Lack Of Trust In Othello

Shakespeare's play, “Othello, the Moor of Venice,” is a powerful example of a tragedy and it’s main character, Othello, is an excellent illustration of what Aristotle constitutes as a tragic hero. The play imitates life through basic human emotions such as jealousy and rage. In addition, Othello is far from being a perfect character - another quality that meets Aristotle's requirements. Othello also matches Aristotle's ideas of tragic hero because our Othello realizes the error of his ways, causing us to feel sympathy for him. If we carefully examine the third scene in the third act, we can see how Othello fits into Aristotle's definition of tragic hero. This passage reveals how much Othello has deteriorated as far as his ability to reason

Othello, a play that was written in 1604 by William Shakespeare, is an example of a type of story called a “tragedy.” Throughout the course of the work, Othello proves himself to be very easily misled, despite his heroic status. This causes him to lose his ability to make good judgments and decisions. Even though Othello had a reputation as a hero, he ends up being one of the most gullible characters in the play when he completely falls into the evil trap that Iago set for him. As the story unfolds Othello’s character evolves in an extremely tragic way as Iago manipulates him and leaves him to rot in his misery. Eventually, this leads to Othello’s suicide.

Shakespeare is universally revered for his characterization of flawed and psychologically unstable protagonists. Hamlet is a crazed, murdering prince, Lear is narcissistic, senile, and a verbally abusive father, and Macbeth is a murderous traitor to his king and country. These unfavorable and evil attributes serve Shakespeare's main characters by presenting them as realistically written men, and there always seems a degree, however small, of sympathy associated with their respective downfalls and tragedies. Othello, however, is an anomaly.

In William Shakespeare's play, Othello, he teaches the audience a valuable lesson and gives insight to how flaws in our character can be used to bring about our downfall. He uses clever characterization methods to teach that a human's inner turmoils and characters flaws can be used against them and lead to their downfall. His use of characters such as Othello, the tragic hero, and Iago, the villain, work together to create the overarching theme and lesson of this piece.

Having high status and being respected really helps the idea of a tragic hero. Othello is a man of high rank in Venice. He is the general of the Venetian army and a well respected man by the towns noble men. People

Amongst all of Shakespeare's tragedies, Macbeth is the most inconsistent and fragmented. Like the mental state of the protagonist, the tragic structure of the play is in disarray from the very onset. According to Aristotle, all tragedies must follow a certain set of characteristics, and the most important of these is the presence of a tragic hero. This tragic hero must possess a tragic flaw, or hamartia, which is a good quality taken to such an extreme that it now exhibits immoral behaviour from the hero. He must also draw sympathy of his plight from the audience. Macbeth, although the protagonist, is not a tragic hero because he does not possess this hamartia. This significant absence of a flaw leads to his actions being without

"Othello is essentially an noble character, flawed by insecurity and a nature that is naive and unsophisticated". Looking at William Shakespeare's Othello The Moor Of Venice, the central character, Othello is revered as the tragic hero. He is a character of high stature that is destroyed by his surroundings, his own actions, and his fate. His destruction is essentially precipitated by his own actions, as well as by the actions of the characters surrounding him. The tragedy of Othello is not a fault of a single villain, but is rather a consequence of a wide range of feelings, judgments and misjudgments, and attempts for personal justification exhibited by all of the participants. Othello is first shown as a hero of war and a man of

In William Shakespeare’s Othello, Othello is the tragic hero. He is a character of high stature who is destroyed by his surroundings, his own actions, and his fate. His destruction is essentially precipitated by his own actions, as well as by the actions of the characters surrounding him. The tragedy of Othello is not a fault of a single villain, but is rather a consequence of a wide range of feelings, judgments and misjudgments, and attempts for personal justification exhibited by the characters. Othello is first shown as a hero of war and a man of great pride and courage. As the play continues, his character begins to deteriorate and become less noble. Chronologically through the play, Othello’s character

You act like it’s you against the world, but it’s really just you against yourself (Thingswesay). In the play Othello by William Shakespeare, Iago showcases various insecurities produced by personal and sexual issues that upbring his duplicitous character. These insecurities play a key role in the development of the play and the making of Othello's catastrophe. Iago is an unreliable man that is spurred by his own particular insecurities.

