King Lear as a Tragic Hero

What is a tragedy? A tragedy is a drama in which the protagonist is brought to ruin or suffers extreme sorrow, especially as a consequence of a tragic flaw, moral weakness, or inability to cope with unfavorable circumstances. In the play Othello, William Shakespeare uses the literary device characterization in sequence to convey that Othello’s tragic flaw is the main reason that brings Othello to his downfall --- death. The causes of the tragedy of Othello are Othello’s gullibility to Iago, jealousy of Desdemona’s affair, and male pride.

King Lear's fool is undoubtedly one of the wisest characters in the play. He is not only able to accurately analyze a situation which many other characters are blind to, but he is also able to foreshadow the actions of many characters and many other incidents to come. The main instruction the fool gives to the king is to beware of doing things that are unnatural, such as giving his inheritance, (splitting his kingdom among his daughters) to his daughters before he his dead. By doing this unnaturally, Lear must face many adverse consequences, such as losing his identity, self-worth, and respect from his daughters.

A sympathetic character, is a character that the writer expects the reader (in this case watcher) to identify with and care about. In Shakespeare's play King Lear, the characters Gloucester and King Lear both start out not being liked by the reader because they come off as mean and cold. By the end of the play, the reader does sympathize for both of these characters because of how they have been betrayed by their children. Both King Lear and Gloucester turn out to be prime examples of a sympathetic character by the end of the play.

King Lear is a Shakespearian tragedy revolving largely around one central theme, personal transformation. Shakespeare shows in King Lear that the main characters of the play experience a transformative phase, where they are greatly changed through their suffering. Through the course of the play Lear is the most transformed of all the characters. He goes through seven major stages of transformation on his way to becoming an omniscient character: resentment, regret, recognition, acceptance and admittance, guilt, redemption, and optimism. Shakespeare identifies King Lear as a contemptuous human being who is purified through his suffering into some sort of god.

In King Lear, Lear’s conflict of power with his daughters is brought about by his own arrogance, which flaws his judgement and propels his change of heart. When Lear parcels out his kingdom to his daughters, he finds the honesty of Cordelia’s praise to be ungrateful and

Due to this flaw, Lear has given way to the two older daughters to conspire against him.  Lear is finally thrown out of his daughters’ homes and left with a fool, a servant and a beggar. This is when Lear realizes the mistake that he has made and suffers the banishment of his two eldest daughters.  Lear is caught in a storm and begins to lose his sanity because he can not bear the treatment of his two daughters as well as the error he has made with Cordelia and Kent.  Lear also suffers from lack of rest when he is moving all over the place and the thing that breaks him is the death of his youngest daughter, Cordelia.  This suffering can be contrasted with other happier times like when Lear was still king and when he was not banished by his two daughters.

The entire play is built around one man’s laziness. As the play commences one may question why Lear would decide to prematurely give up his kingdom. It is quite possible that he transferred his authorities before it was

King Lear's View of Himself "King Lear" is a play all about the cruelty of human nature and the ways in which all people, "good" and "bad", can sin, or be sinned against. Lear is a very difficult character to categorise as either "good" or "bad" as he is both "sinned against" and "sinning". It is also very difficult to use these sins as a measure of his character as they a varying in severity. When we first meet Lear he is in the process of dividing his kingdom into three, preparing to hand it to his three daughters. This is a sin, as according to The Divine Right of Kings, each monarch is chosen by God, and is there fore answerable to none but him.

At the beginning of the play King Lear has more power than anyone else, the feeling of power made him think it was okay to ask his three daughters who loved him the most. When his youngest and favourite daughter Cordelia did not give him the answer he wanted by saying, “Unhappy that I am, I cannot heave / My heart into my mouth/ I love your majesty / According to my bond, no more nor less” (King Lear 1.1.91-93). he started lashing out. Lear clearly values Goneril and Regan fawning over him over Cordelia’s sincere honesty. Out of pride and anger, Lear banishes Cordelia, as well as Kent for defending her. Lear splits the kingdom in half to Goneril and Regan which leads to the deaths of many people in the play. Throughout the play he becomes increasingly shocked when people do not obey him the way they did before and the lack of respect he receives. With his loss of power Lear often responds to these problems with anger saying things like “My curses on her!” (2.4.138). about his own daughter. By the end of the play he recognizes that he takes responsibility for both his own problems and for those of others. King Lear’s actions were the first step to the plays tragic outcome.

