Essay about King Lear and Madness in the Renaissance

Several emotions engulf Shakespeare’s Hamlet throughout the play, the most famous being Hamlet’s own emotional state. His madness, triggered by his incestuous uncle, has led several scholars to explore the psychological causes of his madness. This research into Hamlet’s madness will explore his madness in comparison to other characters, the psychoanalytical studies behind his madness, and defining whether his madness is genuine or another play within the play.

He differentiates between madness as a clinical condition and a mystical madness. He further supports his argument with Elie Wiesel distinctions of the two. Clinical madman isolates himself from the world while mystical madman brings the Messiah in him (112). Patterson further discusses the notion of madness before the creation of human and

Throughout Shakespeare’s many works, mental illnesses have played an undeniable part in many of them, especially his tragedies. From Lady Macbeth hallucination of a bloody spot leading to her suicide, to Hamlet’s faked illness and Ophelia’s very real illness, afflictions of the mind are featured prominently in the Bard of Avalon’s many works. Still, in the Elizabethan era, understanding of mental illness was rudimentary at best, as were the methods of treating it. During the Middle Ages and Elizabethan Era, numerous theories about mental disorders and how to treat them abounded. Three plays of Shakespeare’s that feature mental illness most prominently are King Lear, Hamlet, and Macbeth, while also managing to showcase the conception of

Our terror could no longer be contained. Our nerves reached a breaking point. Our very skin was aching. It was as though madness had infected us all.” (Page 26) Effect/purpose:

At the end of the play, Lewis is no longer afraid of madness. Lewis is thoroughly transformed by the patients. Nowra uses a mixture of laughter and madness, which is a volatile mixture. We usually see madness as dark

Shakespeare had written many plays in his life time, some of them included various tragedies which included King Lear and Macbeth. All of Shakespeare’s plays had a theme which was used to help the story’s plot to advance further, making events much more interesting. King Lear and Macbeth both have a common theme of madness that is apparent throughout the play which has been depicted differently. They are both written in different ways but still share a same purpose. The essay will be broken down into three parts; firstly we will look at the way madness is viewed in Macbeth. Secondly, we will look at the way King Lear portrays madness lastly we will compare the two to see how differently madness is displayed. While both plays share this

Part one spans over the years 1750-1900, and elaborates on the developments of varying treatments that were administered to mental patients during this time. Whitaker writes of methods like dunking the patients in water, bloodletting, the tranquilizer

“When the Elizabethan era started… the most prevalent type of insanity was situational rather than biological ("Historical").Things like the death of family or loved ones was a big source of the madness.” ("Elizabethan Times”)

Nothing is more interesting than to analyse the behaviours of a psychotic person. In an attempt to draw the audience into the play, Shakespeare uses the physiological processes of the body and their relation to the mind and soul.3 In the Elizabethan era, many were fascinated with medicine and the psychological behaviour of others. This is shown from the play where Hamlet’s sanity level is based on the four humours- Blood, Phlegme, Choler and Melancholie; all seasons mixed and mingled together within the veins, though not alike for everyone: for even as it is not possible to finde the partie in whom the foure elements are equally mixed...there is alwaies someone which doth over rule the rest and of it is the partie's complexion named: if blood doe abound, we call such a complexion, sanguine; if phlegme, phlegmatic; if choler, cholerike; and if melancholie, melancholike (Laurentius 84)2 This explains that when one contains too much of a certain humour in his blood, they will have the characteristic traits of this humour. From

What trait is Lear developing as a result of his daughter’s treatmentAct III, Scene I

The ancient Greeks viewed mental illness as having derived from the gods (Griffith 625; Ludwig 4; Neihart; Weisberg 361). According to them, different forms of madness provoked various types

Hamlet, a play by William Shakespeare, is as much a mystery as a tale about depression, madness and sanity. Shakespeare reveals how the scourge of corruption and decay rapidly spread; and the emotional consequences that follow. Insanity, madness and depression are as intolerable as corruption and deceit; and just as intertwined. The play makes one ponder if it is possible to be sane in an insane world full of treachery, revenge, incest, and moral corruption? By examining the themes of melancholy, madness and sanity in Hamlet, Shakespeare details his character’s descent from depression to madness. Additionally, Hamlet’s psychological state can be

Madness in King Lear: Act 4 In Shakespeare's play King Lear, Shakespeare introduces many themes. The most important theme shown in King Lear is the theme of madness. During the course of this play madness is shown in the tragic hero, King Lear. King Lear develops madness right in the beginning of the play but he actually shows it in Act 4. In this act, King Lear is not only at the peak of madness but it is also shown him coming out of his madness as well.

“Hamlet’s madness is less than madness and more than feigned”. What is madness? Mad is a word with such uncertainty that it can be stretched to mean an abundance of things more than just pure psychological instability: a weariness of life; a suicidal impulse; a plotting charisma. In the play Hamlet by William Shakespeare, a wild disagreement has been consequent for a series of years in the case of the madness of Hamlet, the play 's central narrative, was justifiable or feigned. As in any decision, one must be given both sides of the controversy before making an impartial conclusion. The case of Hamlet 's madness is no exclusion. It is appropriate to say that Hamlet may have remained sensible throughout the performance, especially in consideration of his rag flashes of what seems to be psychological discipline and stability. However, Hamlet is perceived as disoriented by overwhelming burst of hysteria after acquiring knowledge of his father’s death, news of Gertrude’s quick remarriage, and Claudius becoming the new King. In the butt end it is up to the scholar to determine for him or herself the psychological nature of Hamlet’s madness, as it may have been the motive of William Shakespeare, taking into review how open-ended this subject continued throughout the play.

Lear has been driven mad because of his own poor choices and decisions he has taken in his life. His blindness to Gonoril and Regan’s false flattery and his inability to see Cordelia’s real affection has led to his insanity. When he goes mad, the turmoil in his mind reflects the disorder that has descended upon his kingdom. However, his madness teaches him humility and provides him with important nuggets of wisdom by reducing him to his bare humanity, stripped of all royal pretensions. There is a dramatic value in Lear's madness whose roots lie in his moral and spiritual defects, and the cure is his moral regeneration which has come late. Madness is a central theme in King Lear’s characters between the ones that act in an insane way that are the wisest, and the sane characters that act in a foolish and unreasonable way. Lear’s madness is real compared to Edgar’s which is feigned as Hamlet’s. Edgar who has been the victim of a brother’s treachery perfectly enacts the role of a fool in his