Lady Macbeth Guilty Analysis

Throughout the play "Macbeth", by William Shakespeare, Lady Macbeth's character drastically changes from being sinister to feeble. Lady Macbeth was an evil, manipulative person whose greed and selfishness were eventually the downfall of her character and well being. During the beginning of "Macbeth", she used her twisted mind to convince her husband to murder, making him believe that it was the only way he could get what he wanted. But as the play developed and the murders started to increase, Lady Macbeth started to question whether or not they were necessary. Sadly, though possibly justifiably, she ended up committing suicide after her constant questioning of the murders drove her to insanity. Lady Macbeth was an unemotional person who only cared about what she could gain. She made her disconcern about other people well known when she said, "How tender 'tis to love the babe that milks me I would, while it was smiling in my face Have plucked my nipple from his boneless gums And dashed the brains out, had I so sworn as you Have done to this." (Act I, Scene VII, Lines 55-60). Lady Macbeth refers that she would have no problem taking the life of her son, if it meant getting what she wanted. The fact that she would even fathom the idea of killing her own child makes her morose and appalling. If only she knew that it would be her who would be taken out of this world so cruelly. Being able to manipulate her husband's mind and the minds of others was another one of Lady Macbeth's baneful traits. After Macbeth killed King Duncan, still reeling from the crime he had committed, he met up with his wife. Once again, she used her manipulative ways to make him think that she felt just as bad as he did. She said, "My hands are of your color, but I shame To wear a heart so white." (Act II, Scene II, Lines 63-64). Lady Macbeth appeared to her husband as if she felt just as guilty about the act of violence as he did, knowing that in reality she didn't care at all. Telling Macbeth that her hands were as bloody as his own was to try to give him comfort that he was not alone in his schemes. But Lady Macbeth had other ideas in mind. She couldn't care less about her husband's thoughts or worries. All she could think about was

   Shakespeare's "Macbeth" holds many hidden themes within its already exuberant plot.  The first of these surrounds the murder of Duncan and the role that both Lady Macbeth and Macbeth himself played.  However, the true guilt of the murder can fall on either character.  Although Macbeth physically committed the crime, it was Lady Macbeth that pushed him to his limits of rational thought and essentially made fun of him to lower his esteem.  With Macbeth's defenses down, it was an easy task for Lady Macbeth to influence Duncan's murder and make up an excuse as to why she could not do it herself.  The guilt of Duncan's murder can be placed firmly on the head on Lady Macbeth.

Ambition is what motivates people to achieve a certain thing in their life. However, many fail if their ambition is too big and unreasonable. This is definitely the case for Macbeth in the William Shakespeare's play Macbeth. Macbeth's ambitious causes him to disregard his loyalty to Duncan. Moreover, Macbeths desires lead him to be immoral, going to extremes in order to achieve success. Ultimately, Macbeths deep aspirations for power demonstrates being over ambitious will end in disaster. Therefore, in the play Macbeth, Macbeths ambition leads him to corrupt his morality, resulting in his downfall

Macbeth, written by william shakespeare displays a diverse range of themes and topics throughout the play. These themes are represented through a wide range of characters throughout the dramatic text. One that is strongly underlined throughout the whole play is the theme of the connection between ambition and manipulation and one of the main characters; Lady Macbeth. Throughout the sequences of the play, lady macbeth is depicted as a head-strong ambitious woman who challenges her husband's masculinity in order for him to commit actions in order to gain power.

Macbeth is confused as he is arguing with himself on what he should do. He states reasons not to kill Duncan, because Macbeth is his noble kinsmen and the act would bring dishonor. However, he also states reason why he should kill him, because Macbeth will then become king and fulfill the witches ' fortune. Lady Macbeth, who appears in the beginning as the driving force for the murder of King Duncan, also develops internal conflict. At first, Lady Macbeth seems to be a woman of extreme confidence and will. But, as situations become more and more unstable in the play, guilt develops inside her. For instance, she exclaims; "Wash your hands. Put on your nightgown. / Look not so pale. I tell you again, Banquo 's / Burried; he cannot come out on 's grave" (Shakespeare V, ii, 65-67). Lady Macbeth sleepwalks and frets about her evil wrongdoings because she is extremely guilty of her influence on Macbeth to commit the murder. Lady Macbeth reacts emotionally and dwells on her actions as guilt eats at her soul.

