L'Histoire de La Danse Classique/History of Ballet

The history of ballet dates back to the 18th century starting with Baroque dance. Fabritio Caroso da Sermoneta was a famous Italian Renaissance dancing master. He was born around 1526-1535 and died around 1605-1620. His dance manual "Ballarino" was published in 1581, with a subsequent edition, significantly different, Nobiltà de dame, printed in 1600 and again after his death in 1630. In the 19th century there was the pre-romantic, romantic and the classical ballets. Anthony Tudor deserves an honorable mention for his choreography and teaching. Pre-romantic ballet occurred sometime circa ?? up to 1831. The romantic period covered the early to mid 1800's. This era also introduced the calf-length dress. A few of the great Romantic dancers were Marie Taglioni, Fanny Elssler and Carlotta Grisi. The tequnique became more developed, but the role

Dance is found in all cultures. It is considered a way to communicate without talking. During the Renaissance period, ballet was considered a Russian specialty. The highly qualified and sought after dance companies would tour the world performing in front of those who had never experienced ballet before. By exposing ballet to the United States of America, the Russians inspired and sparked a demand for legitimate ballet in America. It took place throughout the 20th century, currently known as the Russo-American Era.

When one thinks of a ballet they hear soft rhythmic notes and see elegantly dancing ballerinas softly tip-toeing around the stage. This is also what people in early 1900’s expected to see when they planned to attend a ballet. However, a couple of motivated artists in 1913 literally planned to change the design of ballet, music and dance forever. On May 29, 1913 a ballet named The Rite of Spring premiered in Paris, France. The original title as it translates from Russian to French is; Le Sacre du Printemps, meaning the rite of spring, but the literal translation from Russian to English means “Sacred Spring”. The ballet and music were composed by Igor Stravinsky, with the help of Nicholas Roerich, who proposed the general idea behind the

For the history of Russian Classical ballet, it originated in a group of dance academies in Moscow and St Petersburg in the eighteenth century. At first the dancers were from poor backgrounds - usually from orphanages - but the Tsars were particular ballet enthusiasts and so the profile grew. However, in the nineteenth century some of the best French and Italian dancers and teachers went to Russia and ballet developed considerably more than in Western Europe where opera was preferred. It was under this climate that Russian ballet led the way in classical dance with such famous stars as Anna Pavlova, Mikhail Foskine and the legendary Nijinsky, who all trained with the Frenchman Marius Petipa at the St Petersburg Imperial Ballet.

Ballet was rooted in court life, and it was not as widely available to the common people. As such, it had to adapt in order to survive this particularly deadly and brutal period in time. The ballet’s that the court was accustomed to seeing were disconnected from the lower class, just like the actual courtiers themselves. Ballet is just one example of why exactly the French people rose up against their government. They spent massive amounts of money on an opulent lifestyle while the peasants could not even afford bread.

As world has changed over the last century or so, the ballet world has been changing with it. There are many people who have helped shape that change. The changes in style were mainly influenced by George Balanchine. George Balanchine, a Russian choreographer and ballet dancer, also known as the father of American ballet, was the man who was said to have changed the style of ballet forever. Along with these changes in style came changes in visual design elements, inspirational figures, and changes in what the ballets themselves tend to rely on. Many of the features given to ballet in Russia in the 15th and 16th century still remain to this day, but many features have been altered to fit . Let’s take a closer look at what features truly

In the early 19th century, during the Industrial Revolution, the Romantic era in ballet came alive throughout Western Europe. In dance, it is known that the Romantic era came first, not the Classical era. During this time, pointe shoes, with a barely enforced box, made an appearance, allowing dancers to briefly be lifted onto pointe, conveying a look of airiness. Also, emphasis was placed on feelings and emotions rather than reason and intellect, and most story ballets during this time were

