Key Themes In Peter Carey's 'Exotic Pleasures'

Four have already left home, one will leave soon and the other three still dwell in the house with her. She then begins to express the dangers of the world around her in a bird’s point of view. For example, she is afraid that her young will fall in a fowler’s snare, be caught in a net or by birdlime on twigs, or hurt by a hawk. In a human world a fowler’s snare might be fallings into the hands of trickery, robbery, or any other type of crime. Caught by net or birdlime might represent being in the wrong place at the wrong time, and a hawk-inflicted injury might symbolize being wounded or killed by an Indian or criminal.

Starting of with “A White Heron”, the story starts with a mellow, quiet mood. Sylvia is walking in the woods with her companion, her cow. Jewett includes words and phrases such as “childish patience” and “the little girl” that makes the reader grasp the idea of Sylvia being a child. The fact that Sylvia hears the whistle of the stranger and hides also show the idea of her being a young child. The first day meeting the stranger, Sylvia seems reserved and not paying much attention to him talking about the white heron, even when he confesses to pay ten dollar for anyone who helps him find it. Soon enough, Sylvia develops a crush on the hunter. She does go in the woods with him for his needs to find the white heron but she does not disclose where the bird could be, it seemed as if she just wanted to enjoy his company. When Sylvia goes on her

One’s view on something often changes when you look at it from more than one point of view. Morality plays a significant role in any decision making process. It is hard to justify any decision that is not moral. Sarah Orne Jewett’s “A White Heron” has many elements of nature, and of the preservation of what Sylvia holds dearly. The thought provoking short story evokes emotions of caring, loving, and fear. All of these emotions are shown by different settings and characters in the story.

The major theme of this story is to some people, animals are more important than any human. The author and his sister love Henry, the parrot, like one of their family member. Sedaris makes his audiences confused. At first, he makes everyone think that Henry is a human being as he says: “My sister’s home didn’t really lend itself to snooping, so I spent my hour in the kitchen, making small talk with Henry”(445).

The title of the play “Trifles” is a major symbol of how men viewed women in the early nineteen hundreds, something small, and of little value or importance. One of the examples of trifles within the play is the bird in the cage which symbolized Mrs. Wright and the life not only she had to live, but other women faced during this time as well. Women, as well as Mrs. Wright, felt caged in her own homes, and some were not able to associate with their friends. Women had no right to vote, or have a say so as to anything except what went on inside the home as far as cleaning, cooking, sewing, and tending to their children.

That economic system is called capitalism. The way some countries use to control the political and economic movements of every industry it has. Capitalism is the way to create money, starting by one economical source without paying enough to those who work for their family welfare. And this is one of the elements found in this chapter, where this unfairness is a main point to discover the real history behind the tragedy of the whaler’s island.

Although Birdie’s sad story seems to be very tragic, it is not identical to the normal literary tragedies that we normally see. Usually, a tragedy is written with a heroic character and features characters acting out the roles of the story. Instead, Waxen Wings displays a girl who loves flying, but is caught up in a series of unfortunate events Unless the reader is also a lover or flying, it is

First and foremost, Capitalism wants people to work it doesn’t want people to prefer not to work, the working man needs to work in order for the economy to keep on rolling. The rich men of capitalism want the working man to keep on working for their money to come in. Without work capitalism crashes. That is why Bartleby is thrown in prison, this is why he is constantly persecuted and questioned by the narrator, the narrator is confused because he is used to capitalism and it’s way of working, Bartleby is nothing but the odd one out of this system. When Bartleby stops producing copies, his life slowly gets worst, it leads him to go in prison and rot for the rest of his days. Bartleby lives in a society that wants nothing but constant production. He is crushed by the money-making monster that is capitalism. No one wants Bartleby to work in their establishment because he doesn’t want to work. To this society someone who does not want to work is regarded as a lazy person who leeches off of others. The narrator tries to get Bartleby to stay away from him, he doesn’t want anything to do with him near the end, capitalism has consumed the narrator it shows that it has

The plot structure not only forces people to reevaluate their views on capitalism, the American Dream, and opportunity itself, but furthermore advocates social change. The book implicitly suggests communist ideals through the characters of Tom and Casey. Casey, in his questioning of Christian dogma, begins to reevaluate equality, in the terminology of what is holy.

