Kitagawa Utamaro And Paul Gauguin's Use Of Color Techniques

Van Gogh based his paintings on the observable world around him, but he wanted to paint beyond the superficial reality of nature and express its mystery and power through an impulsive and spontaneous approach to painting. Self Portrait (dedicated to Gauguin) exhibits this desire. Although based on an observed scene, van Gogh uses non-naturalistic colors for expressive purposes. For example, van Gogh’s choice to paint a self-portrait on a baby-blue/light turquoise background was a radical step away from a naturalistically-colored background that would be seen in a Realist self-portrait (i.e.

As we all know, color is the voice for the artist 's sentiment. It makes up the appearance of a picture. Color is the decisive factor in depths of the two-dimensional plane of the artwork, making the viewer feel physically and mentally attracted, or the context of things - the phenomenon the author wants to present. Colors have been around for a long time, but there is not a common definition for colors. And perhaps humans are one of the luckiest creatures that can identify colors. Often, the recipient 's eye knows a myriad of colors and colors that always change based on the relationship between light and perspective. In art, color creates a sense of

Color fills our world with beauty. We delight in the colors of a magnificent sunset and in the bright red and golden-yellow leaves of autumn. We are charmed by gorgeous flowering plants and the brilliantly colored arch of a rainbow. We also use color in various ways to add pleasure and interest to our lives. For example, many people choose the colors of their clothes carefully and decorate their homes with colors that create beautiful, restful, or exciting effects. By their selection and arrangement of colors, artists try to make their paintings more realistic or expressive.

The first work of art, illustrated by Kehinde Wiley, appears to give a realistic feel to the audience. As the painting of the man, the horse, and the sword appears as neither abstract, nor nonobjective. I can see that the painting is oil on canvas. In the background of his painting, it is dark red at the top, and pink towards the middle of the background, with a shade of white just above the neutral scheme of different brown shades representing the muddy ground. The white in the background probably represents the horizon. If you zoom in very, very closely, you can see what looks like a military cannon towards the right side of the painting, emphasizing the environment of a battle soldier. The horse is painted neutrally as well, white,

Raymond Pettibon art work, Untitled (The bright flatness), on page 535 fig 25-35 shows a tiny surfer in an enormous wave in a California landscape. The subject matter is a large wave that a surfer is riding. The content of the artwork could be how people are a small compared to the big world we live in. I think this piece of art was painted on with watercolor and a type of paper. These lines in the artwork is very loose and free. These lines in the artwork reminds me of Vincent van Gogh, The Starry Night lines in his artwork which are loose ,but the viewer can tell what the meaning of the picture is. In the artwork Untitled (The bright flatness) colors mostly used were the primary colors blue and red. The surfer is red and the waves of the ocean is blue. The wave color could be a local color that the viewers know the ocean color is blue. The blue color has different tints from dark blue to light blue. The wave in the art is three dimensional it represents the wave as if it was being seen in an ocean. In the picture, there is a highlight where the ocean has lighter white spots throughout the wave. Another highlight would be

This next painting was one of my favorites that I saw at this gallery, called, Aztec Goddess created by Adolfo Gonzalez. This is a rather large piece of work with amazing details. The Artist used lines to give the shape of the leaves and the headdress. The artist used many different shapes to make this painting such as in the headdress and the thing on which it appears that she is sitting on they both have a lot of details. The Artist put a lot of emphasis into the top of the painting where her head is and the headdress which symbolizes importance in Aztec culture. This painting even though it was only in black in white the amount of detail and the usage of space were well put together on this piece.

This brush stroke is stand out of numerous that are viewed as "painterly" in quality. It is inexactly taking into account the watercolors of Frank Wilcox, Frederick Childe Hassam, Maurice Prendergast, and Edward Hopper.

The first painting to catch my eye was the Virgin and Child with Saint Anne, which was painted by Albrecht Durer around 1519. The German artist lived from 1471 to 1528 and is considered by many the greatest German Renaissance artist of them all. Albrecht Durer used an oil medium on a wooden support to

In upper Paleolithic times in Europe, there was an insurrection in the construction of art. As was suggested by stalwart science writer, Lewin Rogers (1993) since 40,000 BC., there has been archaeological record that displays that structurally present-day humans excellently interchanged Neanderthals and persisted to be the lone hominid dwellers across continental Europe. The earliest art was constructed about this same time as it was directly linked to this development.

When looking at the screen painting “Rakuchû rakugai zu,” created between 1614 and 1615 by an unknown artist for the Hôkôji temple, we understand Tokugawa Ieyasu’s message that he is bringing order and peace across the land. The city is shown in perfect tranquility. It is a scene of both power and peace. With the immense number of buildings, bridges and architectural development, Ieyasu conveys a message that he has built a strong, growing city which will not fall through war and invasion like the cities of the past. This works perfectly with the serenity shown in the screen painting. Instead of chaos and war, there is only civil living in the image’s characters and environment, reinforcing Ieyasu’s message that he’ll bring peaceful times

Seurat came up with this idea in 1884, after her rejected and rebelled from impression. He was interested in dividing colors into its basic forms; For example, if an artist wanted to mix red and blue together to get a purple color, they wouldn’t get the perfect shade that exists in real life. This is because the origin of the red color has many shades and the same goes for the blue color. Therefor, mixing them together will not result in a natural and luminous color. On the other hand, the solution to this was to take a blue color and a red color and place them closely next to each other without mixing them.

The first painting is the Classic Landscape which was painted by Charles Sheeler in the year 1931. The painting has utilized calm colors such as white, light blue and cool brown color. In the painting there is a degree of symbolism which gives a clue on movement. This cloud suggests that the painting was to depict an auto plant. The movement is mainly suggested by the railroad track, even though nothing is actually moving. In addition, there is also a clue on movement which is portrayed by the clouds as well as nearby shadows. These shadows mainly act as a reflection of the landscape that has been created by the auto plant.

Since working with Conte crayon requires the artist to be extremely detailed, this influenced Seurat’s paintings. He often began his paintings by sketching strong, brief, corresponding shapes, which outlined the subjects of his art.

2. How the human form was represented has changed drastically throughout history. Some of the the ways in which the representation of the human body in sculpture evolved over time are evident in comparing works of art such as Menkaure and his Queen Kah-merer-nebti II, Doryphoros, the Farnese Hercules, and Prima Porta Augustus.

What remains the significance of color in art? Could it be the disposition and feelings it provokes to the viewer, the distinguishing factor in the meaning of a piece? Maybe color is used in the association of simply shadow work, used only in technical terms to create value and the curvature of a three dimensional illusion? Or maybe the use of color in artwork appears as simple as how one learned the use in childhood, gender identification: blue means male and pink means female. True, artists select colors to produce a certain mood or atmosphere; to create space, light, and shadow, however, in regards to the artist Cindy Sherman, color is used profoundly in gender roles and symbolism. Representation and hidden meanings found within artwork is not a new concept by far, artist have been using such method for centuries. Nonetheless, the unique and slightly nightmarish way the contemporary artist Cindy Sherman uses color in representational ways brings about a new light to a familiar technique. Cindy Sherman, an American artist born in 1954, is extensively acknowledged as one of the most prominent artist in contemporary art. During her career, Sherman has extensively used the infinite surplus of images from movies and television, the internet, magazines, as well as art history, to create a massive collection of confrontational artwork. In many of her pieces she has discovered the manufacture of contemporary identity as well as the significance of representation, especially in