Lady Macbeth Role Reversal Essay

The correlation to the dress of the day is very interesting, as men would be in colorful, exuberant and tight outfits, resembling women's wear.  This reduced the esteemed masculinity for some males, and Macbeth is obviously feeling similar emotions, though his dress is more ancient.  It is more the feeling conveyed by an actor that the audience would receive.  This almost comic irony becomes important in the following scenes, as Lady Macbeth winds up to sucker Macbeth into killing Duncan so that he may be king and she may be queen.  In addition, her attacks on his manliness reflect her character, as a man is playing it.  In essence, a man, playing a woman, is making fun of the incapacity of the penis of a man dressed like a woman.

Lady Macbeth in William Shakespeare’s play ‘Macbeth’ is a character who suffers greatly in because of her human weakness, which is her vaulting ambition. This ambition is not for her, but for her husband. This woman, who seemed so in control at the beginning of the okay, only cared for her husband and his success, later becomes so consumed with guilt and remorse that it results in her tragic death. Through the discussion of characterisation and lkey scenes, I shall reveal that Lady Macbeth’s human flaw is  not only a major contributor to the ruthlessness of her husband but creates a huge influence in how the play unfolds.

Lady Macbeth throughout the play shows her dominance in the relationship by challenging Macbeth's masculinity and making him seem weak. This tactic worked in her favour as it always resulted in the way she wanted. Act one scene scene 7 supports this through lady macbeth's statement; “Was the hope drunk Wherein you dress'd yourself? hath it slept since? And wakes it now, to look so green and pale At what it did so freely?”. Lady macbeth provides a range of rhetorical questions and allusions to motivate macbeth. By using the rhetorical question “to look so green and pale At what it did so freely?”, lady macbeth describes her husband as green and pale. These two adjectives alludes to the popular disease at the time of macbeth, anemia. Anemia was heavily popular during the time of macbeth, with it being most popular in young virgin girls. This insult encouraged macbeth to pursue through with lady macbeth's wishes. Lady Macbeth continues to fire insults at macbeth through her words in Act 3 scene 4 “This is the air-drawn dagger which you said Led you to Duncan. O, these flaws and starts,Impostors to true fear, would well become A woman's story at a winter's fire, Authorized by her grandam. Shame itself!” In this scene, lady macbeth uses a metaphor to convey the weakness of macbeth. She does this by calling macbeth's hallucination; a story made by a young girl, but had to be double checked with her mother to see if it was appropriate enough to say. Lady Macbeth describes these actions as proper shame, encouraging macbeth to fulfil his plans. Furthermore, lady macbeth uses this same strategy in Act 1 scene 5 , “your eye, Your hand, your tongue; look like th'

Lady Macbeth states, “Glamis thou art, and Cawdor, and shalt be what thou art promised. Yet do I fear thy nature; It is too full of the milk of human kindness to catch the nearest way. Thou wouldst be great, art not without ambition, but without the illness should attend it” (1.5.16-21). Lady Macbeth depicts her husband as being ambitious, but he is also too kind to murder Duncan and take the throne for himself. She also says, “Come, you spirits that tend on mortal thoughts, unsex me here, and fill me from the crown to the toe topful of direst cruelty…”(1.5.41-44). In this quote Lady Macbeth is praying to the spirits to literally deprive her from her femininity because she desires to take the initiative in seizing power for her husband. Another example of reversed gender roles is when Lady Macbeth says, “O,proper stuff! This is the very painting of your fear. This is the air-drawn dagger which you said led you to Duncan. O, these flaws and starts, impostors to true fear, would well become a woman’s story at a winter’s fire, authorized by her grandam.Shame itself!”(3.4.62-67). In this quote Lady Macbeth yet again takes on the dominant role in a relationship and tells Macbeth that he is yet again hallucinating just like he did with the floating dagger that led him to Duncan and he is also acting like a woman. This quote further connects to the thesis in which the roles of the Lady Macbeth and Macbeth is reversed in

This is apparent when she deals with Macbeth leaving the gory daggers at the site of the murder, “Give me the daggers. The sleeping and the dead/ Are but as pictures; ‘tis the eye of childhood/ That fears a painted devil.”(scene 2 act 2 56-58). Macbeth is portrayed as emotionally unstable and soft as he is afraid to even go back into the room where the murder took place, “I’ll go no more/ I am afraid to think what I have done”(scene 2 act 2 54-55). This interaction between Macbeth and Lady Macbeth really shows the unusual roles one another play in there relationship because in a situation where someone is murdered or their is a serious crime, women aren’t usually the ones who are brave and strong minded about it, men are.

In William Shakespeare’s play, Macbeth, two main characters experience a change that alters their roles and brings out the worst in them. After Macbeth is promised greatness by three witches on a heath, Macbeth and Lady Macbeth try to achieve his prophecy. Because of their over-reaching ambition, they commit numerous murders to obtain their goal of becoming royalty. In order to cope with the guilt, Macbeth and Lady Macbeth undergo a role reversal, where they exchange characters and amount of ambition.

Macbeth and Lady Macbeth as they both in turn take on the role of the

In the old Shakespeare play Macbeth, women wear the pants, while the men wear the dresses, this is the theme throughout the play. It focuses on the marriage of Macbeth and Lady Macbeth takes the lead role, while she convinces her husband to kill Duncan. Shakespeare play concerning gender roles, shows the untraditional marriage in Scotland; what one sees is not what one gets. It also show how one starts is not how they end. The story of Macbeth shows power and betrayal. It shows power because it shows how one can take charge and get it done. It shows betrayal because he kill Duncan just to get the crown.

