Lady With The Dog : Twisted Ending

The theme of “The Darling” tells of a woman named Olenka that changes her interest every time she falls madly in love with a new man. This gives the reader the perception that she cannot form an opinion on her own. The behavior leaves Olenka distraught every time a man leaves her life. Olenka’s relationship between her first and second husband helps elucidate the theme. Olenka’s first husband Ivan Petrovich loved the theater which meant Olenka loved the theater. When Olenka married her second husband Vassitchka he did not enjoy the theater. His opinion became Olenka’s opinion. She then had the belief that she did not have time for the nonsense of theater.

This story’s general setting takes place in nineteenth century Russia. But, there are also many particular settings throughout this narrative that largely affect the characters and create many problems the narrator and Anna Sergeyevna have to face. In the beginning of the story Gurov and Anna find themselves taking vacations in the same city to get away from their other lives. But, when they have to part they realize how much they actually mean to each other. This can be seen in the following excerpt when Gurov realizes that Anna has not left his mind ever since they went home, “He would pace a long time about in his room, remembering it all and smiling; then his memories passed into dreams, and in his fancy the past was mingled with what was to come. Anna Sergeyevna did not visit him in his dreams, but followed him about everywhere like a shadow” (Chekhov 172). Therefore, the conflict that the setting creates is the distance between Gurov and

The next silence comes after a week of continued daily meetings and foretells the relationship’s passage from casual to physically intimate.  Before the silence is noted, Dmitri and Anna are at a jetty admiring the sea and watching the boats come and go, and Dmitri is watching Anna closely; as she chatters aimlessly, he notices her movements and the shining in her eyes, all of which are the backdrop for the rising tension that peaks during a moment of silence:  ‘“The weather’s improved towards evening,” he said.  “Where shall we go now?  Shall we take a drive somewhere?”  She made no answer.’  Anna’s failure to respond (her silence) marks the height of the tension and is immediately followed by a sudden embrace, a passionate and romantic kiss, laden with the nervousness that comes with public indiscretion, and finally, the suggestion from Dmitri that the two go to a private place to consummate the relationship:  “Let’s go to your place…” he said softly.  And they both walked quickly’.  Once again, after a silence, the relationship escalates.  Chekhov uses the device repeatedly as the two fracture over Anna’s guilt and go their separate ways; the extended

Although Chekhov emphasized in the beginning of the text that money holds power as shown by Anna and Modest Alexeich’s relationship, Chekhov shifts the power dynamic by introducing Anna’s beauty and sense of empowerment and now Anna has a new sense of awareness and power. Following the ball, His Excellency “[thanks Anna] for her part in the bazaar” and asked her permission to come again (283). After establishing herself and her influence at the ball, His Excellency’s visit to Anna truly places emphasis on her role at the ball. Having one of the highest member of society personally visit and thank Anna gave her the highest sense of empowerment as this moment proves to be significant. Most notably when her husband looks at her with the “cringingly respectful expression that she was accustomed to see on his face in the presence of the illustrious and the powerful,” and she confidently and clearly articulated the following statement, “Get out, you blockhead!” (283). Compared to the confined and powerless young lady Chekhov presented in the beginning of the plot,

Gurov, dissatisfied with his monotonous life, goes to Anna because he needs the scandal to relieve a numbness that has taken effect, not because he loves her. She merely reciprocates his affection, not out of love, but to escape the entrapment she feels from her marriage. In a subtle climax during his return home to Moscow, Gurov feels the agonizing absence of anyone he can talk to meaningfully about the personal secrecies of his life, specifically Anna. This intolerable sensation sends him to “S—,“ to find her. Only when Gurov is standing outside Anna’s house does he actually relate to her situation and form some genuine connection. “Just opposite the house stretched a long grey fence adorned with nails…One would run away from a fence like that," thought Gurov, looking from the fence to the windows of the house and back again…He loathed the grey fence more and more, and by now he thought irritably that Anna Sergeyevna had forgotten him, and was perhaps already amusing herself with some one else, and that that was very natural in a young woman who had nothing to look at from morning till night but that confounded fence” (p.230). With Gurov’s realization, he actually escapes his fenced in world and partially enters her miserable one. In sharing a connection, their emotions and psychological needs start to blend together and they become entrapped by the same fence, where inside, the two of them are alone and vulnerable in a shared arena. This isolation

Anyone who receives notice of a loved ones death is never expected to take it lightly. In Kate Chopin’s “The Story of an Hour,” Mrs. Mallard is informed of her husbands “death” as gently as possible, and immediately she understands the enormous significance this loss will have on her life. Unlike many widow’s, her feelings of utter devastation do not last. Mrs. Mallard’s sobs of loss turn to cries of joy after she reflects upon her own character and discovers truths about her marriage.

During a chance encounter, Danilov and Vassily meet the beautiful and educated Tanya, a soldier in the Stalingrad home defense campaign. They both fall in love with Tanya. In an attempt to win Tanya’s love, Danilov offers Tanya a safer position within the military, however, she prefers to fight with a rifle in her hand and looks to Vassily as a hero worthy of praise. His shy uncertainty and obvious discomfort in her presence only serve to intensify their feelings for each other.