Guilt is a very strong and uncomfortable feeling that often results from one’s own actions. This strong emotion is one of the theme ideas in William Shakespeare, “Macbeth”. Both Macbeth and Lady Macbeth feel guilt, but they react in different ways. Guilt hardens Macbeth, but cause Lady Macbeth to commit suicide. As Macbeth shrives to success guilt overcome’s Macbeth where he can no longer think straight. Initially Macbeth planned was to kill Duncan but it wasn’t enough he also had to kill Banquo and Macduff’s family. On the other hand Lady Macbeth had to call upon the weird sister to unsexed her so she had no true feeling towards anything as if she was a man. However, the true guilt of the murder

You can control guilt or guilt will drive you into madness. In the novel, Macbeth, guilt has taken over two of the main characters, Macbeth and Lady Macbeth, but each one responds to it in a different way. Their similarities and differences are quite obvious and both are driven to their actions by this feeling. It will eventually cause both of them a breakdown, affecting their behaviors and resulting them into going through a psychological incapacity.

When one wants something bad enough, the lines between right and wrong tend to blur. In William Shakespeare’s “Macbeth,” the relationship between ambition and corruption is explored. Firstly, Macbeth’s inability to control his urges to know his fate leads him to listen to The Weird Sister’s prophecies, which eventually causes his unhealthy desire for power. Next, Lady Macbeth’s strong ambition to kill the King leads to a corruption of her mental state and behavioural standards. Lastly, Macbeth’s aspiration to rule Scotland leads to a harmful greed for power and the betrayal of his morals. In summary, one’s demonstration of an overly ambitious nature can lead to corruption and an excessive desire for power.

When Macbeth first learns of his prophecy of becoming King of Scotland, he sends a letter to Lady Macbeth, who immediately thinks of the quickest way to get Macbeth onto the throne. She calls on the dark spirits to help her plan the murder of King Duncan and hopes that the darkness can be in her. She wishes so that she may be able to commit the murder with her husband and be free of the guilt afterwards. Lady Macbeth never doubts these murderous thoughts, showing that she is ambitious and power-hungry. She is also characterized as clever when she persuades Macbeth into committing the murder when he is unsure of doing the deed. Her strong-willed mind is also shown when she takes the daggers from Macbeth, who is too shaken up by what he had done, and she puts them back in Duncan’s chambers. After the murder, Lady Macbeth seems the least guilty of the two, and she can feel as if nothing has happened. Her character starts to change, however, when she feels unhappy in her position as queen. She starts to feel the regrets of killing King Duncan, and she begins to doubt herself. Lady Macbeth soon feels so guilty that she sleepwalks, talking in her sleep about her and her husband’s horrible deeds. This takes away from her powerful characterization in the beginning. Lady Macbeth goes from being a ruthless, dark woman to a guilt-burdened sleepwalker with little

When Shakespeare first presents Lady Macbeth in the play, we believe that she was an ambitious woman who was driven to get power at all costs. We are irresolute however as to whether she is part of a chain of events in the evilness going around the source. The first words we from her mouth are her husband’s word, which he wrote on his letter, showing us that she was the agent of his thoughts. Women in that period of time, were running a household, producing heirs for their husband and taking care of them, this is not the case for Lady Macbeth as she involves herself in social affairs. Her drive for power is what makes them so successful in their deceitful plans. The play shows us that there is a unique chemistry between two individuals which rare in that period as marriage was usually arranged. She is essentially what keeps the force going as she guides Macbeth and teaches is him how to be manipulative. Even though the crime that they had committed was treason she was simply past the point of caring as she believed she had nothing to lose as she was childless and she had no emotional fulfilment as a woman. She is superfluous and nothing less than reigning alongside Macbeth can feel this hole.

