“Tragic heroes are so much the highest points in their human landscape that they seem the inevitable conductors of the power about them...great trees more likely to be struck by lightning than a clump of grass. Conductors may of course be instruments as well as victims of the divine lightning.” Tragic heroes are characters of notoriety; held in high regard but are struck with misfortune through their own error. The most noble of men can succumb to their own flaws until driven to the brink of insanity, as illustrated in Shakespeare’s play, King Lear. King Lear represents all qualities of a tragic hero and in the end is ruined by his own vice, by driving himself to the point of full-blown insanity as a result of his actions. As all tragic …show more content…
Lear is outraged when Cordelia does not lavish him in kind words like he had expected her too and as a result banishes her from the kingdom. This action shows the reader insight to what will be Lear’s downfall. What he does not realize just yet is that Cordelia is the only daughter that actually does love her father, but his rash judgment and arrogance blinded him from seeing this. As time passes by, Lear tries to live out the remainder of his life under the care of his two oldest daughters, who are supposed to love him the most. It is not long until they begin to abuse their “beloved” father and treat him like a piece of trash. They lock him out in the rain, order their servants to be rude to him, and make him reduce his army. It does not take long after that for Lear to realize that he had made an enormous mistake, and the Cordelia was the one that truly loved him the most. The lightening had struck when Lear’s arrogance led him to believe Cordelia would say more to show her love for him, and his tree had caught fire once his rash judgment resulted in Cordelia’s banishment. Once Lear had recognized the monstrosity of the mistake he had made and bewildered by the betrayal of Goneril and Regan, his madness started to set in. He flees the home of his evil daughters and is left wandering through a great storm, completely consumed in his insanity. The French army, led by Cordelia, is on its way to Britain to save her father’s kingdom from her
The power that Lear gives to Goneril and Regan makes them treacherous and deceitful. Lear offers his
Dividing the Kingdom is not the only indication that order is disrupted. The separation of Lear's family also provide evidence that disorder is inevitable. The banishment of Cordelia and Kent is a harsh act carried out by Lear while blinded by anger. By banishing the only daughter who truly loves him, and a loyal servant who refuses to stand around and do nothing while Lear makes a big mistake, Lear surrounds himself with people who only loved him for his money and power. As Lear's family breaks apart, one must wonder if Lear is capable of ruling a country when he cannot even keep his family together. Again, Lear's desire to fuel his ego is the cause of the separation of his family. When Cordelia refuses to speak lovingly, "Unhappy that I am. I cannot heave My heart into my mouth." (I,i,92-94), Lear becomes angered and banishes her. As an act of loyalty, Kent stands up
The tragedy of Shakespeare’s King Lear is made far more tragic and painful by the presence and suffering of the king's youngest daughter, Cordelia. While our sympathy for the king is somewhat restrained by his brutal cruelty towards others, there is nothing to dampen our emotional response to Cordelia's suffering. Nothing, that is, at first glance. Harley Granville-Barker justifies her irreconcilable fate thus: "the tragic truth about life to the Shakespeare that wrote King Lear... includes its capricious cruelty. And what meeter sacrifice to this than Cordelia?"5 Yet in another passage Granville-Barker has come much closer to touching on the real explanation. I quote the passage at length.
Cordelia is Lear's most loyal and loving child and yet she refuses to put on a display of affection and sentimental love before her father's court in order to make her father feel admired. The public display, wholly false, of affected feeling by her sisters Regan and Goneril is enough to ensure that Cordelia will keep quiet in word (which, as her sisters show, can be deceptive) and prove her love through action (which she does throughout the play). As far as words go, she simply tells her father that she loves him "according to my bond; no more nor less" (1.1). This should be sufficient for Lear because it is a statement of fact: Cordelia recognizes the duty she owes her father and is prepared to act accordingly. The same cannot be said for her sisters who attempt to prove their love through flattery. That Lear allows himself to be flattered by their empty words ill-prepares him to receive the meaningful and rich words of the terse Cordelia. By saying next to nothing, however, she says much more than the others. Lear, unfortunately, fails to grasp the fullness of Cordelia's "nothing." This paper will analyze the power of "nothing" in King Lear and show why Cordelia's response of "nothing" to her father is worth far more than the affectation of her sisters.
In King Lear, Lear’s conflict of power with his daughters is brought about by his own arrogance, which flaws his judgement and propels his change of heart. When Lear parcels out his kingdom to his daughters, he finds the honesty of Cordelia’s praise to be ungrateful and
Due to this flaw, Lear has given way to the two older daughters to conspire against him. Lear is finally thrown out of his daughters’ homes and left with a fool, a servant and a beggar. This is when Lear realizes the mistake that he has made and suffers the banishment of his two eldest daughters. Lear is caught in a storm and begins to lose his sanity because he can not bear the treatment of his two daughters as well as the error he has made with Cordelia and Kent. Lear also suffers from lack of rest when he is moving all over the place and the thing that breaks him is the death of his youngest daughter, Cordelia. This suffering can be contrasted with other happier times like when Lear was still king and when he was not banished by his two daughters.
Although Cordelia appears in Act I, Scene I and disappears until Act IV, she has an enormous impact on the play as a whole. It is generally acknowledged that the role played by Cordelia in King Lear is a symbolic one. She is a symbol of good amidst the evil characters within the play. Since the play is about values which have been corrupted and must be restored, it is not surprising that the figure who directs the action must be embodiment of those values which are in jeopardy – love, truth, pity, honour, courage and forgiveness. Cordelia’s reply does not initiate the tragedy; Lear’s misguided question does that. Her “nothing” sets her father’s tragic journey in motion. There is nothing wrong with her remarks.
