What Is The Tone Of La Belle Dame Sans Merci

As Wendy Martin says “the poem leaves the reader with painful impression of a woman in her mid-fifties, who having lost her domestic comforts is left to struggle with despair. Although her loss is mitigated by the promise of the greater rewards of heaven, the experience is deeply tragic.” (75)

In the first stanza of the poem, the girl is portrayed to be happy, as she is playing with flowers near her door. Her to-be husband too is shown to enjoy everyday life, as he is throwing green plums around the neighborhood on his toy horse.

Throughout history, women have constantly been objectified and forced into submission by the male dominated society. Simone de Beauvoir’s philosophical work, The Second Sex, echoes the intense oppression of women and reflects the first wave feminist movement. Her existentialist decoding of genders resulted in the idea of the Other, which explores the phenomenon of women forced into the role of an object, while men are the subject. In the second chapter, “The Girl”, Beauvoir further studies the idea of this oppression during one’s transition from a girl into a woman. Beauvoir states that no matter how much freedom and sense of self a girl holds, she is always forced into the role of the Other in society. Beauvoir 's idea of the Other held

Within the film, Ma Vie en Rose (Alain Berliner, France, 1997) we are encouraged to sympathize with the main character, Ludovic (Georges Du Fresne), a seven year old boy that insists that he is actually a girl. The importance of viewing this movie and being able to identify with the character of Ludovic shows us as an audience the absurdity of gender norms, while simultaneously encouraging us to have a more empathetic viewpoint in regards to such topics.

The Virgin of Jeanne d’Evreux was commissioned by Queen Jeanne d’Evreux, wife of King Charles IV, sometime between 1324 and 1339, and donated to the royal abbey church of Saint-Denis in 1339 according to the inscription on the pedestal (Barbier). French royals in the 13th and 14th centuries often had luxury works of metal and enamel commissioned for churches, palaces, or their private homes (Kleiner).

From the beginning of the poem, the reader can tell that the tone of the poem is consistent. There is no shift in tone, it’s simply sad and bitter. The father notices the innocence of his daughter and knows that there is bad luck that is coming for her future. The reader is able to see the father’s concern throughout the poem when he says that the “night’s slow poison” will change her. He knows that this issue cannot be changed, so he is doing what he can to avoid it becoming a bigger dilemma. By the end of the poem, it’s easy to notice that the father has become angry about the situation that is brought upon him. In the last two lines, the father decides that he doesn’t want to have children because of all the things he sees in their future, nothing but pain and suffering. His decision is expressed in the way he says “These speculations sour in the sun. I have

Most of the poem is sweet, but also tells them to hurry and enjoy life right now before they run out of time. Also that their bodies are energized now and later on they won’t be able to do what they would do when they were younger. In comparison to “To His Coy Mistress” the author tells them to get married also because they have something that time will sooner, or later take away and that would be sad that they didn’t get to enjoy it just because they wanted to

The overt and easy emotional character of men and women is possibly one of the reasons many find this poem so enduringly human. Whatever our weaknesses and failings as humans men and women both are deeply moved by thoughts of home; memories of old love; lost friends; lost youth; and death. Men weep -- Odysseus prodigiously throughout the poem -- the poem is drenched in tears (squeeze text)-- and laughter too. The emotional overtones here are easy and free -- it's an attractive and I think healthy world in that regard.  there are contemporary understandings of human nature that view the capacity for easy emotional discharge as a key to thinking well, thinking rationally. Our intellectual capacities can be stopped up, occluded by, unfinished emotional work. A good cry, a good laugh, a good scream, is just what the doctor ordered. Retentive individuals, cultures, genders, tend to act differently -- irrationally in some areas.

The tone of the speaker was very sad, cold and lonely for misses his father. Evidence that support that he misses his father can be found in the poem. The second and the third stanza reflects how he feels about the weather and I think he meant the fall season in which he uses a cold tone “the garden is bare now. The ground is cold, brown and old”, he clearly just mentioning the negative sounding around fall. A lonely tone also found in the last few stanzas, when he mentioned that his food is almost cooked “White rice steaming, almost done. Sweet green peas fried in onions. Shrimp braised in sesame oil and garlic. And my own loneliness. What more could I, a young man, want.”. The part where he said, “And my own

In the first few lines of the poem, the reader can already receive a feel of the irony as the poet describes the scene of a maiden left behind as her lover falls in battle. The poet illustrates a scene as to where most readers would feel sorrow and sympathy towards the maiden and perhaps have the speaker in the poem enlighten the

Margaret Atwood’s satirical poem, “There Was Once”, aims to disrupt the generic conventions of a traditional fairy tale. Atwood begins with the traditional opening of a fairy tale by writing, “there once was a poor girl, as beautiful as she was good, who lived with her wicked stepmother in a house in the forest” (Atwood 406). Atwood begins to dissect the aspects of a fairy tale by first calling out the normal backdrop, which is a forest. Then, she points out that the girl in the story was never poor to begin with since she lived in a house. Atwood questions why the protagonist must always be beautiful, pointing out the current problems surrounding women and body image. Atwood also complains about the fact that all of the female leads in fairy tales are white, possibly alluding to Hollywood’s constant whitewashing of films. She attacks the idea that the “evil stepmother” must always be evil and be a female, pointing out that if the stepmother had to be

In the short story, The Old Chevalier by Isak Dinsen, the male protagonist, Baron von Brackel reflects on his past sexual encounters with two women whose personalities are extremely different from one another. In many novels, short stories and comics authors would create two women as “polar opposites” for a man’s sexual and/or possessive gaze, which is evident in the text. In order to understand, why a man may be attracted to different character traits in women, I will examine The Baron’s attraction to Nathalie and The Mistress by looking at how literary works men portray women, what they find attractive and the fulfilment that men seek from a woman.

In this, one could see that the speaker might be talking about death: “And when at Night –“; and how the speaker prefers the comfort of his/her faith over the comforts of the world: “I guard My Master’s Head - / ‘Tis better than the Eider-Duck’s / Deep Pillow – to have shared-” (13-16). The tone of this poem ranges from emptiness, to fullness, to joy, to complete satisfaction, and one can follow this progression through the stanzas. In the beginning, the subject, or character, was flat

Maintenon made numerous attempts to make the king more religious; each attempt achieved varying degrees of success. She wrote to him, “You have promised me, Sire, a sincere and lasting Conversion to God; I rely entirely on your Word. I am encouraged thereby; I blame my Suspicions, my Credulity: But if – the rest is wanting” (Maintenon 139). Maintenon frequently reminded Louis XIV of his religious responsibilities including: “the need for charitable bonnes oeuvres, rigorous spiritual exercises, or at least regular attendance at services, and support for religious houses” (Bryant 139). However, she found little success with her reminders and Louis XIV’s unwillingness to comply frustrated her (Bryant 139). This further reinforces the fact that

In addition, “Lo! ‘ Tis a gala night within the lonesome latter years!” (Stanza 1, lines 1-2) This part of the poem calls the funeral a gala but also mentions the lonesome latter years. This shows that the mood of the story is both happy