Change. No one wants to accept it; no one wants to live with it. Why is it? Is it because we lack the willingness to change ourselves or is it because we don’t want it? None of it, it is mainly because we fear change. But the fact is we can’t stop it from happening. We either adapt to change, or we get left behind. But here’s the fun fact: Sometimes, the more things change, the more they stay the same. And sometimes, change is excellent. Sometimes, change is everything we want. Its funny how things appear the same every passing day but when we look back, many things have changed! To perform a Greek drama we need three things; they are audience, performers and something to perform. I must exclaim that it is the same with modern theatre. All the three elements are required today also. So does it means nothing has changed in past twenty five hundred years? I don’t think so. From presentation of a particular subject to the elitism in the drama, everything has changed over period of time.
I choose to write about the transformation in status of women from Greek drama to Victorian Era because it is a form of triumph. Along with progress in field of science and technology, the inevitable revolution in the field of literature shouldn’t be disregarded. In Prometheus Bound, the character of Io is very destitute and desolated. Where as, Mrs. Erlynne is portrayed as an autonomous and liberated woman. It’s not the drama that has strained the writers to inscribe particular response for the
women have made an exceedingly great impact on the world’s economical, social, and political spectrum. However, women are still deemed inferior to men in past and present cultures. The inferiority of women has been portrayed through various avenues such as literature and written works. The Virgil’s Aeneid and Ovid’s Metamorphoses’ women characters are three perfect depictions of how women in today’s society are dominated, disregarded, and discredited.
Women have been belittled by men since the beginning of time. This is demonstrated in the novels Oresteia by Aeschylus and Civilization and Its Discontents by Sigmund Freud. Men have always held the upper hand in society, politics, and technological advancements. Women have been purely sentimental sexual objects. Freud is keen to state that a man’s wish to fulfill his sexual desires is crucial. Women are cast as purely sexual objects, and, furthermore, as entirely unreasonable and illogical. In the novel Oresteia, we learn how women are sensitive, emotional, and exceptionally incoherent to men in the play. However, throughout the play the women, such as Clytemnestra, the king’s wife, prove that women are not pieces of meat. She is a great leader who is a remarkably strong mentally, and who can easily outsmart a man. However, women like Clytemnestra are a minority in these works of literature. Most women are perceived in literature as domesticated creatures who are irrational and emotional. Freud maintains a condescending attitude toward women, seeing them as mere objects, while Aeschylus helps reinforce Freud’s attitudes. By enforcing the gender roles in Greek society it is easy to reflect powerful female character who carry the mentality of a man, portrayals of "wrong womanhood" and solely displaying women’s sexual and family interests.
As the perception of women changes constantly, society is the only factor in creating their ideal image. These societal views are the basis of their treatment, with the expectation that it is beneficial for them. However, societal expectations of women in the Elizabethan and Victorian eras severely limit their freedoms and rights. William Shakespeare’s Othello and Mary Shelley’s Frankenstein portray most women in their typical roles. Both authors depict the level of injustice in society’s treatment of women through the passivity of women causing their deaths, the silencing of vulnerable women and the portrayal of women as more humane than men.
Women form an important part of each society, however their role and importance to its function are often times overlooked. Society is/was organized and directed by men. All of the most important positions and purposes within it`s routine were filled by males. This societal organization is often times reflected in many pieces of literature of various time periods, however there are texts in which contrary to the patriarchal society models, women are given substantial importance within the plot. Homer`s The Odyssey, Heart of Darnkness by Joseph Conrad and Aeschylus`s Oresteia each demonstrate or conceal female importance in a given society.
Misogyny is a degrading form of gender oppression that plagues the view of women in society. This notions’ relevancy to Euripides’ Ancient Greek tragedy, Medea, is debated. This tragedy focuses on a woman named Medea who was so driven by her emotions that it led to the passionate and vengeful act of filicide- the killing of of one’s own children. Euripides' portrayal of Medea and women in general leads people believe he is misogynist- a person with a hostile outlook on women. Others believe his portrayal show that he is a promoter of women's rights and equality who are limited by their patriarchal society- a society in which men hold authority in every aspect. Clearly, Euripides' portrayal of women show his misogyny because women were ultimately
In the 1700s women were supposed to play the role of doting woman standing by her man virtuous and loving. However, one can say that gender power dynamics could easily be turned when the idea of sex and prostitution in placed in the dynamics. The two texts to support this thesis will be Eliza Haywood’s short story Fantomina: Or, Love in a Maze. Being A Secret History of an Amour between Two Persons of Condition, and Lady Mary Wortley Montagu’s poem “The Reasons that Induced Dr. S to write a Poem called ‘The Lady’s Dressing Room’”.
