Knowing God by J.I Packer

The novel, “Afterlife” by Gary Soto was mostly about how this guy named Chuy who was killed in a Club, Club Estrella to be specific. He was killed in the men’s bathroom for complimenting someone else’s shoes, which were yellow. He got stabbed 3 times, and was left there till dying. He then became a ghost, a ghost who couldn’t be heard, seen or touched. He could see everything that was going on, but couldn’t do anything about it. After the ambulance had taken him away, he was already dead, or i mean the body was already dead. When his parents got the news Chuy went to visit them to say one last goodbye, he also visited his school, and the girl he used to like for a long time. He then found this girl named Crystal, who had killed herself taking

In Tony Morrison’s “Song of Solomon” it explores the discovery of ethnic identities. It depicts the life of Macon Milkman Dead, a withdrawn loner who doesn’t feel accepted by others and is disconnected with his family and heritage. With help from others in his community Milkman takes a trip to discover himself and his roots bringing him closer to the true meaning of his purpose. Milkman in turn realizes that flight represents liberation from a life of restrictions, set in an era of racism and separation. Flight may seem as a positive solution to such a life of problems and discrimination, however, holds very negative aspects in family settings. Abandoning your own and severing those mutual bonds plays a significant role in the life of the loved ones left behind. Most are left recovering from their loss, or completely lose hope such as Hagar. Solomon leaving his wife Ryna and children behind was necessary sacrifice he had to make in order to be free. Solomon is never punished or looked down for his decision; in his song it acknowledges his accomplishment as a great achievement. In “Song of Solomon”, the ability of flight symbolizes the escape from oppression while searching for freedom.

Discipleship is about engaging in the Word, following and obeying Jesus and going out to make disciples. An essential element in being a disciple is to be open to learning, to be teachable. It is a mindset to be continuously adopted and cultivated. For us to disciple others, we must be a better disciple ourselves. When making disciples, we are instructing others to be willing to be a discoverer. It applies to both spiritual growth as well as personal development, openness to new techniques, ideas and methods in all aspects of life. Our spiritual learning comes from delving into His

Ana Castillo’s novel, So Far From God, propels the reader on a vibrant and surreal journey through the tragic ordeals of Sofi and her four daughters. The first chapter, which offers certain similarities to the Bible’s story of Jesus Christ, in that Sofi’s three year old daughter, La Loca, seems to succumb to a violent and horrifying death, and at the wake, she returns to life with a tale of her journey beyond the veil. This scene creates a notable comparison between the patriarchal religiosity of the story of Jesus Christ and the Chicana-centered resurrection, complete with the hypocrisy of a male-centered system of beliefs, the acts of acquiring selfhood as a female centered savior, and the phenomena of the “death” of the saviors.

Often times we are at a loss for words when it comes to talking about the person of the Holy Spirit. Beth Felker Jones in her work entitled “God the Spirit” serves as an introduction to the study of the Holy Spirit in a distinctly Wesleyan and Ecumenical Perspective. Jones is working against the notion that the doctrine of the Holy Spirit is often the most neglected of all Christian teachings (1). She recognizes her experience within the Wesleyan tradition as one that shapes her pneumatology and this book. She asserts that one of Wesleyan Christianity’s special gifts is it’s “leaning against any tendency to neglect the Spirit” (4). Even with this framework she aims to place the Wesleyan perspective in a larger ecumenical milieu that shows the continuity of a Wesleyan pneumatology with the Tradition of the Church. Overall, her approach is very accessible, as she assumes very little and writes in such a way that allows her to cover large dogmatic topics clearly and concisely. By merit of simply being an introduction only style book, there is the risk of glossing over topics and not providing enough in depth discussion to fully understand and comprehend the doctrine discussed. A reader should feel confident that Jones has indeed provided us with a solid introduction to Wesleyan pneumatology that has the ability to bear fruit and initiate growth in the life of the believer.

While the goal of Christian education and discipleship is spiritual formation of the new believer into a true disciple who makes other true disciples, this concept has been watered down in the American church today by emphasis on programs instead of progressive spiritual growth in every member’s life. There are many

At first glance and after reading through Amazing Grace, it seems that Jonathan Kozol is going to take us on a journey through the lives of the underprivileged, but similar to the ones you read about, or hear in the news. However, this is not the case; the real underlying theme seems to be how the life and society they live in is very alike to a life in a prison, not because it talks explicitly about prison conditions in this area, but also because their lives are portrayed as being a prison. Kozol uses the views of children and adults throughout this book to emphasize this theme through their living conditions and personal lives, background and struggles.

