Lady Antebellum Analysis

The rise of Soul music was a product of the particular environment of that time in which the musicians who created it lived, a period much paralleled with the Civil Rights Movement (CRM) and Black Power Movement (BPM) (Maultsby, 1983, 54). The objective of this research was to examine any existence of political and social messages delivered in Soul music around the civil rights movement era in America, which would lead to a better understanding of the role of Soul music having served in the process of political and social changes in the country.

African American influence in music has been an ever present and controversial subject in American history. Stemming from many different cultures, religions and backgrounds, large portions of American music was introduced by, and credited to African Americans. Although in many cases, this music was used for entertainment by the masses or majority, contrary to popular belief, black music served a greater purpose than just recreation. Dating all the way back to the beginning of slavery in the U.S. during the 17th century, music has been used to make a statement and send a message. As African American music progressed over the years, there were common themes expressed as the genres evolved. It has been an open letter to the world, documenting and protesting the ongoing oppression faced by blacks in the United States, as well as an outlet for frustration. For many African Americans, the music gave them the only voice that couldn’t be silenced by their oppressors.

Country music has proven as a powerful medium to express the views of the contemporary culture. As a result, the lyrical value of such songs provides listeners an insight to the changing climate of social and political ideologies. During the 1960’s defined gender roles dictated social lifestyles and were mimicked in music. In recent years, a resurgence of idealistic, stereotypical gender-specific roles have cropped up in country songs, creating a subgenre labelled “bro-country.” Jody Rosen of the New York Times first coined the term “bro-country” in order to describe songs that use lyrical tools glorifying prevailing, hegemonic gender roles present in culture. Songs such as Tim McGraw’s “How I’ll Always Be,” Luke Bryan’s “Huntin’, Fishin’, Lovin’, Every Day,” Sam Hunt’s “Make you Miss Me,” and Dierks Bently’s “Different for Girls” use the lyrical discourse, under the lens of “bro-country”, to highlight dominant, male gender-specific roles, while simultaneously reinforcing prominent, often negative, views of women.

Popular music is often one of the best lenses we have through which to view our own cultural orientation. Many of the artistic and experimental shifts in popular music have mirrored changes in our own society. For instance, the emergence of Elvis Presley as a public figure would signal the start of a sexual revolution and the growth in visibility of a rebellious youth culture. Similarly, the folk and psychedelic music of the 1960s was closely entangled with the Civil Rights, anti-war and social protest movements. In this regard, we can view popular music as an artifact through which to better understand the time and place in which it is produced. In light of this, the state of popular music today may suggest troubling things about our society.

This song represents the racism throughout the novel and the social hierarchy. In Harper Lee’s “To Kill A Mockingbird” a major subject discussed during the novel is racism, and in the song above the same subject is being discussed. In the song it talks about how white people have a privilege over black people, one of the examples used in the song is; “Hip hop started off in a block that I’ve never been to, to counteract a struggle I’ve never even been through.” This is saying white rappers didn’t start off where black rappers did and at they have not had to go through the same struggles at the beginning. Comparing this to the novel when Tom Robinson is on trial, all of the evidence proves he is innocent and that he has done nothing but go

The roots of modern american rock and roll music, are firmly planted in Africa. As the native Africans were torn apart from their family’s and brought to the new world their lives were immediately and drastically changed forever. Finding themselves immersed in a completely new environment with a foreign culture, they thankfully persevered and carried on with their own traditions and most importantly to this paper, musical ones. Most American slaves originated from Western and Central Africa. The West Africans carried a musical tradition rich with long melody lines, complicated rhythms (poly rhythmics) and stringed instruments CITATION. The West Africans music was also strongly integrated into their everyday lives. Songs were preformed for religious ceremonies and dances and music was often a

American Music is a melting pot of different cultures, emotions, experiences, and therefore genres. It is incredible to see how as music evolves and changes with the time, so does The United States. We are a mixed bag as a country, accepting all different cultures and backgrounds. This has led to many breakthroughs and innovations in music throughout history. We are all influenced by our experiences in life and this is no different in the evolution of music in American History. The Blues was created from African American Slave songs, with lyrics that narrate the hardships of the human experience at the time. These rhythms and forms carried over and eventually created what is now Rock and Roll. Over the next five weeks, we will explore and discover five key genres and artists who are known to specialize in that genre as a way to reconnect with our history and explore the possibilities for innovation in music in the future.