The relationship among Macbeth and Lady Macbeth alters throughout the play Macbeth as they both in turn take on the role of the more dominant character. Their attitude to each other constantly changes throughout the play, although events in the play certainly draw Macbeth and Lady Macbeth apart their love for one another is evident throughout the play. Macbeth shows his love by saying a few compassionate words in his letter to Lady Macbeth about the meeting with the three weird sisters. Lady Macbeth shows that she cares for him by planning the murder of King Duncan so Macbeth can become king. By the end of the play Macbeth doesn’t care about his wife’s health that much, when she dies his taught was she was bound to die one day.

Shakespeare’s play, Macbeth, begins with the protagonist, Macbeth, being faced with a supernatural prophecy. The temptation of power further corrupts Macbeth as the play progresses, until his murders catch up to him. Despite the time in which a man lives, he is surrounded by opportunity and the constant battle between the loss and acquisition of power. For those deep in search for power often experience the blurring of the lines between right and wrong. In the 17th century, gender roles were strict and unmoving. Men symbolized the power and strength, while the women represented the caring and submissive traits of human nature. Shakespeare utilizes Macbeth and Lady Macbeth’s marriage to further toy with the audience’s minds and inverts the gender roles.Throughout the play, Macbeth and Lady Macbeth’s marriage demonstrates inverted gender roles; but as Lady Macbeth utilizes her influence over Macbeth, her driven attitude leads him down the path of corruption.

As the play continues, in the acts three and four the gender roles of Macbeth and Lady Macbeth make a big switch when Macbeth is planning on the killing of Banquo. Macbeth beings to act more masculine before this murder and in a sense leaves his lady out of what is going on this time, instead of her taking charge like before, Be innocent of the knowledge, dearest chuck, Till thou applaud the deed. Come, seeling night, Scarf up the tender eye of pitiful day; And with thy bloody and invisible hand Cancel and tear to pieces that great bond Which keeps me pale! Light thickens; and the crow Makes wing to the rooky wood: Good things of day begin to droop and drowse; While night's black agents to their preys do rouse Thou marvell'st at my words: but hold thee still; Things bad begun make strong themselves by ill. So, prithee, go with me. (3.2, ).” As of now, Macbeth is portraying the actions of what society believes a man should act like. He is now telling her that he has a plan to kill Banquo but he is not going to tell her the details, he wants her not to worry because he believes he has everything under control. Macbeth is trying to be what it takes to be a man but when a person is power hungry they always seem to fail.

By projecting a heavy focus upon the manipulation of gender and ambition, Macbeth manages to extract a seemingly alien abstraction of the 1600s into a significant narrative element. The tension that coexists between the relations of gender allow for the complete rupture of all social norms. Macbeth’s world becomes disjointed as his masculinity is questioned, his psyche manipulated, and his future incarcerated. Reaves is of the opinion that “the spiritual well being of Scotland in Macbeth suffers from an infection that festers as the play continues. Where “fair is foul and foul is fair” (1.1.12), the basic binary relationships become blurred” (21). Macbeth certainly possesses little power over his choices, submitting to the machinations his

“In the mind of Lady Macbeth, ambition is represented as the ruling motive, an intense overmastering passion which is gratified at the expense of every just and generous principle, and every feminine feeling.” (Jameson, 191). Lady Macbeth is a very ambitious woman with a relentless hunger for power, longing to satisfy her role among the high society. She urges her husband Macbeth to commit a murder, and comes up with a plan for him to kill the king while he sleeps, then blame the kings’ guards. “Lady Macbeth, upon receiving word that King Duncan of Scotland will be arriving that night, begins sharpening her talons. She isn’t sure there’s enough manhood to go around between herself and her husband, so she calls scheming spirits to ‘unsex me here.’” (Macrone, 1). When Lady Macbeth says “unsex me here”, she is basically saying that she wants power. “But having evoked her husband’s murderous ambition, having dared him to stop being a child, she suddenly finds that when he is a man, she is powerless.” (Orgel, xli). Act 3, Scene 4, is when the king is found dead and Lady Macbeth makes a scene by saying, “Help me, hence, ho” (Orgel, 35). She then pretends to faint, hoping to divert the attention from the king’s murder, and all of the men immediately refocus their attention on her. It is very obvious that Lady Macbeth is not worried about the murder at all, when she tells her husband that “a little water clears us of this deed”

Lady Macbeth wants the spirits to “unsex [her] here” not because she wants to be transformed into a man, but rather she desires the same male characteristics as her husband which are associated with violence. Alfar claims, “If she does indeed transgress her gender to become more manly, therefore, it is because she must do so to reflect—as conduct manuals demand—the bloody desire of her husband (181).

In perhaps the most pivotal scene in William Shakespeare’s Macbeth, Lady Macbeth’s motives are truly revealed in her manipulation of Macbeth to show how humans have a desire for power and once they get a taste of it, they will go through any lengths to have it, no matter the effect on others. Her lust for power is showcased through how she persuades Macbeth by insulting his masculinity and using emotive language to counter his logical reasoning. This section of the play illustrates the tipping point of each character’s morality with Macbeth having second thoughts about the planned murder and Lady Macbeth diving straight in.