Lady Lazarus by Sylvia Plath - Poetry Analysis

Saying Sylvia Plath was a troubled woman would be an understatement. She was a dark poet, who attempted suicide many times, was hospitalized in a mental institution, was divorced with two children, and wrote confessional poems about fetuses, reflection, duality, and a female perspective on life. Putting her head in an oven and suffocating was probably the happiest moment in her life, considering she had wanted to die since her early twenties. However, one thing that was somewhat consistent throughout her depressing poetry would be the theme of the female perspective. The poems selected for analysis and comparison are, ”A Life”(1960),”You’re”(1960), “Mirror” (1961), “The Courage of Shutting-Up” (1962) and

America stands as the most prominent nation of liberty and freedom for all, yet some people still feel the reins of America’s oppressive past. Those include young African Americans and women, who feel that society places unequal expectations on them, simply based on their gender or race. Two young, American writers, Sylvia Plath and Langston Hughes especially feel this way through their works, Sylvia Plath at Seventeen and Theme for English B. Plath and Hughes employ tone, tone shift, and parallelism throughout their works to convey their message that young adults must stand up to demoralizing social expectations.

Poets, Judith Wright, Sylvia Plath and Emily Dickenson all express their views on life and death, however, do so in varying manners. Through imagery, Wright and Plath both consider life’s beginnings, however, Wright considers it to be a beautiful gift, whereas Plath views birth as an empty burden. Subsequently, through structure Dickenson and Wright each acknowledge life, expressing how in some cases it is difficult, yet in other circumstances it is celebrated. Finally, through tone, Dickenson and Plath convey their views on death, yet differ in that Plath believes it is purifying and holds a sick fascination with it, while Dickenson instead holds a unique curiosity about it. Therefore, whilst each poet recognises the journey of birth,

Sylvia Plath was a troubled writer to say the least, not only did she endure the loss of her father a young age but she later on “attempted suicide at her home and was hospitalized, where she underwent psychiatric treatment” for her depression (Dunn). Writing primarily as a poet, she only ever wrote a single novel, The Bell Jar. This fictional autobiography “[chronicles] the circumstances of her mental collapse and subsequent suicide attempt” but from the viewpoint of the fictional protagonist, Esther Greenwood, who suffers the same loss and challenges as Plath (Allen 890). Due to the novel’s strong resemblance to Plath’s own history it was published under the pseudonym “Victoria Lucas”. In The Bell Jar, Sylvia Plath expresses the

In 1963 on a cold winter day of February 11th, Sylvia Plath ended her life. She had plugged up her kitchen, sealing up the cracks in doors and windows before she was found with her head inside of her gas oven inhaling the dangerous fumes. She was only thirty years old, a young woman with two small children and an estranged ex-husband. A tragic detail of her life is that this is the second time she had tried to commit suicide. Plagued with mental illness her whole life, which is evident within her poetry. She would write gripping, honest portrayals of mental illnesses. Especially within Ariel, the last poetry book she wrote, right before she took her life. Although it’s hard to find a proper diagnosis for Sylvia Plath, it is almost definite that she at least had clinical depression with her numerous suicide attempts and stays in mental hospitals undergoing electroshock therapy. Sylvia Plath is now famously known for her writing and the more tragic parts of her life. Such as the separation from her husband, Ted Hughes, mental illness, etc… Plath may not have intended for her life and art to become inspiration to many people but that has become the end result. Sylvia Plath writing shows symptoms of her suicidal thoughts. To study specific moments in Sylvia Plath’s life, it can be connected to certain writing’s of her’s, such as “Daddy”, The Bell Jar, and “Lady Lazarus”.

In her poem, “Lady Lazarus,” Sylvia Plath uses dark imagery, disturbing diction, and allusions to shameful historical happenings to create a unique and morbid tone that reflects the necessity of life and death. Although the imagery and diction and allusions are all dark and dreary, it seems that the speaker’s attitude towards death is positive. The speaker longs for death, and despises the fact the she is continually raised up out of it.

Sylvia Plath was an American Poet who was renowned for poetry mostly in the United States. She, however lived a difficult and depressing life which led to a few futile suicide attempts, but ultimately led to a successful suicide attempt leaving her children to live on without a mother. This end result was due to a multitude of issues in her life from Sylvia’s sanity. She wasn’t the most stable child. Her marriage also played a role in her suicide. Her successes weren’t acclaimed until after her death, when a majority of her work was released. There were two major aspects to her life: her poetry and her sanity. These three combined make up a majority of Sylvia’s life.