Capitalism is an unnatural perversion of society in Marx and Engel’s The Communist Manifesto. It is constantly consumptive, unable to exist without further expansion. It warps society through its exploitation of labor and the class that provides it. The Communist Manifesto goes beyond just a sociopolitical critique of capitalism, and adds otherworldly, almost Gothic elements. Repeated supernatural, fantastical language reinforces the idea that capitalism is an illegitimate twist of the natural state of human affairs.

Mr. Butler represents capitalistic society taking advantage of the common people: Mr. Haskins and his family. After Mr. Haskins had worked towards purchasing the farm from Mr. Butler, he is met with resistance in the form of an unexpected price increase, to which he rebuts, “But you’ve done nothing to make it so. You hain’t added a cent. I put it all there myself, expectin’ to buy” (Garland 761). Garland, as if to emphasize the element of naturalism, writes, “Butler laughed” and has Butler respond to Mr. Haskins, “The law will sing another tune” (Garland 761).

?Sylvia still watched the young man with loving admiration. She had never seen anybody so charming and delightful, the woman?s heart, asleep in the child, was vaguely thrilled by a dream of love.? As the symbol of masculinity, the hunter is an aggressor although he is described to be kind, handsome, friendly and sympathetic. When first met Sylvia in the woods, he ?called out in a very cheerful and persuasive tone? and spoke to her in a courteous way. In fact, he takes advantages of Sylvia because he is in need of home and food. When he needs Sylvia?s help, he proves he cares for her so much, ?He listened eagerly to the old woman?s quaint talk, he watched Sylvia?s pale face and shining gray eyes with ever growing enthusiasm.? ?He told her many things about the birds and what they knew and where they lived and what they did with themselves. And he gave her a jack-knife, which she thought as great a treasure as if she were a desert-islander.? However, he is cruel and merciless to nature, his gun is a convention which is to destroy the nature. ?I have been hunting for some birds?. At the end, he goes away and does not help her family when she refuses to tell him about the heron?s nest.

       As the tale begins we immediately can sympathize with the repressive plight of the protagonist.  Her romantic imagination is obvious as she describes the "hereditary estate" (Gilman, Wallpaper 170) or the "haunted house" (170) as she would like it to be.  She tells us of her husband, John, who "scoffs" (170) at her romantic sentiments and is "practical to the extreme" (170).  However, in a time

The struggle of an individual in a class alienated society is emphasised by presenting two disparate classes: the bourgeois and the proletariat. The bourgeois are describes by the narrator as ‘titans and their gigantic wives’ who ‘drink barrels of champagne and bellow at each other wearing diamonds bigger than I feel’. The exaggeration used adds to the cynical tone to mock the elements of the bourgeois, but also suggests the hollowness of their wealth and how they possess greater than the narrator can grasp. The narrator in comparsion feels like a ‘cockroach’ shown in the description; they ‘just want to see you run around their money…they know they can’t threaten you with the tip, to them

The protagonist, Mrs. Wright, is trying to keep from being accused of murder and this is why she hides the dead bird. The two women, Mrs. Hale and Mrs. Peters, begin to warm up to what really has happened and throughout the story continue to grow more sympathetic towards Mrs. Wright. The suspense is built up very well trying to figure out whether or not she will get convicted. In the climax, the two women find Mrs. Wright's dead bird and realize what has happened. They are faced with the dilemma of whether or not to turn her in for what they now know she is guilty of. The reader does not find out what happens but is left to assume the best ending. Although the plot of this story is not very exciting, it does achieve its central purpose of showing the women leaving the men out in the cold and uniting together. Throughout the plot and structure they were some instances of irony that were used very well.