Kurt Vonnegut's Slaughterhouse

A known problem in today’s society is the tendency to avoid problems by ignoring them. This has been mocked and satirized by the media, studied by scientists, and become an almost humorous staple in modern culture. However, none of the reactions to this problem have come close to solving it. In Slaughterhouse Five, Kurt Vonnegut tell the story of a war veteran, Billy Pilgrim, who jumps around time and is kidnapped by an alien race called the Tralfamadorians. He delves into themes of war and morality while offering a look into the mind of veterans after they return from war and how it affects them. Vonnegut explores humanity’s destruction of the Earth with a similar morbid yet dryly humorous approach in his poem Requiem. In both texts, Vonnegut

In order to illustrate the devastating affects of war, Kurt Vonnegut afflicted Billy Pilgrim with Post Traumatic Stress Disorder (PTSD), which caused him to become “unstuck in time” in the novel. Billy Pilgrim illustrates many symptoms of PTSD throughout the story. Vonnegut uses these Slaughterhouse Five negative examples to illustrate the horrible and devastating examples of war. The examples from the book are parallel to real life experiences of war veterans, including Vonnegut’s, and culminate in a very effective anti-war novel.

Throughout Slaughterhouse-Five, Vonnegut chooses to use special literary techniques that better explain his own encounters in war as well as help his readers bare the horridness of war. Vonnegut adds black humor in his text to benefit readers as well as “an author-as-character” perspective to set barriers and help protect his own memories in the war. Without adding these two specific devices, Vonnegut could possibly have lost reader’s interests in the book or lost his own interest in writing the book.

The design of this novel was structured from Kurt Vonnegut’s own World War II experiences. The one experience that seemed to stand out the most in the novel was the Dresden air raids. Vonnegut saw the air raids as senseless, so every time Vonnegut is describing the raids in the novel we see a distinct pattern, Vonnegut uses his novel to depict to the reader a feel of senselessness every time the bombing is mentioned. As a witness to the destruction, Billy confronts fundamental questions about the meanings of life and death. Traumatized by the events in Dresden, Billy is still left lost with no answers. Although his life as a working family man is considerably satisfying, he is unable to find peace of mind because of the trauma he suffered in Dresden. (Vonnegut,

Kurt Vonnegut Jr. is one of the most well known World War II authors. His humble beginnings and early life misfortunes shaped not only his writings, but also his view of the world. His imprisonment in Dresden in World War II, however, formed his opinions about war at an early age and later inspired many of his works and style of writing. After the returning from World War II, Vonnegut voiced his sentiments through his writing that war was wasteful and uncivilized. Vonnegut developed a unique blend of sadness, satire, and simplicity, along with his ability to understand the audience, which made his novels comprehensible and inspirational to any

Kurt Vonnegut followed many principles in his writings. He claimed that “people do not realize that they are happy” (PBS NOW Transcript). Feeling that people had the wrong view on war, he felt that he needed to get the facts straight. Vonnegut believed that art can come from awful situations, and that the truth is not always easy to look at. Kurt Vonnegut wrote Slaughterhouse – Five to tell of his experience in the bombing of Dresden, as a prisoner in war and the atrocities that occurred.

The Slaughterhouse Five novel, is a fictional and nonfictional delight all clashed into one. The author, Kurt Vonnegut, amazingly combines a fictional character’s life with the nonfictional influence of what Kurt himself had experienced. As well as major topics being debated on and dealt with today. Billy Pilgrim takes hold of the story’s main protagonist as a prisoner of war during the Dresden raids in eastern Germany. While reading, I found many relationships in the novel to common concerns, such as time and death; too correlated opinions from other anti-war enthusiasts.

Granville Hicks notes how war leaves soldiers disillusioned and, “The terrible destruction of Dresden is... an example of the way the military mind operates” (Hicks 602-603). Pilgrim sees the trivialities of war, while exhibiting disdain for other aspects in life; this demonstrates the effect war had on him. In Novels for Students, Kurt Vonnegut Jr. speaks about how the bombing of Dresden made the terrain look like the moon, Pilgrim noticed that “Nobody talked much as the expedition crossed the moon. There was nothing appropriate to say. One thing was clear: Absolutely everybody in the city was supposed to be dead, regardless of what they were, and that anybody that moved in it represented a flaw in the design” (Vonnegut 260). The soldiers, left speechless at the carnage, Pilgrim states that “We had been foolish virgins in the war, right at the end of childhood... you’ll be played in the movies by Frank Sinatra and John Wayne or some of those other glamorous, war-loving, dirty old men. And war will look just wonderful, so we’ll have a lot more of them” (Vonnegut 18). War lost all glamourous appeals; the monotonous task of fighting in the military wore on Billy Pilgrim and made him question his participation in the war. The alienating experience of war separates soldiers from everyday people; civilians never see the horrors of war, they never see the casualties and deaths, they never suffer from the traumas of war.