At the beginning of the play King Lear denounces Cordelia as his daughter in a fit of rage. He has this reaction simply because she refused to flatter him and speak exaggerations of her love for him. As his favourite daughter, Lear was expecting Cordelia to shower him with compliments and praises like his other two daughters and when this did not occur he was overwhelmed with fury and denounces her as his daughter. Lear also falls victim to wrath once he realizes what his other two daughters have done to him. “I will have such revenges on you both, That all the world shall--I will do such things,-- What they are, yet I know not: but they shall be The terrors of the earth.” (2.4.305-9). In this quote Lear reveals the wrath that he wishes to inflict on both of his daughters for deceiving him and rejecting him after he gave them everything he had. King Lear’s wrath is fueled by his daughters’ betrayal. Lear never actually did proceed to inflict his wrath upon his daughters but he did however have every intention of doing so if given the opportunity.
Furthermore, King Lear suffers a loss of power which causes him to reveal his true nature when his powers as King and as a father are departed and he is able to see the innocence behind his daughter, Cordelia's, love for him. He is reunited with Cordelia and instantly compelled to beg for her forgiveness: "We two alone will sing like birds i' the cage./ When thou dost ask me blessing, I'll kneel down/ And ask of thee forgiveness. So we'll live,/ And pray, and sing, and tell old tales, and laugh..." (5.3.9-12). This is unveils King Lear's truly humble and loving nature. In summary, because Cordelia, Gloucester and King Lear all suffer a loss of power in the play, their true natures are ultimately revealed.
At the beginning of the play King Lear has more power than anyone else, the feeling of power made him think it was okay to ask his three daughters who loved him the most. When his youngest and favourite daughter Cordelia did not give him the answer he wanted by saying, “Unhappy that I am, I cannot heave / My heart into my mouth/ I love your majesty / According to my bond, no more nor less” (King Lear 1.1.91-93). he started lashing out. Lear clearly values Goneril and Regan fawning over him over Cordelia’s sincere honesty. Out of pride and anger, Lear banishes Cordelia, as well as Kent for defending her. Lear splits the kingdom in half to Goneril and Regan which leads to the deaths of many people in the play. Throughout the play he becomes increasingly shocked when people do not obey him the way they did before and the lack of respect he receives. With his loss of power Lear often responds to these problems with anger saying things like “My curses on her!” (2.4.138). about his own daughter. By the end of the play he recognizes that he takes responsibility for both his own problems and for those of others. King Lear’s actions were the first step to the plays tragic outcome.
Another folly displayed by Lear is that of blindness. He is ignorant to the true feelings and intentions of his closest family members. When Regan and Goneril shower him with false praises and declarations of their love, he egotistically believes them and bases his division of the kingdom on their deceitful words. Eventually, however, Lear's heart is broken when their true nature is exposed. Lear repeats his mistake of blindness when he fails to realize that Regan and Goneril are plotting against him. The two sisters deviously agree to "hit together" and take full control of the kingdom (1.1.332). Had Lear "seen" better, he would have realized the true intentions of his daughters and saved himself from tremendous grief.
King Lear an imprudent, old man symbolizes selfishness like no other. What is most daunting is the fact that he is adamantly loyal to appearances and ranking in life. He carries a title which most can not even dream of attaining, but wants to give up the position and all the responsibilities that follow it. “ Know that we have divided/ In three our kingdom, and `tis our fast intent/ To shake all cares and business from our age” (1.1.37-39). It is quite understandable if he just wanted to end his reign as king, but it’s another thing when he also wants to bask in the glory of the title and be treated like he still owns it. This egotistical attitude of his is more annoying than anything else, for he brought forth all his problems upon himself, and also unto others. His most arrogant moment is at the very beginning of the play, when he demands his daughters to profess their love for him openly, “which of you shall we say doth love us most?” (1.1.53). The use of his words in this quote is disgusting, it exudes pride, self-importance, and flattery. It’s because of these very words, that Cordelia denied him his right to the, all so selfish public display of love. Although Lear made costly mistakes throughout the play, his love to Cordelia rang
As the play progressed Lear's sanity went downhill, but his vision became clearer. When Goneril and Regan would not provide him with shelter during a furious storm, Lear realized that they were the daughters who did not love him. He also began to understand the words of Cordelia from the beginning of the play, he realized that she loved him too much to put into words.
The definition of tragedy in Webster’s dictionary is, "drama of elevated theme and diction and with unhappy ending; sad event, serious accident, calamity." However, the application of this terminology in Shakespearean Tragedy is more expressive. Tragedy does not only mean death or calamity, but in fact, it refers to a series of steps that leads to the downfall of the tragic hero and eventually to his tragic death. Lear, the main character in King Lear was affirmed as the tragic hero because the play meets all the requirements of a tragedy. In order for a character to be qualified as a tragic hero, he must be in a high status on the social chain and the hero also possesses a tragic flaw that initiates the
King Lear is a character who displays a great deal of anger throughout the course of the play, he often allows his anger to take over him. A lot of things that are said and during the course of the play are due to Lear’s anger which is a leading factor for his insanity. Lear loses his temper during a love test when his daughter does not give the answer that he was looking for, he disowns her calling Cordelia his, “sometime daughter,” (1.1.119) and gives her share of the land to her sisters. This in turn leads to his insanity because in his blind rage he does not acknowledge the sincerity behind Cordelia’s veiled words; unlike her sisters she does not try to flatter her father in order to receive more land, whereas her sisters have their secrets agendas and do not truly love Lear. In addition to this, King Lear is also enraged when the Earl of Kent who is a loyal follower of Lear, goes against the banishment of Cordelia and speaks up in favour of the youngest daughter. Lear is livid with Kent going against him and banishes Kent, as well reminding him that, “if on the tenth day