Kunio Maekawa is an architect who designed and built his own house, The Maekawa House, in

Russel Wright is an American industrial designer and architect that lived during the early to mid twentieth century. Many of Wright’s ideas and designs were considered to modern at time, drawing influences from not only ingenious designers like Frank Lloyd Wright but nature as well. Wright’s influences would lead him to create a design style unlike any at the time; a style that would eventually become almost standard in many homes in the United States. The designer Russel Wright and his wife, Mary Wright together published a guidebook known as Guide to Easier Living. In it contains numerous suggestions and thoughts on home architecture, interior design, as well as product design. Many of the thoughts and suggestions conveyed in the book can be seen in present-day design and architecture. Wright’s book also laid the groundwork for his home, Dragon Rock, which of itself possesses elements of design that are seen in today’s homes. Russel Wright’s Guide to Easier Living is clearly a response to interior design at the time; containing numerous design ideas, Wrights guide influences Wright’s own future works.

Though the start of the modernisation may trace back to the beginning of Industrial Revolution. “Modernism in the design world did not exist in a fully developed form, until well after First World War.” (Wilk, 2006) Causing the great loss of lives and other countless damage to the world, it reshaped many people’s way of thinking the world. With the inspiration of early avant-garde movement, the modernism began to emerge advocating an utopian future and shared certain core principles by various styles of modernists: rejecting the past and applied ornament; forms follow function, a preference for

For a great many years, architecture has been a breaking point for different artisticeras in history. Some of the most famous “works of art” have been chapels, temples, and tombs. Among the most dominant and influential eras of great architecture are the sophisticated, stoic Greeco-Roman periods and the more mystical, elemental Japanese eras. These two very distinct and very different eras have more in common than you may realize.

Frank Wright (1867-1959), is an American architect born on June 8th in Richland Center, Wisconsin (Biography.com n.d.). A modern design, he produced an organic and clear American style (Architectural Digest n.d.). Wright founded his own firm and developed the Prairie School- single-story homes with low, slanted roofs and extended rows on the windowpane, using the available materials from local business and clean and not painted wood (The Editors of Encyclopedia Britannica 2017). The Robie House (Figure 1) located in Chicago and Unity Temple placed in Oak Park (Biography.com n.d.). Wright was known mainly in Europe but not in the United States. In 1913, Wright designed his home on his maternal ancestors land in Spring Green, Wisconsin (Architectural Digest n.d.). This home was named Taliesin, sadly it got burnt down twice and he still remodeled it again (The Editors of Encyclopedia Britannica 2017). Wright wrote two books in 1932: “An Autobiography” and “The Disappearing City,” both are known as architectural literature (Biography.com n.d.). In addition, to publishing the two books, he

Question 1. Choose an architect or practice whose work is covered by or relevant to this course and discuss critically one or more of their design projects or drawings or urban proposals as precedent case-studies. Selectively situate this work in relation to their body of work, and against the practices and concerns of the period. Focus on the architectural qualities of a specific key aspect of the design of the projects. Selectively consider how they might relate to the historical situation, cultural values, theoretical concerns and design practices of the time. This may involve a selective analysis of compositional design practices, material fabrication production and the experiential reception of built outcomes of the projects.

The Metropolitan Museum of Art has one of the finest Asian art collections that has enlightened and strengthened my understanding in my personal art experience. The Museum itself is an artistic architectural structure that graces the entire block on 82nd Street in Manhattan. Entering inside, I sensed myself going back into an era, into a past where people traded ideas and learned from each other. It is a past, where I still find their works of yesteryears vividly within my grasp, to be remembered and shared as if their reflections of works were cast for the modern devoted learner.

Frank Lloyd Wright was a Nature lover and an architect. He reflected on the natural world and applied existing styles to his architecture. He was born in Wisconsin, on June 8, 1867, and died in Phoenix, Arizona, on April 9, 1959, at the age of 91. His architectural career spanned two centuries and lasted for 70 years. During the last year of his life he authored a book and was working on 166 different commissions; when asked about when he would slow down, he replied when the ideas stop coming to him.

Antoni Gaudi was a Catalan architect from Spain who lived from 1852-1826 and was the master of Catalan Modernism. Most of Gaudi’s work was marked by his 3 passions of life; religion, nature and architecture. His works show various unique styles that he attained through researching natural forms and employing them in his buildings while studying every detail of his creations, assimilating into his design every innovative design solution. He was influenced by Neo-Gothic art and became a main part of the Modernisme movement, even though his works transcended the design of mainstream Modernisme. He used organic styles inspired by forms he found in nature and rarely drew plans, instead much preferring to use models and 3D moulding. His works

Frank Lloyd Wright is one of the most important architects of the twentieth century; with his buildings and his ideals of an organic architecture, he got to be known by everyone. Who does not know about the Fallingwater? This building is considered his masterpiece and represents all his principles. For him, organic architecture was designing by integrating a building to its site and context, and he was able to achieve it with most of his projects. However, Wright’s career did not started like this; he went through a lot of complex periods that ended consolidating his ideals as an architect. Moreover, each of these phases had different kind of influences that Wright took and learned from. Therefore, it’s important to acknowledge how outside architecture and social factors influenced his “Organic” idea.

One article talks about Japanese architecture being used in the Glasgow School of Art, “There are Japanese influences in the use and shape of the projecting timber eaves at the stairwells, left, and also in some of the internal details”(ScotCities).

Architecture is one of the great arts of the world. It expresses a designer’s style and interests, and can also show the style of the city or country it is in. And individual architects, like Frank Lloyd Wright, do this very well. How was Frank Lloyd Wright’s architecture influential today’s world? Frank Lloyd Wright was influential to today’s architecture because helped free builders from traditional European architecture.

On his book on Modern Architecture, Curtis writes that modern architecture was faulted for it’s “supposed lack of ‘recognizable imagery’” towards the end of the 1970s. This statement supports the idea of Jencks’ double coding where architects must now make

Mies van der Rohe is one of the most prominent figures in modernist architectural history, the man who popularised some of the most influential phrases of the era, e.g. “less is more”, and strove to push his ideas and philosophies, not just on what he thought a building should be, but of what he thought architecture itself was. He changed the cityscape of America, showing the world a style that was simple and elegant, with such a controlled palette of expressions that shone through in its geometric beauty.

A non- arbitrary architecture is an architecture incorporate nature and culture to define the life of a human being. Karsten Harries mention that the needs of human comfort in a building does not meet the tenants comfort since they are illogically made instead of emphasising the design to standout to meet the requirements of people, places and landscape in a real world. The implantation of building design by Frank Lloyd Wright's and Aalto's Villa Mairea has shown the world that design is not only to enhance but compliment God's creation. Frank Lloyd and Aalto's Villa design manifest mainly on the non-arbitrary of architecture, emphasising qualities of direction, of weight, of materiality, of light and so forth. Thus, understanding non-arbitrary architecture, design will be seen in different perspective as the two architecture, Frank Lloyd and Aalto's Villa

Different architects have different styles because they are trying to get at different things. Architecture is not just about making something beautiful anymore, it is about trying to get across a set of ideas about how we inhabit space. Two of the most famous architects of the twentieth century, one from each side, the early part and the later part up until today each designed a museum with money donated by the Guggenheim foundation. One of these is in New York City, it was designed by Frank Lloyd Wright. The other is in bilbao, Spain, and it was designed by Frank Geary. My purpose of this paper is to interrogate each of these buildings, glorious for different reasons, to show how each architect was expressing their own style.