Kubler-Ross on Gregor Samsa and Meursault

When individuals are rejected by family and society, they tend to feel abandoned and unloved. In Franz Kafka’s, The Metamorphosis, Gregor’s transformation into a “monstrous vermin” (Kafka 1) results in him being psychologically and even physically abused by his family. Rejection from his mother, sister, and father leave Gregor feeling unwanted and feeling as if he is a terrible burden on the family and their well being.

In the article, written by Walter H. Sokel, he goes into depth about how Franz Kafka’s life is reflected in the book The Metamorphosis and his other writings. Sokel ties together multiple aspects of the novel and their importance to Gregor and his family dynamic as a whole. Many of the points made in the article address the absurdity of the situation the novel presents and the underlying meaning in the actions of the characters. The premise of the article is pointing to the facts that Gregor's predicament is Kafka inserting his own life frustrations into his literary works. In each passage of the article another part of Gregor's life is laid bare. Sokel’s many inferences that the fault is in Gregor's own doing and not his situation in life, create a complex maze of cause and effect.

The Metamorphosis by Franz Kafka is a reflection on how alienation and isolation begin and develop in a society by employing the characters in his novella as a representation of society as a whole. Using Gregor’s manager to demonstrate the initiation of isolation and alienation of a person, Gregor as the person being isolated and the inhabitants of the Samsa household as the other members of society, Kafka creates an effective model to represent the hierarchically structured effect of isolationism and alienation in society on a larger scale.

With this in mind, Gregor, being an allegory for Kafka, portrays his feelings towards his family and his involvement with them. He portrays most of his feelings through his sister, and father, who are mainly static characters

Characterization of Gregor: Kafka depicts Gregor’s thoughts as depressed and hopeless in order to show that he does not believe his situation will get better. This is done in order to show that Gregor no longer has any humanity left because he repeats the same tasks every day which has numbed him.

So concerned with ensuring his parents and sister were taken care of, he forgot his own needs. It was apparent to everyone that he was no longer thought of as a son or an extension of the family, but merely as a "support system." The tragic fact is that "everyone had grown accustomed to it, his family as much as himself; they took the money gratefully, he gave it willingly but the act was accompanied by no remarkable effusiveness" (Kafka 48). It appears that in the course of his hectic work schedule, he overlooks that in return for dedication to his family, he remains unloved and unappreciated. Yet Gregor still "believed he had to provide his family with a pleasant, contented, secure life" (Emrich 149), regardless of how they treated him.

when she died, you still get the feeling of a lack of emotion which is

In The Metamorphosis, Franz Kafka conveys the series of emotional and psychological repercussions of a physical transformation that befalls the protagonist, a young salesman called Gregor Samsa. As the story progresses, Gregor finds himself unfairly stigmatized, cruelly rejected because of his clear inability to financially support his family, and consequently increasingly isolated. Through extensive use of symbolism, Kafka is able to relate the surreal and absurd, seemingly arbitrary events of this short story to a general critique of society-particularly on the alienating effects that conformity generates. On a broader level, the combined themes-which include the themes of conformity, freedom, and alienation--found throughout The

Kafka utilizes a new narrative perspective in the last passage of his work to expose the one-sided love between Gregor and the rest of his family. The majority of the story had been told in a free indirect discourse restricted to the mind of Gregor. In this position, Gregor’s humanity —despite his inhuman exterior— and his genuine love for family is revealed. As the only source of income for the family, he works with every fiber in his being to overcome the debt that plagues them, as “He felt great pride at having been able to give his parents and sister a life like this in such a beautiful apartment” (411). This compassion is clearly not reciprocated when the narration shifts to the remaining family following Gregor’s demise. Instead they critique the shelter that Gregor

Franz Kafka’s The Metamorphosis (1915) is a novella about protagonist Gregor, a hard-working traveling salesman transforms into some a vermin overnight and struggles to adjust to his startling change. Kafka characterizes Gregor as a selfless individual whose profound love for his family misleads him about their genuine disposition. As he adjusts to his new change, he undergoes great difficulty to determine his identity and humanity. Gregor has deceived himself into believing that his family will love him despite his repulsive appearance. In The Metamorphosis, Kafka uses characterization and third-person narrative to demonstrate Gregor’s self-deception and self-awareness regarding his family and circumstances to establish the theme of identity.

He was just a pest, a nuisance, a cockroach. The analogy that he was not intimidating, such as a spider or snake, but just really an insect that people tried to rid themselves of, like a cockroach, drove deeper into his self-condemnation. Kafka chose Gregor to be the cockroach as he was the only one working in the family, yet he still felt unappreciated and miserable. The moral is that self-loathing can make you an outcast, even if you started out far from it. You will become what you think of yourself, if you do not take necessary steps to improve your reality. Gregor felt like he had no freedom and was trapped in his life caring for and doing everything for everyone else except himself.

Throughout the novella, Gregor’s deeply rooted sense of guilt transitions from having the power to drive his actions to merely plaguing his thoughts. Immediately after his transformation, Gregor reveals that he has to “deal with the problems of traveling, the worries about train connections, irregular bad food, temporary and constantly changing human relationships…” (Kafka 4), in his daily work. Although he appears to hate his job, Gregor does not quit, as he has both intrinsic motivation to provide and extrinsic pressure from his family to keep them afloat. Rather than reflecting on his feelings and emotional baggage attached to his job, Gregor focuses on grievances set in reality, and allows this to occupy his conscious mind. After Gregor’s transformation, his

Many views of existentialism are exposed in Kafka's Metamorphosis. One of these main views is alienation or estrangement which is demonstrated by Gregor's relationship with his family, his social life, and the way he lives his life after the metamorphosis. Namely, it suggests that man is reduced to an insect by the modern world and his family; human nature is completely self absorbed. Kafka reflects a belief that the more generous and selfless one is, the worse one is treated. This view is in direct conflict with the way things should be; man, specifically Gregor should be treated in accordance to his actions. Gregor should be greatly beloved by his family regardless of his state. This idea is displayed in three separate themes. First,

As the American playwright Williams Tennessee once said, “We all live in a house on fire, no fire department to call; no way out, just the upstairs window to look out of while the fire burns the house down with us trapped, locked in it.” Similarly, “The Metamorphosis” and the short stories created by Allan Poe deal with trapped characters who have no other choice but to accept their reality, while experiencing a sort of feelings that are just a reflection of the various pressures they experience through their life. The first pressure that is experience through life is the family, because it emerges an important role not only in society but also in a person’s life as it is the case of Gregor. Also, work and society which is the second role that influences a person’s development through the long way of life. In addition, the mental state, which determines the person’s attitude towards an event being experienced as it is the case of all of the characters in Poe works and also in “The Metamorphosis”. as a result, the unwanted events and changes that are dramatically experienced through life create a stage in which the characters in Poe stories and Gregor in “The Metamorphosis” find themselves dealing with trapped feelings that lead them to isolation, and make their living experience a nightmare.

Authors composing creations in an existentialist atmosphere are regularly sadistic in the ways they ponder. Existentialist novels incorporate bizarre concepts, but they also contain concealed pragmatic themes. In The Metamorphosis by Franz Kafka, the author utilizes existentialism and the id of mortal creatures and the theme of isolation to dehumanize the protagonist throughout the novel; thus, Kafka produces a petrifying novel.