Two themes the poem has is death and time. The poem displays the theme of time, because it starts out telling the story of a man who is from, and raises his children in, a noble and rich family. As his children get older, 2 of them died, and the others, to quote the poem “all were gone, or broken-winged or devoured by life”. He had lost, essentially all of his children, and as we find out his wife. The poem shows how he went from a great man with a happy family, to a lost man who is all alone. The next theme the poem shows is death. Death is all throughout the poem. It starts with a man living a good life, but as it goes on his first child leaves, his next 2 children die, and the next 3 become incredibly unsocial and that’s not even it! Near the end his wife, the mother of all 6 children, dies. “I sat under my cedar tree, till ninety years were tolled.” The poem ends with the man dying, after everything he had lost; he died in his favorite place to be, under his cedar tree.

As we develop from children to adults, our perception of our parents can change drastically. The theme of the loss of innocence is portrayed in both poems, through the relationship with a father. Sylvia Plath’s poem ‘Daddy’ is an extremely personal confession about realising her father was not the role model she had believed when she was young. The poem mentions that her father “died before I had time” and she “was ten when they buried you. At twenty I tried to die and get back, back, back to you”. The tone of the entire poem is bitter and sharp as Plath pours all her internalized feelings towards her father into the poem. Gwen Harwood explores the same theme of losing childhood innocence, but in a distinctly different way. The poem tells a story of a small child, who is determined to lose their innocence and is instead “a horny fiend”, sneaking out with their father’s gun. Harwood’s poetry sheds light on the idea of wisdom and growth and the desire children feel to be considered mature. Plath ends her poem in a defiant tone, claiming “Daddy, daddy, you bastard, I’m through”, indicating she is done with thinking about or mourning him and has reached a point where she can move on from the grief he has caused her. On the other hand, Harwood’s poem ends grimly, after the child’s father tells them to “End what you have begun” and the child kills the owl, before “I leaned my head upon my father’s arm, and wept, owl blind in

Metaphors Analysis in Sylvia Plath's Poem In Sylvia Plath’s poem, Metaphors, she uses striking imagery to explore her ambivalent attitudes about pregnancy. For example, she uses a negative metaphor saying she is an elephant, meaning she thinks that she has become very fat since she got pregnant. On the other hand, she uses a positive metaphor saying the baby is precious, meaning although pregnancy has its down sides it has got a few good sides like the baby.

To illustrate, anaphora, which is the repetition of a word or phrase, is identified through the repeated use of “do not go gentle into that good night” (1,6,12,18). Similarly, Thomas also repeats the phrase “Rage, rage against the dying of the light” to create the same effect (3,9,15,19). Given that the poem is a villanelle, by definition, it follows a pattern in which the first and third lines are alternated at the end of the stanzas and both repeated at the end of the last stanza. By way of repetition, Thomas seems to be emphasizing the message the lines express, which is to not die peacefully but to fight against death, showing an unwillingness to give up. The repetition and strict structure by which the poem follows also helps the poem flow and sound pleasing to the ears (euphony). Furthermore, Thomas repeats this message, but with each stanza he applies it to a new subject: “wise men…good men…wild men…grave men…my father” (4,7,10,13,16). Interestingly, by changing the subject, Thomas gives the impression that the message is meant for all people, no matter what they are dealing with or who they may be. In addition, Thomas uses exact rhyme to help with flow and unity between the stanzas. For example, the two repeated phrases rhyme with “night” and “light,” while the middle lines of the tercets rhyme with “day” and “they” (1-3,5-6,9,12,15,18-19). By staying true to the strict villanelle form, the five three lined stanzas follow an

Sylvia’s Plath’s “Metaphors” is about a woman feeling insignificant during the midst of her pregnancy. Striking imagery is used to explore the narrator’s attitudes about having a child. Plath uses metaphors in every line, including the title itself, making the poem a collection of clues. The reader is teasingly challenged to figure out these clues, realising that the metaphors have

How Sylvia Plath's Life is Reflected in the Poems Daddy, Morning Song, and Lady Lazarus

Borrowing from German mythology, the poem “Lorelei” begins to exhibit Plath’s fascination with death (Aird 23). Water imagery, rooted in her childhood on the Atlantic ocean, plays a tremendous role in Plath’s poetry. The last years with her father still alive were spent near water (Steve nson, 9-10). The river in the poem symbolizes both the childhood she wishes to recapture and an escape from the life she now leads. The sirens rise up from the bottom of the river, “their limbs ponderous / With richness, hair heavier / Than sculpted marble” (Plath C. 22). They sing hypnotically, making silver promises of a

The poem Lady Lazarus by the late Sylvia Plath uses several different literary devices. However, one stands out more than the rest: Enjambment. The poem has an abundance of uses of enjambment; in fact, a majority of the stanzas in the poem include the device.