Activism, culture and value have always had a tremendous influence in society. When it comes to the Appalachian region of the United States, people tend to see our culture and values differently. The individuals of the Appalachian region have been stereotyped for far too long, people forget that West Virginia has played a huge role in building this country. Our coal miners have put their lives in danger time and time again, some losing them, for worker’s rights. The Battle of Blair Mountain was the largest labor rebellion in the history of the United States. This was the foundation of the movement for eight hour work days and minimum wages. The novel Storming Heaven by Denise Giardina is a fictionalized tale of the conflict that took place in these coal fields of West Virginia. The novel brings to light the stereotypes, race and religion of the Appalachian people.

Throughout the film God Grew Tired of Us, the Lost Boys endured the hardships of war, refugee camps, immigration, and acclimation. While they experienced these hardships, there were some virtues from Aristotle and the Chagga tribe that they utilized and displayed more than others. Different virtues were also displayed during different times and circumstances that the boys faced, specifically when they fled Sudan, when they were at the camp in Kakuma, and lastly when they became refugees in the United States. During their ongoing ordeal, it was evident that as the boys developed the virtues throughout their lives, their happiness levels increased. Without the virtues that Aristotle and the Chagga believed in, these lost boys would probably

Randy Newman’s book, Questioning Evangelism, is a book about on how evangelizing is to ask questions, and therefore, letting people communicate with questions about their own truths about God. Newman writes this book hoping that anyone who reads it will gain a better understanding of what evangelism is. Newman’s book is divided into three parts: why questioning evangelism is needed, considering what questions non-believers are asking, and observing why asking questions and knowing answers doesn’t mean a Christian’s own problem like cold-heartedness or anger. Throughout the book Newman brings readers right back to bible scriptures. Even though he appeals to accounts of people like Paul in Acts preaching on Mars Hill, he also shows how the wisdom literature is applied to our evangelistic attempts.

Discipleship requires service, study, and sacrifice. Surrendering our will to His is often the hardest challenge/obstacle to true discipleship. Our service to Him requires action and diligence to sharing both our skills, resources and time. Study of His word means that we take the time to investigate, memorize and understand what His word says and how it applies to our lives. Sacrifice is the final key to unlocking all that God has in store for us both in this life and in heaven. Willingly laying everything aside to follow Him despite what others

Over the years, many models have been developed and implemented to endeavor to make disciples. Some of the models have been effective and others have not. Among some of the most biblical and efficient models are the ones that involve small groups. Within the small groups models, they can be broken down into further detail, such as pastoral involvement, the church’s goal, missions mindedness, etc. In this paper, I will explain my philosophy of small groups in a church and the importance of the relational group in authentic disciple making. I will also explain how missional groups can help the body of Christ move out into the community. Finally, I will summarize my status in regards to living in community with other believers and being missional with that community.

The church is in need of major renovation when it comes to making disciples. The concept of making disciples to follow the Lord Jesus Christ seems completely foreign to the church today. In order to achieve the desired goal of making disciples for Christ, training others to go out and proclaim gospel, and helping others to train people to disciple one another, one needs to go back to foundation of the Word of God. It is in God’s Word where multiple examples are found of how to make disciples to follow Jesus Christ. It is my desire to see more people in the church have a passion for discipleship. Therefore, this paper will examine in detail how to make disciples in a ministry context. This will be accomplished by examining the 5 V’s of discipleship—vision, values, views, vehicles, and verifiers. It is my purpose to examine each area in order to have a detailed plan of discipleship that will be used in my own ministry context to make disciples for Christ. I hope that this plan can and will be used to train others in the church to make disciples, and disciple one another, for the glory of God.

In his poem "All Watched Over By Machines of Loving Grace," published in 1968, Richard Brautigan places the reader in a future realm: a sparkling utopia "where mammals and computers live together in mutually programming harmony" (1). He draws us in by juxtaposing images of nature, man and machine that challenge us to imagine this new world. In essence, Brautigan's poem is a supplication for that dream world, but to the modern reader it can be a land of irony.

In the 1950’s the melodrama genre came to age and there is no better example than Douglas Sirk’s All that Heaven Allows. The melodrama followed some basic characteristics which can be identified in the film. First and foremost the narrative of the melodrama focused on the family. All that Heaven Allows follows the narrative of the typical melodrama but at the same time also challenges the social conventions. While Sirk follows many of the key themes he does so in a more detached fashion. The protagonist Cary is bound to her community by her social class. Change was occurring in society and the melodrama displayed people’s restraint to this. In All that Heaven Allows Sirk began his focus on the female and her desires in contrast to the more conservative male focused melodrama. As with the melodrama the legibility of the story, displayed through the plot, is simple and easy to follow. “Our engagement with the story depends on our understanding of the pattern of change and stability, cause and effect, time and space” (Bordwell and Thompson, 2008). The linear time flow of the film allows for it’s simple understanding. This is added to by the expressiveness of the melodrama, where everything is brought into the open and nothing is left unsaid. The expressiveness of the melodrama is also represented in the highly expressive mise-en-scene. Sirks use of colour, the human figure, camera work, lighting and music allow him to portray suppressed meaning and significance.