Kyle Chaky An Analysis Of Video Games Can Never Be Art

Reality Bytes: Eight Myths About Video Games Debunked by Henry Jenkins is stating that the public’s perceptions of video games are not close to the reality of what the research is actually showing. There are many misconceptions about video games that range from video games being a boys only club to blaming youth violence on the types of games children are allowed to play. Jenkins tries to show that eight of these myths are actually that, myths.

Aaron Smutz, a philosophy professor at Rhode Island College, in his rhetorical essay “Are Video Games Art?” asserts that video games are indeed art. He first puts forward three critically well-received games to be considered art, then determines what can be used to determine art by considering “sister media” like art and music as well as competition such as chess, football or ice-skating. After establishing an “informal” definition of art, Smutz comes to conclude that since the games he provided cover several facets of game-types and since those games can reasonably fall into the definitions provided of art, then most video games should be considered art. Smutz forms his essay in order to explore the artistic merit of games. Smutz also writes

I disagree Even though Rosewall makes valid points on the differences between Art and entertainment with one form dealing with small scale none profit organization and the other dealing with mass production profited organization I feel that both are in a way the same in this time period. In today society art is becoming more of an entertainment with movies, theater, music, esc but does the fact that now it is more profitable change the artistic value that goes in to the finished product. Rosewall explain the differences she sees in art and entertainment; art is done in a more small scale manner, put on by people who studied in traditional university programs and the artistic merit takes priority over popularity with entertainment dealing with

Using persuasive writing, Wright begins to influence his audience that game play is a beneficial source of entertainment not a wasteful one. Playing video games increases creatively, self esteem and improve problem solving skills of the players. Video games are becoming test runs that appear or feel close to the real thing. Where you can control everything with added effects like magic or future technology. Games have the potential to exceed almost all other forms of entertainment media. They tell stories, play music, challenge us, allow us to instantly communicate and interact with others. Encourage us to create things, connect us to new communities, and let us play with people across the world. Unlike most other forms of media, games are inherently tangible. According to Wright young children spend their days in imaginary worlds, substituting toys and make believe into the real world that they are just beginning to explore and understand. Wright states that games are the result of imagination and that they consist of rules and goals. Generation of teenagers has grown up with different set of games. Teenagers use the scientific method rather than reading the manual first. Games today maybe a person’s only place to express a high-level of creativity and growth. Older generations have a lot of criticisms for games, the games can help a person learn to think on his or her own.

I had always wanted to program, not just anything. I wanted to program video games. Not just any video game. I wanted to to program the greatest game ever made.

This shows the wide verity of this game which adds more to the reason why this game is magnificent. You might ask how this information applies to his thesis: “Why video games matter?” All of this information provides logical facts that interest gamers around the world. The game provides a traditional narrative that allows for an experience framed in terms of wandering and lonesomeness, a purpose that is needed.

Have you ever thought video games can be Art? Many people might agree on this topic. An American film critic, historian, journalist, screenwriter and author Robert Ebert has a different view on this topic. He has expressed his opponent view through the article “Video Games Can Never be Art”. Even though he tries to deal on this topic by many examples, definitions and critics, he doesn’t looks like expertise, unbiased, and mature in this topic.

Ebert's essay was strongly criticized by the gaming community,[23][24][25] including Santiago herself, who believes that video games as artistic media are only at their infancy, similar to prehistoric cave paintings of the past.[26] Ebert later amended his comments in 2010, conceding that games may indeed be art in a non-traditional sense, that he had enjoyed playing Cosmology of Kyoto, and addressing some replies to his original arguments.[27]

Tom Bissell presents an article in 2010, to college students of which is “Why Video Games Matter.” Bissell isn’t intending for the argument to be about video game criticism, the history of the gaming, or an assessment of anything. On the contrary, he wants to articulate his own opinions and thoughts on what playing games feels like, why he plays them, and the questions they make him think about. Being a gamer myself, I have also endured the struggles of what being obsessed with a video game feels like. It is understood that when first purchasing a video game, all one thinks about is getting home and popping it in the console, disregarding everything else that is happening in the vicinity.

In the article “Art Form For The Digital Age,” by Henry Jenkins, Jenkins elaborates on the ever expanding video game industry and cites that it is now being considered a digital art. The gaming industry is also said to be the form of art in today’s economy that has grown the most.

Video games can teach children many different life lessons. For instance, Games like “ultima forever” can teach you virtues of life, and by learning these children can become better people in life. Kids will learn these skills and use them in their daily life. In the article, “Ultima forever returns for kinder, gentler, thoughtful, gaming”, Kate Flack, lead designer for the game says “‘... They will start to recognize these same choices in their real life and become better people.’” This quote shows that the game ultima forever prepares children for

The game seeks to trick us for a time into abandoning what is real (home) and focus on what is inside our monitors and T.V.s. Baudrillard spoke on the process of a simulated reality in a multi-step process. “In the first case, the image is a good appearance – representation is of the sacramental order.” This can be related to the early days of video games when they used cathode ray tubes to project pixelated images onto a curved glass scene. Video games where very new, and exciting. “In the second, it is an evil appearance – it is of the order of maleficence. This can be related to games starting about 15 years ago till today. Video games were and still are thought to be a source of violence in people. Many view them as a waste of time and that they detriment a person. Though this mentality is starting to fade as we shift towards the third order “In the third, it plays at being an appearance – it is of the order of sorcery”. Technology is starting to advance to the point that anyone without training in the field cannot understand what is going on. As myths about video games negative appearance are being debunked or confirmed their negative aspects are getting swallowed up by the more exciting advancements in the fields. “In the fourth, it is no longer of the order of appearances but of simulation.” At this level the video game stops being a game, and starts to become a part of everyday life (home). For as much as some may dedicate their whole lives to games, in the

Rhetorical Analysis 1 The critical article “Video games can never be art” was written by Roger Ebert, who was a famous American film critic. Ebert was a very popular and well celebrated journalist and film critic in his field. He was the first film critic to win the Pulitzer Prize for criticism, which is the highest honor in journalism (rogerebert.com and Wikipedia). This article is about Roger Ebert’s critical analysis of Kellee Santiago, a professional video game designer, presentation about video games as already being a form of art.

Games Art? movie critic Roger Ebert has an opposing view on whether video games should be

In using creative media, video games share similarities with traditional art but also differ from it entirely. Art created by video games is in a league of its own. Tom Cargo, the president of the Game Developers Association of Australia said, “No