In addition, he strips himself to expose the true nature of man which he realizes as insignificant. It's as if he is intentionally trying to alienate himself. As if he views all mankind to be a foreign concept due to the irrational state of life. He curses, “You cataracts and hurricanoes, spout Till you have drenched our steeples, drowned the cocks!(III. ii. 32)” to defy the elements. We can't help but see Lear act against nature as if he is the storm itself. Moreover, he tries to justify his temper by mentioning that nothing can hurt him more than his daughters. Not even the elements can corrupt this poor, old man. We see the storm bring about awareness when Lear exclaims,“You sulfurous and thought-executing fires, Vaunt-couriers of oak-cleaving thunderbolts, Singe my white head!(III. ii. 33)” as if he begins to finally discover his true hair color which directly correlates with his age. I see that Lear is becoming aware of his age, but not willing to accept the anemic state of his body and mind. He intentionally makes note of his hair color, but the realization leaves him in a state of mental insanity soon to discover his impending death.

King Lear an imprudent, old man symbolizes selfishness like no other. What is most daunting is the fact that he is adamantly loyal to appearances and ranking in life. He carries a title which most can not even dream of attaining, but wants to give up the position and all the responsibilities that follow it. “ Know that we have divided/ In three our kingdom, and `tis our fast intent/ To shake all cares and business from our age” (1.1.37-39). It is quite understandable if he just wanted to end his reign as king, but it’s another thing when he also wants to bask in the glory of the title and be treated like he still owns it. This egotistical attitude of his is more annoying than anything else, for he brought forth all his problems upon himself, and also unto others. His most arrogant moment is at the very beginning of the play, when he demands his daughters to profess their love for him openly, “which of you shall we say doth love us most?” (1.1.53). The use of his words in this quote is disgusting, it exudes pride, self-importance, and flattery. It’s because of these very words, that Cordelia denied him his right to the, all so selfish public display of love. Although Lear made costly mistakes throughout the play, his love to Cordelia rang

Lear's actions of distributing his kingdom to his daughters (which in a patriarchal society such as Lear's is against natural law) and his rashness of expelling Cordelia and wrongly rewarding Regan and Goneril, were a violation and misreading of true nature which, from that point on, lead to the destruction and death of Lear and his family.

Lear's first big mistake was letting himself be fooled by Regan and Goneril, and giving them his throne. For they did not

            The downfall of Lear is not just the suffering of him alone but the suffering of everyone down the chain of being.  For instance, Lear's pride and anger caused Cordelia and Kent to be banished, and Gloucester loses his position and eyes.  Everything that happened to these characters are in a chain of reaction and affected by Lear's tragic flaw.  If Lear did not lack of personal insight and if he did not have  such an obstinate pride, he would not have banished Cordelia and Kent, then Goneril and Regan would not be able to conspire against Lear. Without the plot of Goneril and Regan, Gloucester would not have been betrayed by Edmund and lose his eyes and status due to the charge of treason.  Moreover, the chain of reaction was continuous

King Lear is a character who displays a great deal of anger throughout the course of the play, he often allows his anger to take over him. A lot of things that are said and during the course of the play are due to Lear’s anger which is a leading factor for his insanity. Lear loses his temper during a love test when his daughter does not give the answer that he was looking for, he disowns her calling Cordelia his, “sometime daughter,” (1.1.119) and gives her share of the land to her sisters. This in turn leads to his insanity because in his blind rage he does not acknowledge the sincerity behind Cordelia’s veiled words; unlike her sisters she does not try to flatter her father in order to receive more land, whereas her sisters have their secrets agendas and do not truly love Lear. In addition to this, King Lear is also enraged when the Earl of Kent who is a loyal follower of Lear, goes against the banishment of Cordelia and speaks up in favour of the youngest daughter. Lear is livid with Kent going against him and banishes Kent, as well reminding him that, “if on the tenth day