Some actresses see Lady Macbeth as sympathetic to her husband like Sarah Siddons and Kate Fleetwood, feeling sympathy for Macbeth is a decision both actresses made for Lady Macbeth to be relatable and more human, Siddons who portrayed her in the mid-1800s said that she approached her as, “keen to present the character in as attractive a light as possible, so sexually appealing – fair feminine, nay perhaps even fragile” (Sarah Siddons qtd. In Robert Miola, 94). Siddons saw the character of Macbeth as honorable and to have him as a husband only proves Lady Macbeth is very taken with him, having put all of her efforts into seducing such an honorable man. Kate Fleetwood’s own interpretation of Lady Macbeth was very domestic, the societal hostess. In an interview in 2011, Fleetwood who was directed by her husband Rupert Goold in the 2007 version of the play said that, “When Rupert suggested to me about the domestic side of her, that started to ring really big bells for me” (Fleetwood qtd. In Miola, 135). The argument about how Lady Macbeth truly loves her husband and tried to summons the spirits is because she knows that Macbeth is very ambitious, and she needs all the strength she can have to convince him to act out the three witches’ prophecy. This arguement and its solution is very valid, Lady Macbeth only acting out for the benefit of her husband, she wants her husband to be the king of Scotland but it does not mean she wants to queen herself. In an interview, Fleetwood also

Lady Macbeth’s character In the beginning of play Act 5 Lady Macbeth is feeling guilty, fearful and confused because she’s feeling so alone and empty because of all the awful, terrible things that she has done in the past. Lady Macbeth is feeling guilty because she is acting and talks with the doctor about the rubbing of her hands and trying to take away this “damned spot” (5.1.37) on her hands referring to the blood that she observes while she sleepwalks. This is action is clearly expressed as her showing guilt in what actions she is taking.

The sleepwalking scene is Lady Macbeth’s clear recognition of guilt. For example, she acknowledges the fact the dirt was literally on her hands when she speaks, “What, will these hands ne'er be clean?—No more o' that, my lord, no more o' that. You mar all with this starting.” (5.1.30-31) Lady Macbeth also recognizes that the crimes she had committed still lingers when she also expresses, “Here’s the smell of the blood still. All the perfumes of Arabia will not sweeten this little hand. Oh, oh, oh!” (5.1.35-36).In The Hysteria of Lady Macbeth, Isador H. Coriat M.D. describes, “in the sleeping or somnambulistic state, the repression gives way to free expression and her innate cowardice becomes dominant. In her waking condition, she shows no fear of blood, but shrinks from it when in a state of somnambulism” (Coriat 75). The sleepwalking scene allows the audience to see that Lady Macbeth is aware of the grave crimes she has committed that were suppressed in her conscious state. Lady Macbeth reveals that she believes that she is guilty herself. She is accordingly guilty of murder just as Macbeth

Manipulation, greed, narcissism, desire, impulsivity, paranoia, lack of empathy. These are the words often used to describe a sociopath. Sociopaths use these traits to fulfill desires and gain power. They do not retain or possess empathy for anything, and although it may seem like they care, the relationship is superficial and often toxic. In Macbeth, the relationship between Lady Macbeth and her husband is not only damaging but is also toxic to those around them. While Macbeth may exhibit sociopathic tendencies, the true sociopath is Lady Macbeth. In Shakespeare’s Macbeth, Lady Macbeth shows how her sociopathic behavior shaped the story through her use of manipulation used to coerce Macbeth, the impulsivity of these actions, and the paranoia that follows them.

In perhaps the most pivotal scene in William Shakespeare’s Macbeth, Lady Macbeth’s motives are truly revealed in her manipulation of Macbeth to show how humans have a desire for power and once they get a taste of it, they will go through any lengths to have it, no matter the effect on others. Her lust for power is showcased through how she persuades Macbeth by insulting his masculinity and using emotive language to counter his logical reasoning. This section of the play illustrates the tipping point of each character’s morality with Macbeth having second thoughts about the planned murder and Lady Macbeth diving straight in.