Kink Tragic Hero

A tragic hero is a person who has qualities of a hero such as intelligence and strength but makes choices that lead to their self-destruction. The tragic hero is usually from a noble family or high position. Oedipus from The Sophocles is a tragic hero because he possesses tragic flaws such as hubris, hamartia, and too much curiosity. Marcus Brutus, a Roman politician, also serves to be a tragic hero since he is too naive, honest, and sometimes impulsive. Both Oedipus and Brutus have certain characteristics that determine them to be a tragic hero.

In order for a character to qualify as the tragic hero they must posses all of these qualities: high standing, a major flaw, and a downfall. A tragic hero is someone that is usually of royalty, of nobility, honest, or brave. During the story they usually show a major flaw or weakness. This usually leads to their downfall, loss of power, or even death. Many stories have tragic heroes.

Literature utilizes the readers’ need to connect with a character. More often than not, with authors making their characters relatable in one sense or another that could be transferred into multiple stories. This idea of relatability is the core of the tragic hero, a trope used often in literature including in stories such as Sophocles’ Oedipus Rex, Chinua Achebe’s Things Fall Apart, Shakespeare's Othello, and August Wilson’s Fences. Each from different years, authors, and genres, yet each utilizing the tragic hero to further their individual themes through depicting the greatness of a godlike man and his fall to lowest points within humanity.

According to Aristotle, “A tragic hero is a character who is not eminently good and just, yet whose misfortune is brought about not by vice and depravity, but by some error or frailty…” The classic tragic hero has some type of tragic character flaw which creates an inner struggle, leads to his making a serious error in judgment, and leads to his eventual downfall and death.

As defined by Aristotle a tragic hero is a literary character who makes a judgment error that inevitably leads to their own destruction. They are born into nobility and have a fate of their own. One also looks at the background information that influences the character to be a tragic hero. In order to be a tragic character a character has to have certain characteristics. In the novel Antigone, the character Antigone meets all these characteristics making her a tragic character.

According to Aristotle, “A tragic hero is a character who is not eminently good and just, yet whose misfortune is brought about not by vice and depravity, but by some error or frailty…” The classic tragic hero has some type of tragic character flaw which creates an inner struggle, leads to his making a serious error in judgment, and leads to his eventual downfall and death.

Kino was attacked by mean trying to steal the pearl. He killed one of them in self-defense but Juana tells him that does not matter. He will still face consequences from the townspeople once the body is found in the morning.

A tragic hero in literature is a type of character who has fallen from grace, where the downfall suggests feelings of misfortune and distress among the audience. The tragic flaw of the hero leads to their demise or downfall that in turn brings a tragic end. Aristotle defines a tragic hero as “a person who must evoke a sense of pity and fear in the audience. He is considered a man of misfortune that comes to him through error of judgment.” The characteristics of a tragic hero described by Aristotle are hamartia, hubris, peripeteia, anagnorisis, nemesis and catharsis which allows the audience to have a catharsis of arousing feelings.

Aristotle’s definition of a tragic hero is someone of great importance or royalty. The hero must go through something terrible such as a relative’s death. We must feel what this character is feeling throughout the story. Aristotle also said that a tragic hero scan be defeated by a tragic flaw, such as hubris or human pride. In Sophocles’ tragedy Antigone, both Creon and Antigone are tragic heroes.

However, two vibrant changes occur as the story progresses —Coyotito, his son, getting stung by a scorpion and Kino’s discovery of the pearl—broaden Kino’s horizons and outlook on the world. As Kino begins to strive for wealth and education for his son, the simplicity of his life becomes increasingly complicated by greed, conflict, and violence. Kino’s character then falls through a gradual decline from a state of innocence to a state of corruption and disillusionment. The factors promoting this decline are ambition and greed. Thus, when going got tough for Kinoo and he had to escape town he faced a lot of hardships, since he had to go into hiding and the only immediate help he had was from his brother. This had an adverse effect on his personality as he became increasingly negative, given the way he hit his wife shows how the pearl preoccupied his mind to such a great extent that he grew indifferent to everything else as evil and restlessness eloped him. In addition to these social changes, Kinoo, after attaining the pearl was on the move to gain economic sustenance, but not being able to find the right price to sell his pearl got him feeling even more uncertain and disappointed but he continued to strive and was reluctant to give up because he wanted everything in his reach for his son, who he consequently ended up losing in the

By definition, a tragic hero is a protagonist that due to some tragic flaw loses everything he has. Throughout history, literature has always been filled with main characters possessing some tragic flaw. In Macbeth, Macbeth’s tragic flaw is his enormous ambition to become king. In Hamlet, Hamlet’s tragic flaw is his need for revenge for the death of his father at the hands of his uncle. In the Epic of Gilgamesh, Gilgamesh’s tragic flaw is his need to be remembered. In the Anglo-Saxon epic Beowulf, Beowulf also has a tragic flaw, excessive pride and the search for fame, which ultimately leads to his demise.

A Tragic Hero is a common figure in many of Shakespeare’s works. A Tragic Hero is usually a figure of royalty, fame or greatness. This person is predominately good, but falls from prominence due to personality flaws that eventually lead to self-destruction.

What is a tragic hero? According to Aristotle, a tragic hero is a literary, noble character who makes a judgment mistake that eventually leads to his/her downfall. In the book Things Fall Apart, Okonkwo is our tragic hero. His leadership and eventual nobility, big reversal as a character, and his tragic flaws that lead to his downfall, are classic examples why Okonkwo is a tragic hero.

After traveling long and fighting against the whole world, first with his town filled with people trying to steal it, then fighting for the money, then against himself and finally against the trackers, he was left weak, and there was no more strength to fight anymore. “The people say that the two seemed to be removed from human experience” (Steinbeck 88). His struggles with the pearl have left him dehumanized and stripped of emotions because after so many battles with himself and others, it has ruined the pearl’s value by taking away the shine and leaving a dusty grey as all of his original plans of a wedding, new clothes and an education for Coyotito have turned into memories of traumatic moments. “And in the surface of the pearl, he saw Coyotito lying in the little cave with the top of his head shot away.” (Steinbeck 89). Family was the strongest part of his life because it was Kino’s only power throughout his life, which is why when he returns back to his village, people don’t recognize him as he walks through people unbothered by their staring eyes that glare right through the hollowed soul, making them feel scared. Whether Kino can’t feel anymore or chooses to disconnect himself from that battle is a mystery, but, he is still left as a dehumanized

In the tragedy “Antony and Cleopatra”, Shakespeare presents our protagonist Mark Antony as a tragic hero. He does this by using a number of dramatically effective methods, including language, staging techniques and structure. Aristotle defines a tragic hero as a character of noble stature who has a tragic flaw (usually hubris which is over confidence/arrogance) and suffers a downfall that is partially their fault but also due to factors beyond their control. The downfall they suffer exceeds the “crime” but the tragic hero gains some sort of self-awareness.