Many people returned from World War II with disturbing images forever stuck in their heads. Others returned and went crazy due to the many hardships and terrors faced. The protagonist in Slaughter-House Five, Billy Pilgrim, has to deal with some of these things along with many other complications in his life. Slaughter House Five (1968), by Kurt Vonnegut, Jr., is an anti-war novel about a man’s life before, after and during the time he spent fighting in World War II. While Billy is trying to escape from behind enemy lines, he is captured and imprisoned in a German slaughterhouse. The author tells of Billy’s terrible experiences there. After the war, Billy marries and goes to school to

The anti-war message is upheld further with the ironies that Vonnegut provides in the book. One example is "when one of the soldiers, a POW, survives the fire-bombing, but dies afterward from the dry heaves because he has to bury dead bodies" (Vit). When Billy and one of his comrades join to other scouts the Vonnegut portrays as well trained, Vonnegut displays irony by killing the skillful scouts and allows the less competent Pilgrim and Roland to survive. Roland does eventually die because he is forced to walk around in wooden clogs that turn his feet to pudding. The greatest example of irony is seen in what Vonnegut claims to be the climax of the story. He explains the situation before the story even begins. He is referring to the:

Billy Pilgrim, and hundreds of other American POWs arrive in one of the most beautiful architecturally advanced cities in all of Europe approximately thirty days before it becomes one with the ground. Prior to its relentless bombing, Dresden Germany looked like a fairytale. Kurt Vonnegut says himself that that city looked like “Oz”, Billy says “It looked like a sunday school picture of Heaven”. Intricately designed cathedrals, hospitals, capital buildings and centuries of historic construction reached high into the cityscape looking over the innocent citizens. Billy and the Americans are told by the Englishman that “You needn’t worry about bombs, by the way. Dresden is an open city. It is undefended, and contains no war industries or troop concentrations of any importance”. This one line becomes irony in the worst way.

Kurt Vonnegut was a man of disjointed ideas, as is expressed through the eccentric protagonists that dominate his works. Part cynic and part genius, Kurt Vonnegut’s brilliance as a satirist derives from the deranged nature of the atrocities he had witnessed in his life. The reason Vonnegut’s satire is so popular and works so well is because Vonnegut had personal ties to all the elements that he lambasted in his works. Vonnegut’s experience as a soldier in WWII during firebombing of Dresden corrupted his mind and enabled him to express the chaotic reality of war, violence, obsession, sex and government in a raw and personal manner. Through three works specifically, “Welcome to the Monkey House,” “Harrison Bergeron,” and Slaughterhouse-five,

In the novel Slaughterhouse-Five by Kurt Vonnegut, a fictional character named Bill Pilgrim is used to depict the various themes about life and war. Vonnegut went through some harsh times in Dresden, which ultimately led to him writing about the tragedies and emotional effects that come with war. By experiencing the war first handed, Vonnegut is able to make a connection and relate to the traumatic events that the soldiers go through. Through the use of Billy Pilgrim and the other characters, Vonnegut is able show the horrific affects the war can have on these men, not only during the war but after as well. From the very beginning Vonnegut portrays a strong sense of anti-war feelings, which he makes most apparent through Billy Pilgrim.

In Slaughterhouse Five, Kurt Vonnegut explains his experience of the World War II bombing of Dresden, Germany. Vonnegut's creative antiwar novel shows the audience the hardships of the life of a soldier through his writing technique. Slaughterhouse Five is written circularly, and time travel is ironically the only consistency throughout the book. Vonnegut outlines the life of Billy Pilgrim, whose life and experiences are uncannily similar to those of Vonnegut. In Chapter 1, Kurt Vonnegut non-fictionally describes his intentions for writing the book. Vonnegut personally experienced the destruction of Dresden, and explains how he continuously tried to document Dresden but was unsuccessful for twenty-three years after the war. Vonnegut let

Kurt Vonnegut’s personal experiences of World War II and the firebombing of Dresden were important factors in determining his writing style and the political and philosophical views that it conveyed. Throughout his works, the overarching message that Vonnegut delivers is the need for love and compassion in a world where humans are helpless against an indifferent fate.