Lady Macbeth Murder Analysis

Macbeth, written by william shakespeare displays a diverse range of themes and topics throughout the play. These themes are represented through a wide range of characters throughout the dramatic text. One that is strongly underlined throughout the whole play is the theme of the connection between ambition and manipulation and one of the main characters; Lady Macbeth. Throughout the sequences of the play, lady macbeth is depicted as a head-strong ambitious woman who challenges her husband's masculinity in order for him to commit actions in order to gain power.

Lady Macbeth’s strength of will persists through the murder of King Duncan as it is she who tries to calm Macbeth after committing the crime by declaring confidently that, “a little water clears us of this deed,” (2.2.67). Afterward, however, Lady Macbeth’s strong and ambitious character begins to deteriorate into madness. Her first sign of weakness occurred when she confessed that she could not have killed the king, revealing a natural woman’s feelings, “had he not resembled my father as he slept, I had done’t” (2.2.13-14). Just as ambition has affected her before more so then Macbeth before the crime, the guilt plagues her now more effectively afterward as she desperately tried to wash away the invisible blood from her sin, “Here’s the smell of the blood still: all the perfume of Arabia will not sweeten this little hand,” (5.1.48-49). Lady Macbeth’s

    There is much speculation as to who the third murderer is who assisted in the slaying of Banquo. Macbeth, Lady Macbeth, and one of the Weird sisters are a few of the best candidates as to filling this role. Each of these three main characters has their own motive as to why they would want to join in on the assassination. Out of these three possibilities of filling this third murderer's role, all have reasons as to why they could or could not fill the position.

Macbeth is in fact more than a just a dagger in Lady Macbeths hand. In the beginning, Lady Macbeth does influence and plant the idea of murder into Macbeth’s head. She taunts him and plays on his manhood which forces him to commit the evil crime of murder to achieve his ambition to be king. However, as time progresses, Lady Macbeth begins to feel ashamed of the crime she had helped commit and Macbeth continues to commit the crimes by himself without shame and without telling his wife, Lady Macbeth. Though Lady Macbeth may have planted the idea of murder into Macbeth’s head, Lady Macbeth has intended to do no more harm and murder than what Macbeth had turned out to commit. In saying this, it was actually Macbeth who had set out his own plans of murder in the end and Lady Macbeth had nothing

After the murder of Duncan, he delivers the bloody daggers to Lady Macbeth which in a way surprises her, and she ends up leaving them next to the guards, which makes it look like they were responsible for the murder of the loyal king Duncan. Throughout the play, Lady Macbeth begins going crazy, constantly crying about the “blood” on her hands that will not come off. The blood symbolizes the guilt that she is encountering because she cannot clean her soul of what she has done, and even the doctor doesn't understand what is going on with her, they just think she is crazy. A few acts later it gets to the point where she eventually commits suicide, just because she was unable to deal with the guilt. (The Theme of Guilt). Several quotes throughout this play can help relate to the destruction that guilt causes. “Out, damned spot! Out, I say! – One: two: why, then, 'tis time to do't, – Hell is murky! – Fie, my lord, fie! A soldier, and afeard? What need we fear who knows it, when none can call our power to account? – Yet who would have thought the old man to have had so much blood in him?” (Macbeth, act 5 scene 1). This quote is showing Lady Macbeth being entrapped by the guilt of the murder, which causes her to sleep walk and talk about it in a sort of dull way every night. “But screw your courage to the sticking place, And we'll not fail.” (Lady Macbeth, act 1 scene 7). Another quote by Lady Macbeth when she wanted Macbeth to continue on

The motif of blood changes the relationship between Macbeth and Lady Macbeth because it shows Macbeth’s cowardice and Lady Macbeth’s courageousness. Macbeth is a coward during the murder of King Duncan because he is obsessed and petrified with the blood on his hands. Macbeth looks at his bloody hands, “This is a sorry sight” (Shakespeare 2.2.28). Macbeth is so shocked about the murder, he just stands in place and fixates on the blood on his hands. Macbeth is extremely ashamed of what he has done, and the blood on his hands symbolizes his guilt and remorse for the murder. The relationship between Macbeth and Lady Macbeth is different now, because now Macbeth is portrayed as guilty and sorrowful instead of brave, to his

In the play Macbeth, the character Lady Macbeth has changed throughout Act I and Act V tremendously. Her attitude has changed heavily from her being cold-hearted and harsh in the beginning, to being dominated by guilt. Lady Macbeth’s transformation reveals the darkness of human nature and eventually dark ambition leads to Macbeth murdering Duncan to be king. This play critiques or upholds prescribed gender roles because when Lady Macbeth is pushing Macbeth to murder Duncan, she feels as if she has to take on manly characteristics. Also, Lady Macbeth seems to rule Macbeth and control his actions, and this makes Lady Macbeth seem like she plays the dominant role in their relationship. In Macbeth, Lady Macbeth changes greatly throughout Act I

