King Lear Cordelia Quotes Analysis

After King Lear’s two oldest daughters, Goneril and Regan express their love for their father in a flattering speech they were granted their share of the kingdom, and Cordelia his youngest daughter and favorite daughter refused to play along, Lear felts she was disrespectful and she was banished from his sight. Cordelia bids farewell to her sisters, and tells them that she knows they don’t love him, “I know you what you are, and like a sister am most loath to call your faults as they are named.” (1.2.273-275). “Time shall unfold what plighted cunning hides; who covers faults, at last shame them derides. Well may you prosper!” (1.2.284-286). Once Cordelia left, Goneril and Regan revealed to the audience that they had no love for their father.

During the opening act, King Lear was preparing to divide his kingdom amongst his daughters. This test of love essentially pitted the daughters against each other and signified the sibling rivalry that was shown. He was seeking a verbalized declaration of false affection, instead of a true affirmation from the heart. Goneril and Regan were quick to assert how they adored their father more than the other, while Cordelia was unable to proclaim her love for her father in spoken words. She simply announced, “Wretched as I am, I can’t express in words what’s in my heart. I love your Majesty according to my duty as a daughter. No more, no less” (Shakespeare 27). King Lear disowned his favorite daughter for merely not articulating in words what she expressed in her daily actions. Had a mother been present, she may have required more intent, rather than presumed conclusions and doubt upon their children. The queen could have expressed how the king was acting irrational in the heat of the moment and that perhaps banishment was slightly harsh. After all, it is “from being mothered and fathered, we learn to be ourselves as men and women (Kahn 241).

In this soliloquy, the audience gets its first glimpse of the character of Goneril. The full spectrum of her greed and selfishness will not be revealed until later, but this is certainly a good sample of her personality. Her profession of love is so large that it seems almost artificial, and it also seems motivated by the fact that possession of land is involved. Still, Lear seems immensely pleased by her statement, and requests a similar profession of love from his other daughter, Regan. She obliges, and in her declaration she tells her father that she loves him even more than Goneril does. Regan emerges from her

The tragedy of Shakespeare’s King Lear is made far more tragic and painful by the presence and suffering of the king's youngest daughter, Cordelia. While our sympathy for the king is somewhat restrained by his brutal cruelty towards others, there is nothing to dampen our emotional response to Cordelia's suffering. Nothing, that is, at first glance. Harley Granville-Barker justifies her irreconcilable fate thus: "the tragic truth about life to the Shakespeare that wrote King Lear... includes its capricious cruelty. And what meeter sacrifice to this than Cordelia?"5 Yet in another passage Granville-Barker has come much closer to touching on the real explanation. I quote the passage at length.

Mam, the burger you gave me, has far too much ketchup, I-I’m done I just, I… I just need a refund or something! What if I called your manager and told them, then woul-

Not only did Goneril lie and cheat, but also as mentioned earlier she committed many acts of violence. She killed Regan and herself. She conspired to kill Albany. If she did not turn her back on her own father, the whole tragedy would have never happened. Goneril was more of a leader than Regan, so it is suspected that Goneril devised up the plan for Lear. Her actions spurred on a spiral of tragic events. Consequently, her decision destroyed many characters. Gloucester would have never been blinded and eventually killed from misery because he would not have tried to help Lear. Therefore Goneril is more evil than any other character because she lied the most, and did the most harm to everyone else.

Although Cordelia appears in Act I, Scene I and disappears until Act IV, she has an enormous impact on the play as a whole. It is generally acknowledged that the role played by Cordelia in King Lear is a symbolic one. She is a symbol of good amidst the evil characters within the play. Since the play is about values which have been corrupted and must be restored, it is not surprising that the figure who directs the action must be embodiment of those values which are in jeopardy – love, truth, pity, honour, courage and forgiveness. Cordelia’s reply does not initiate the tragedy; Lear’s misguided question does that. Her “nothing” sets her father’s tragic journey in motion. There is nothing wrong with her remarks.