The 20th century saw a shift in dance as new forms were created and artists began entertaining audiences in new ways. The rise of Jazz music and the swing era allowed a couple of tap dancers, commonly known as the Nicholas Brothers, to gain fame. The Nicholas Brothers questioned what dance could be by pushing the human body to the limits the likes of which had not been seen before. Other innovations in their dance such as their vernacular style, informal training, and unique musicality directly opposed many of the virtues of classical ballet. Through my own interpretations of their work as well as through the use of primary and secondary sources it is clear to see that the Nicholas Brothers opposed classical ballet through their style, musicality,

Ballet started in the late 1400s during the Renaissance. When Catherine de Medici who married King Henry the second of France know for throwing large parties. These parties would last for 8 hours straight of music, food, dancing and other entrainment. These

Something I found interesting is that Ballet was actually FIRST introduced during the Renaissance time and Modern dance history in Europe actually started with Renaissance (http://www.ducksters.com). There were also several new dances that were invented at the time (http://www.dancefacts.net). Music and dance were actually the main forms of entertainment (http://www.ducksters.com). However, dance quickly rose to importance among art and science (https://socialdance.stanford.edu). Unfortunately, no choreographic descriptions of the dances survived from the 14th century, the Renaissance time (https://socialdance.stanford.edu).Most dances were actually a passionate form of flirting. The actual true purpose of the dance steps were flirtations (http://dance.lovetoknow.com). Dance was considered as much a part of education as reading or eating with a knife or fork (http://dance.lovetoknow.com). Dance was mainly to socialise (http://www.streetswing.com). These are some interesting facts I learned about the past of Renaissance

Classical ballet took a step forward and revived prominent roles for men; whom previously the Romantic era had solely focused on the art of the

During the Romantic era of the 19th century, creativity within the arts was flourishing and as a result, ballet developed many of its defining characteristics that many recognize it by today. After the French Revolution which ended at the close of the 18th century, the people of France were divided and aristocracy fell, and this led to a decline of monarchy around world. As a result, ballet became an art form that no longer represented the absolute monarchy. Furthermore, ballets told stories and portrayed emotions that were relatable to the audience, while still allowing the viewers to escape into these dream-like performances. These carefully choreographed ballets were well thought out and rehearsed countless times before the actual performance. It was during this time that ballet became a combination of refined technique and emotional storytelling. Female ballerinas quickly dominated the ballet world, and inventions including pointe

Romantic ballet in the 19th century differs from Classical ballet in the 20th century structurally, technically, and socially. The two dance forms also use different types of costumes and different narrative strategies. Romanticism greatly impacted the world of art in the 19th century. Romantic ballet emerged and allowed an escape for the dancers and audience from the distress due to the falling of the French Revolution. The following century brought a deeper understanding of Classical ballet via the Ballet Russes. The Ballet Russes allowed a freer expression and an overall appreciation of dance alongside other art forms. However, with all of those differences, they both use ballet technique for expression and

The history of ballet is rich, complex and full of powerful meanings depending on the time period. Ballet in the 15th century was seen as something that only select individuals could do, whereas, the 20th century ballet can be preformed by anyone. By thinking about how ballet performers have changed, a question may be thought is, have the people attending these ballet performances changed as well as the performers themselves? Today, children from ages two and up start taking ballet and family members come and watch their final recitals. National ballet companies are also an event and often draw attention to the higher-class individuals who have a taste for ballet. The ballet world could be seen as to having a quite array of attendees, events and functions, but that might not have always been the

French Ballet began in the 17th century. It was a flamboyant entertainment presented in front of the aristocracy and royalty in the courts. French Ballet was also performed when they were celebrating marriages and showing off the wealth and power of the ruler. Besides, Ballet was called “la belle danse”, and it means “the beautiful dance.” In order to help the audience to recognize the characters in the story, dancers usually wore extravagant costumes. Moreover, the idea of different ballet movements was based on the social dance of royal courts, like beautiful arm and upper body movements and floor patterns were included. Also, in the beginning, only men were allowed to dance ballet, and women played the first ballet with parts until 1681.