Some actresses see Lady Macbeth as sympathetic to her husband like Sarah Siddons and Kate Fleetwood, feeling sympathy for Macbeth is a decision both actresses made for Lady Macbeth to be relatable and more human, Siddons who portrayed her in the mid-1800s said that she approached her as, “keen to present the character in as attractive a light as possible, so sexually appealing – fair feminine, nay perhaps even fragile” (Sarah Siddons qtd. In Robert Miola, 94). Siddons saw the character of Macbeth as honorable and to have him as a husband only proves Lady Macbeth is very taken with him, having put all of her efforts into seducing such an honorable man. Kate Fleetwood’s own interpretation of Lady Macbeth was very domestic, the societal hostess. In an interview in 2011, Fleetwood who was directed by her husband Rupert Goold in the 2007 version of the play said that, “When Rupert suggested to me about the domestic side of her, that started to ring really big bells for me” (Fleetwood qtd. In Miola, 135). The argument about how Lady Macbeth truly loves her husband and tried to summons the spirits is because she knows that Macbeth is very ambitious, and she needs all the strength she can have to convince him to act out the three witches’ prophecy. This arguement and its solution is very valid, Lady Macbeth only acting out for the benefit of her husband, she wants her husband to be the king of Scotland but it does not mean she wants to queen herself. In an interview, Fleetwood also

To begin with, Shakespeare has very generously used blood imagery in Macbeth, which helps to develop the theme of guilt. Firstly, Lady Macbeth motivates Macbeth to kill King Duncan, and his hideous crime has stained him in a way that cannot be washed off. The blood imagery used in these lines shows the depth of Macbeth' guilt. He is so guilty that he says that washing his hands in the ocean will not remove the blood from his hands; however, the ocean itself will turn red because there is so much blood. In other words, Macbeth has to live with the guilt that will always make him picture blood on his hands, as they are stained for life. However, Lady Macbeth on the contrary, has no guilty.

Before Duncan’s murder, Macbeth imagines that he sees a dagger floating in the air in front of him. (“And on thy blade and dungeon, gouts of blood, which was not so before. There’s no such thing: it is the bloody business which informs thus to mine eyes.” (Act 2 scene 1 lines 46-49). The blood imagery here refers to murder, ambition, and betrayal. This is a totally different meaning than earlier in the play. Before, blood was seen as a positive thing. Now, it is associated with evil. It also shows Macbeth’s transformation from a person of honesty, nobility, and bravery to an evil, deceitful person. After Macbeth murders Duncan, he starts to see how severe his crime was and tries to wash Duncan’s blood off his hands. (“Will all great Neptune’s ocean wash this blood clean from my hand? No; this my hand will rather the multitudinous seas incarnadine, making the green one red.”) Act 2 scene 2 lines 60-63. This shows that Macbeth’s character is starting to get weaker because of his crime. The blood does not represent a feeling of ambition; it now represents remorse, and guilt. Macbeth is so upset and says that not even all the water in the ocean will wash the blood off his hands. Duncan was a kind generous man and he had no

Lady Macbeth starts this off when she asks the spirits to "make thick [her] blood"(1.5.50). What she is saying by this, is that she wants to make herself insensitive and remorseless for the deed she is hoping to commit. However, she forces Macbeth to do the deed. Right before killing Duncan, Macbeth sees a dagger floating in the air leading him to Duncan?s room and he sees "on the blade and dudgeon gouts of blood"(2.1.58), indicating that the knife has been viciously stabbed into someone. This is a Lady Macbeth knows that the evidence of blood is a treacherous symbol, and knows it will deflect the guilt from her and Macbeth to the servants when she says "If he do bleed, I?ll gild the faces of the grooms withal, for it must seem their guilt"(2.2.71-73).

Helina Behailu English 102 Professor Jodie September 7, 2015 Murder is the killing of another person without any justification or valid excuse. Being a murderer is not something you are born with. When it comes to murder, one has to go through something in their life that helped them to make the decision of being a murderer. Murderousness, having a purpose or capability of murder.

That night Macbeth ends up killing Duncan. Just before the murder Macbeth is walking down the hall when he has a vision of a dagger with a bloody tip, which is pointed for Duncan’s room. He thinks to himself, “Art tho not, fatal vision, sensible To feeling as to sight? Or art thou but a dagger of the mind, a false creation” (II.1.36-38). During the murder Macbeth makes a mistake that angers Lady Macbeth. He has forgotten to leave the daggers with Duncan’s guards, and she must now go and return them. Initially Macbeth is upset over the murder, but Lady Macbeth tells him it is as easy to forget about as washing the blood away with water. This first murder shows the strong character of Lady Macbeth and the influence she has over her husband.

Initially, she is a beguiling instigator of murder, and her first reaction to blood displays this nonchalant attitude. She tells Macbeth, “My hands are of your colour, but I shame / To wear a heart so white” (IIii 24). Lady Macbeth effortlessly washes off this blood with water, disregarding the guilt. Lady Macbeth’s second reaction to blood, however, exhibits shock over her husband’s free acts of cruelty. She sees the guards her husband has slain and faints. Covered in blood, the murdered guards underline Macbeth’s malice and cruelty. Therefore, when Lady Macbeth faints at the sight of these symbols, she makes obvious her change from plotting instigator to shocked observer. Blood continues to symbolize guilt, and eventually, just as Macbeth wants to remove blood from his hands, Lady Macbeth wants to cleanse her hands of blood and guilt. She visualizes a spot of blood on her hands and perpetually tries to wash it off. “Out, damned spot! out, I say!” (Vi 72). The stigma of guilt, however, cannot be removed, which reveals Lady Macbeth’s haunting, incurable guilt over the murders during Macbeth’s reign. Lady Macbeth continues in woeful guilt, saying “The Thane of Fife had a wife: where is she now? / What, will these hands ne’er be clean? No more / o’ that, my lord, no more o’ that: you mar all with / this starting” (Vi 72). She says her hands will never be clean, indicating that

The relationship of Macbeth and Lady Macbeth is a complex one. Macbeth in the beginning does not come across to us as dominant. He more so looks to Lady Macbeth for comfort, assurance, and direction.”… Go get some water And wash your hand. Why did you bring these daggers