For the wife, Louise Mallard, this was an awakening of a new life. This new life is cut short as the information that led her to believe this news turns our false. Kate Chopin reveals that even the desire for love is trumped by the need for freedom and independence, through her use of precise diction and syntax, and symbolism. (rewrite)

To write a good mystery novel takes time and only a few authors have been successful in writing them. Mystery novels has been around for a period of time with historical authors such as Arthur Conan Doyle and recent author Stephen King. In these novels, clues are provided by the author and Christopher Boone, narrator of the novel The Curious Incident of the Dog in the Night-time, states, “If it is a good puzzle you can sometimes work out the answer before the end of the book” (5). In relation to this, the most valuable information is typically gained throughout the process of the investigation rather than the solution itself. Although the book The Curious Incident of the Dog in the Night-time is not classified as a detective story, the plot still goes through an investigation and shares elements of a mystery novel. The mystery within the story that keeps the novel going is to find the killer of Mrs. Shears’ poodle, Wellington, and in turn, shapes the ending where the audience sees the development of the protagonist, Christopher, through the investigation itself, the journey to London and his overall ability as a writer.

“How romantic!” the woman exclaimed. The man put her arm around her shoulder and they stood listener get to our beautiful piece from Motzart’s fifth symphony. It was time for my solo. I softly cut into the song, getting louder and louder as the rest of the orchestra got softer. I played louder and louder until I could onto longer play, and we finished the piece. They clapped for us as we all bowed. A few of us went to congratulate them for their engagement. As the rest of the orchestra went back to the hallway, I went to talk to the man.

Finally, when things are heating up between the two lonely travelers, so is the weather, which “was close indoors, while in the street the wind whirled the dust about” (Chekov 507) and their thirst is unrelenting no matter what they eat or drink to quench it. “One did not know what to do with oneself” (Chekov 507), seemingly, with the desire for one another that is beginning to blossom. On this particular evening, the couple makes way for the pier to watch the incoming ship. A crowd of people have gathered with many bouquets of flowers to greet arrivals. The churning ocean echoes the intensity of their attraction for each other, along with the mess of people surrounding them and Anna’s display of uneasiness and absentmindedness. As the crowd thins out,

As the story unfolds, Gurov at first changes subtly. First of all he meets Mrs. Anna Sergeyevna. His attitude at first is still the same, he finds her as another victim of his little game that he plays. He sits and watches, searching his mind for a ways to get her attention like he does for every woman. He still looks at women in the same sort of fashion. Anna and Gurov start spending time with each other more and more, he still plays his game. Each time that he meets her and tries to coax her into have an ice or syrup, yet he still looks at her as “pathetic.” After their first kiss he begins to realize that there is something different about this girl. Unlike the usual women he messes around with, she feels guilty about engaging in this affair with him. Anna does not give him the satisfaction of playing the game along with him. As he spends more time with Anna he becomes fond of her presence. He starts learning more about her, when she talks him listens intently instead of getting bored and rolling his eyes. When Anna gets a letter from her husband asking for her to come home, Gurov acts like it isn’t a big deal, he still believes he is playing his game. At first he forces himself to believe he is ok, but after they are apart for a while he realizes that Anna isn’t leaving him. She follows him everywhere, not just in his dreams. He feels something that he has never felt before, he

In “The Story of an Hour,” Kate Chopin describes to her readers a young woman’s response to her husband’s death, or at least his presumed death. The opinions readers will draw from this story will vary from person to person due to personal experiences. The experience and wisdom that I have gained through the trails and tribulations of my life help me to understand, relate, and even despise Mrs. Mallard’s character. On one hand, I feel pity for Mrs. Mallard. I think she felt trapped in a situation that she found to be inescapable. She felt lonely, restless, and did not know how to help herself. Yet, on the other hand, I do not feel sorry for

The term epiphany is pretty common in literary terms, and most often means a moment of realization or self discovery. In a story, it’s when a character discovers an awareness or knowledge that really changes their views on life. They start to “see a new light” as some would say. In the story of “The Lady with the Dog,” there are four parts, and each of the four parts of the story involves an epiphany of some sort, one way or another.

Gurov has found a woman he can love for the rest of his life, and he hates the fact that she is not with him. She has left him just as the way he would leave the women he has had affairs with. He feels that she is the only woman to make him happy in the world. His own past has doomed him; He knows he can never be with Anna but trys to make a effort to see her again in S--. He arrives at her home to see that she is enclosed by a long fence, slammed in with nails, a prison he imagines it to be. Desperately seeking to find her he attends a theater at night. He sees her there with her tall husband, wearing a uniform. While her husband is gone, Gurov approaches her to speak with him, as she leaves the auditorium to avoid him. Gurov catches up to her and they speak for a short while and Anna promises to him that she will come to Moscow to visit him.