His two eldest daughters both lie about their love for him in order to claim their inheritance. Goneril claims; "Sir, I love you more than word can ever wield the matter" To which her sister, Regan, agrees; "I am made of the same mettle as my sister" Neither of the two can state a legitimate reason for their love, one claiming that words cannot describe her love, and the other simply agrees. However, I feel that they can be forgiven this sin, as their father had left them with little choice, as is shown by his mistreatment of Cordelia.

At the beginning of the play King Lear has more power than anyone else, the feeling of power made him think it was okay to ask his three daughters who loved him the most. When his youngest and favourite daughter Cordelia did not give him the answer he wanted by saying, “Unhappy that I am, I cannot heave / My heart into my mouth/ I love your majesty / According to my bond, no more nor less” (King Lear 1.1.91-93). he started lashing out. Lear clearly values Goneril and Regan fawning over him over Cordelia’s sincere honesty. Out of pride and anger, Lear banishes Cordelia, as well as Kent for defending her. Lear splits the kingdom in half to Goneril and Regan which leads to the deaths of many people in the play. Throughout the play he becomes increasingly shocked when people do not obey him the way they did before and the lack of respect he receives. With his loss of power Lear often responds to these problems with anger saying things like “My curses on her!” (2.4.138). about his own daughter. By the end of the play he recognizes that he takes responsibility for both his own problems and for those of others. King Lear’s actions were the first step to the plays tragic outcome.

Goneril's first underhanded act, falsely professing an exalted love for her father solely in order to gain more land, does not constitute an isolated incident; Lear's blindness to the love of Cordelia fosters Goneril's megalomaniacal tendencies as well as permits likeminded Regan, "of the self-same metal that [Goneril] is," to commit the same trespass (1.1, 69). Although Goneril speaks first and delivers a very calculated response, Cordelia's genuine, candid answer should have trumped the transparent rejoinders of her sisters. Instead, Lear falls victim to their ploy and invests far too much command in Goneril; she responds as would anyone of her ambitious disposition and decides that she "must do something, and i' the heat," meaning take advantage of Lear's burgeoning infirmity (1.1, 308).

The remainders of Act I and Act II in Eyre’s film focus on the conflict between Lear and his two daughters, Goneril and Regan. Goneril and Regan begin looking down on their father and take away more of his privileges every chance that they get. They reduce Lear’s hundred knights down to fifty. Goneril and Regan’s tone of voice when arguing with Lear about reducing his number of knights down is vehement. Goneril complains about how the palace seems more like a tavern because of Lear’s knights’ demeanor, her voice quivers slightly, making it seem like she doesn’t want to have to argue with her father, in the play this change of tone is absent. This suggests that although Goneril cares more about the way others see her and material objects than the safety of her father. Both Shakespeare and Eyre emphasize the consequences of Lear’s choice to give up his power and give it to his two eldest daughters, Regan and Goneril.

As the play progressed Lear's sanity went downhill, but his vision became clearer. When Goneril and Regan would not provide him with shelter during a furious storm, Lear realized that they were the daughters who did not love him. He also began to understand the words of Cordelia from the beginning of the play, he realized that she loved him too much to put into words.

Nothing makes a story like a good villain, or in this case, good villainess. They are the people we love to hate and yearn to watch burn. Goneril, of Shakespeare’s King Lear, is no exception. Her evils flamed from the very beginning of the play with her lack of sincerity in professing her love for her father:

In sum, Goneril believes Albany is a coward. This is arguably another demonstration of King Lear’s daughter being dominant. Furthermore, Goneril says "I must change names at home, and give the distaff / Into my husband's hands" (4.2.16-17). This quote is Goneril expressing her desire to become the head of her household while her husband plays a more caretaking role, such as a housewife. This dynamic was uncommon in the seventeenth century. It was traditional for the man to be in charge and for the woman to be a housewife. Despite already being the one with power, Shakespeare illustrates Goneril’s deviousness by having her sharing this information with Edmund. Goneril has always been more powerful than her husband, but by disclosing her feelings about Albany to Edmund, she believes this will seduce Edmund. (Kelly,

on Cordelia and on her love.  By doing this he is destroying the natural family