On the eve of November 23rd 2015, I interviewed my grandfather, Benny Reno Emerson, on the influence of music in his life. During the interview we talked about how long music has been a part of his life and how it has shaped who he is today. We also touched on three songs that meant the most to him. The three songs that he claimed to be the most significant to him were “K.T.”, “Kill the Pain”, and “I’m a girl watcher”; all songs that he has performed live, at stages across the Midwest, including the well know Wisconsin summer musical festival Summer Fest.

Grammy Awards had been the most coveted firm when it comes to rewarding who’s hot and who’s about to set a trend in the world of music. Every year, people from all over the planet and artists who have put forth their substantial contributions to keep the industry’s momentum flowing look forward to knowing who would come victorious after months of throwing in the best that they got on the plate. We have seen artists who have won a Grammy Award and is missing on the mainstream charts while the supernova on the industry continue to reap more and more Gramophones as they move along their career. For the 59th annual Grammy Awards, the mish-mash of potential artists and acts to grab a nomination are well-analyzed and predicted, and much as we don’t want to other favorite stars to lose, only those deserving would come across as triumphant.

In the past, Country Music did have its downfalls when it came to aging. In the article ‘Images of Aging in the Lyrics of American Country Music’ written by Ronald H. Aday, he divided Country Music in seven categories; Physical Attributes, Mobility, Mental Health, Reminiscence, Loneliness, Quality of Relationships and Mortality. While looking in the Physical Attributes to a song, he was observing the negative lyrics when it came to aging, and using his example, he took a lyric from the 1955 song entitled ‘These Hand’ sung by Len Dresslar:

How did you write this good book that really relates to my aunt Dixie? Chris is this nice man and he played for Luther football in Decorah. He was running down the field and Bam he was down just like that. That one play in Luther football ruined his life and is so sad. It also related so much and has changed me in so many ways. It changed the way I think about my aunt Dixie and how I feel about her. I know that Chris’s and Dixie’s parents feel the same way and are sad.

Steven Carbucia December 2, 2015 Period 4 To Kill a Mockingbird Soundtrack Songs for TKAM: Title of Book Song - "Songs of Innocence and Experience" - William Blake The title To Kill a Mockingbird basically means to destroy innocence.

Many say that music has evolved over the years. This essay shall explore the elements of two versions of one song. It shall discuss the correlations and disparities of these songs and confer how it has been revolutionised to entertain the audiences of today.

Do you ever wonder what is the meaning behind what you so proudly sing whenever you hear it? Music is an art form of culture which organizes sound with times It first came around in prehistoric times, however, as times passes, music is drastically changing. As a result, in the last decades music has experienced drastic changes in the themes they are talking about. These changes are due to the generations and what they are living, political and social actions of the time. For example, the decade of the 80s was the rise of hip-hop and rap music from a local phenomenon to a worldwide known genre of music. Previously, a crack cocaine epidemic had stroke major cities in the USA and it coincided with the rise of hip-hop in black communities as these

This song written and originally released artist Otis Redding in 1965. It wasn’t until 1967 that this song became a hit when R&B Aretha Franklin sang it. The song itself has the perfect features of a pop song and more importantly is was a song that was perfect for a political movement theme. One of the most important messages that is being delivered is that a black and strong woman was seeking respect: “All I'm askin' Is for a little respect when you get home (just a little bit)”. Additionally, Aretha Franklin was showing her power towards men: “What you want, Baby, I got it”.