply watching the video you instantly think oh police brutality but I recieved a deeper message. I believe Kendrick wanted the song to inform the public about the brutality that seemed to be continuous at the time; and offer a bit of hope to those who didn’t feel there was any. That’s why the song was so famous, Kendrick performed this song on numerous award shows and talk shows because the people needed to hear it. Though some believe the song is in protest against cops or sending a bad message others believe it is an anthem for african americans.

From it's inception, rap indured a lot of hostility from listeners--many, but not all, White--who found the music too harsh, monotonous, and lacking in traditional melodic values. However, millions of others--often, though not always, young African-Americans from underprivileged inner city backgrounds--found and immediate connection with the style. Here was poetry of the

Injustice has plagued society for years. An injustice could be described as an unfair treatment usually racially motivated. As a black male in America, injustices are practically thrown my way. People that look like me long for justice. The book “Between the World & Me” and the song “Mortal Man” both show the side of injustice with a strong need for justice by proposing solutions. Specially written by the 7 time Grammy Award winning Hip Hop artist Kendrick Lamar was born in Compton, California and is currently residing there as an signed artist to Dr. Dre’s record label, Aftermath. Kendrick Lamar first went as his persona, K-Dot, but as time went by he soon changed his name from K-Dot to just his Middle name as Kendrick Lamar. In the song,

“Stand back! Move!” yelled the police officer surrounded by other officers. Feet echo through the streets matching the rhythm to the repetition of the words “Pro-black isn’t anti-white!” Protesters continue to walk forward and the next thing “Bang!” and wailing starts filling the streets. However, if you can listen closely, you can hear one of the most influential songs in the 90s that is still significant in today’s society. Sung by the King of Pop, Michael Jackson’s piece “They Don’t Care about Us”, portrays a rigid, heartfelt message about civil disobedience and hierarchy that occasionally exhibits in our society.

At this moment, Kendrick’s monologue addresses the battle encountered by African Americans today and the frustration that comes with wanting and deserving more than they have. The backing vocals in this section of the song imply that American society wants African Americans to submit to it and praise it, even though many of them have suffered from it. This introduction signifies how dazed society is to the black people and how there is a constant battle between