The extent of which Othello is a tragic hero has been open to much debate; the basis on which he is judged falls to Aristotle’s established view of the crucial elements that distinguish whether a person is truly tragic. According to Aristotle, a tragic protagonist is a nobleman or person from high status, who contributes to his own demise and illustrates a flaw or weakness in judgment. The tragic protagonist must make a fall from a high state of being to a low state or death. The tragic hero’s downfall, said Aristotle, was brought upon by some error of judgement. Aristotle’s theory is not the final word on tragedy, however it can support in pinpointing the pivotal traits in

The relationship of the characters in Othello are shaped by the theme of truth and lies. Othello has trouble believing in his relationship with Desdemona because he considers too many outside opinions. Iago is the center of creating manipulations to alter the truth of the actual information. Therefore, Othello questions his fidelity with Desdemona because Iago plants different information to manipulate Othello’s mind and ultimately disrupt his relationship. According to Samuel Taylor Coleridge, “Othello wishes to excuse himself—to excuse himself by accusing” (151). Othello has others easily influence his decisions, in which he is incapable of trusting himself. Needless to say, Othello finds it easier to accuse Desdemona of her wrongdoings and for being unfaithful; he does not question Iago’s creditability. In addition, the theme of truth and lies arise from Othello’s inability to understand himself, so Othello initially has Iago dictate. For that reason, Iago is able to tell Othello anything, knowing that Othello does not question him. However, Othello does not see that Iago manipulates him, and Iago’s lies are perceived as the truth, as it contradicts what Desdemona says.

Unlike the other Shakespeare tragedies, which follow the common ideas for Shakespearean tragedy, ‘Othello’ includes some of the ideas from classical tragedies. Some of these include the downfall from high position – Othello goes from being the general, to being convicted of being a murderer. Innocent characters also suffer, like Desdemona. Othello accused her of being unfaithful, when she never was. He ends up killing her out of jealousy; when she does not deserve it.

In Shakespeare?s play Othello, Othello himself is the tragic hero. He is an individual of high stature who is destroyed by his surroundings, his own actions, and his fate. His destruction is essentially precipitated by his own actions, as well as by the actions of the characters surrounding him. The tragedy of Othello is not a fault of a single person, but is rather the consequence of a wide range of feelings, judgments, misjudgments, and attempts for personal justification revealed by the characters.

In the beginning of the play, Shakespeare illustrates Othello as a benevolent military noble who shares an intellectual love with his young wife, Desdemona, that is of utmost purity and innocence. At once the evil character of Iago is introduced and uncovers the hero's tragic flaw; ultimately that of naiveté. Although Othello is usually a very even-tempered man, as can be seen when he refuses to let Iago persuade him to get angry at Roderigo, (I, ii, 6), an exteriour opposing force characterized by Iago, perpetuates the tragedy of the play by provoking the interiour opposing force, or the hamartia of the protagonist. Near the beginning of the play, Shakespeare's clever demonstration of dramatic irony allows the reader to realize Othello's tragic flaw in the fact that he hands his full trust over to a man who is "Janus-faced" and dishonest. "...my ancient; a man he is of honesty and trust. To this conveyance I assign my wife". The irony from this line lies in Othello's misconception of his ensign, Iago, who is already plotting against him for his own means. After witnessing Iago's conspiracy with Roderigo at the ruination of Othello in the previous act, the reader immediately sees Iago's villainess, however in innocence, Othello is blinded to it and by it. From this we see, as in many tragedies, the tragic hero's flaw is not actually a defect in itself, but rather an excess of a virtue. In the case of Othello, this perilous virtue

I chose this song because I think it represents the conversation between Desdemona and Othello when Othello insinuates to her that she is cheating on him. The line in the song, “Did we really come this far just to watch it go down the drain” reminds me of the play because Desdemona gave up everything to be with Othello; she had to give up her relationship with her father, her money and her reputation. She did this because she felt Othello was worth it. In Act 4, Scene 2 Othello finally confronts Desdemona about his suspicions however before he really asked her, he insinuates it by dropping hints that of course she wouldn’t understand. After this she says innocently, “I hope my noble lord esteems me honest” which makes us understand that she has no clue what is going on at the moment. This song is as if she was talking to him. She says we need to trust each other. Othello knows Desdemona and should know that she would never cheat on him. This song is fitting for this scene because it is slow and