The works covered; ‘Oedipus the King’ and ‘Birches’ are all demonstrative to the comprehension gender and gender roles have in the society. To begin with, it has been established by history that the distinct roles attached to gender are as a consequence of our socialization. Generally, men have always retained an upper hand compared to women as the society has defined this to be so. Traditionally, access to education, socially acceptable experience and even financial power were in favor of men such that by extension, more men ventured into literature than women. As a result, most of these works are written by men.
The role of women in works of literature as well as in life has changed significantly. Previously, women were seen as needy and dependent on the men in their lives. Women were only important for raising children and doing work around the house, while men were off
The changing role of women in literature from the late 8th century B.C. to the 21 century A.D. is evident that women have become more or less respectful in later works. This is portrayed in the Odyssey, Sakuntala and Good Country People.
Being a young woman of this generation, I have come to realize the validity of a common bumper sticker quote: Well-behaved women seldom make history. Despite the fact that there is no verified initial speaker to this statement, the older I have gotten, the wider my eyes have become and the more of the world around me, I have seen in its full, vivid colors rather than the simple, crisp black-and-white of childhood. In my elementary days, being anything other than well behaved was downright frightening. The ever-bearing fear of disapproval weighed heavy upon my little shoulders, because frankly, speaking against adults was unforgivable and meant no rewards in the form of sweets or shiny foil stickers with terrible plays on words. But, I digress, the trueness of the statement solidified itself the older I got when the reality became clear; women are to be an object, a fixture, a malleable ball of clay left for shaping at the hands of the man she shadows. However true this may be, this paper, my last soapbox to preach observations upon, aims to reference: The Wife’s Lament, Beowulf, Paradise Lost, The Flea, and The Poetess’s Hasty Resolution to reiterate and further emphasize the use of, shift in, and development of gender roles. My primary focus resting upon the roles of women in literature throughout the time-periods discussed within the span of the semester.
Throughout history civilizations have been governed by patriarchal societies dependent on the status and respectability of men. Men held all the power while women were subservient and even sometimes owned by men. This notion is only emphasized the moment we go back in time in the Victorian Era. Women were subject to men’s oppression, held no actual roles besides motherhood and were reliant on their chastity to project an agreeable image of themselves and their spouse. The status of a Victorian woman is depicted in “The Lady of Shalott” by Alfred Lord Tennyson and in a more feminist approach in “Goblin Market” by Christina Rossetti as being dependent on their chastity, servitude to men, and ability to present themselves.
Throughout history, it has generally been accepted that women are of a lesser standard than that of their male counterparts. There has always been an opposition to this theory that believes that the reverse is true, or at the very least, that the sexes are equal. While some authors place women within their works solely as a filler character, or as support of their male lead, there are some that have written with the intent of the females offering a distinctive viewpoint than that of what the readers might be used to. The roles of women in literature have never been forced to be monotonous, yet that’s how they’ve been perceived. However, there are examples of female characters who have been written with the express purpose of breaking that
The feminist approach is based on finding and exposing negative attitudes toward women in literature. Feminists are interested in exposing the undervaluing of women in literature that has long been accepted as the norm by both men and women. Women characters in both Metamorphosis and Oedipus the King have different and similar characteristics based on the general norms so that they can be exposed by the feminist approach. In Metamorphosis and Oedipus the King, feminist approach is through the description of women about the traditional gender values of women, women’s inequality of power and importance, and women’s effect to the whole society.
In comparison, of Terence’s Andria (The Girl from Andros) and Ovid’s Metamorphosis (Transformations), the audience can understand two distinct roles of women from these authors’ works. Additionally, the audience can also come to see a general role of women in Roman literature. The role of women within these works show slight changes in plays and poetry to represent stronger female characters and developing their own voice.
In the Middle Age literature, women are often presented or meant to come off as an unimportant character; which can also reflect on how the author wants the women character represent. Women are usually shunned, have no say or control in what they do; due to what men desire; like Ophelia and Gertrude did in William Shakespeare’s Hamlet. But these female characters that I will discuss are women with power, control, and a voice. Majority of the female character’s appearances are made to represent wickedness, evil, or a seducer who challenges a man belief; and does not symbolize perfect women.