Lady of Shalott

Elements of the medieval romance are evident in the movie First Knight. As such Chivalry is clearly evident through the action of Lancelot in the First Knight. This is shown when he goes out to rescue Lady Guinevere from the ambush in the forest and from Malagant castle where she is being held captive after being kidnaped in Camelot, Therefore, this is a clear depiction of chivalry in where the knight goes out to save the damsel in distress from danger. Another act of chivalry is when Lancelot embarks into the gauntlet which is a contraption that test one’s courage, bravery, and skill to be able to pass. Therefore, Lancelot goes through the gauntlet without any protection to display his skill and bravery to impress Guinevere. Consequently,

Symbolism is a major tool used throughout the book “A Raisin in the Sun”. The author, Lorraine Hansberry, does a great job using symbolism in her play to convey her point. Lorraine Hansberry uses a variety of different things as symbols such as objects as well as people. The use of symbolism in the play is crucial because it helps understand things better and in more depth.

Sir Lancelot is the dominant figure in Le Morte D'Arthur who presents us with the theme of sin and redemption. Sir Agravaine and Sir Mordred expose the courtly romance or otherwise adulterous affair between Sir Lancelot and Queen Guenever. This sets in motion the conflicts and other events leading up to the death of Sir Lancelot and many other noteworthy characters. Sir Lancelot betrays both King Arthur and Queen Guenever. If he is truly a noble character as Sir Gawaine, Sir Gareth, and Sir Gaheris describe, would he have involved himself in such a treacherous act? Sir Agravaine says, “I marvel that we all be not ashamed both to see and to know how Sir Launcelot lieth daily and nightly by the queen, and all we know it so; and it is shamefully suffered of us all, that we all should suffer so noble a king as King Arthur is so to be shamed” (Location 12810). Sir Lancelot’s betrayal raises opposition between the knights and breaks up that which should remain united. His betrayal reaches beyond the king and queen. Thus, it is not a surprise that the consequences of his sin affect the lives of so many.

Two conflicting disciplines are prevalent throughout Arthurian Legend; that of chivalry and that of courtly love. The ideal of each clash throughout the medieval tales, and it is impossible to interfuse the two models for society. Chivalry is a masculine code, an aggressive discipline, whereas courtly love is based upon women - their needs, wants, and desires. The consistent problem if Lancelot and Guinevere’s adulterous relationship in different tellings of the affair relates back to the differences presented in chivalric code and courtly love ideals.

What Percivale failed to see was that this was a test, a test to see if all the things he wanted would seem unappealing after the sand experiences. He was about to give in to temptation but he then remembered the words of his king and went on his way. While Percivale had this experience, Lancelot had a totally different one where some could say that he lost all his sanity. The difference lay in that Lancelot had a horrible sin to his name while Percivale didn 't. Lancelot was told by Arthur that he could make it because even a seedling could bloom on a swamp. What this meant was that no matter how deep Lancelot was in his sin, God would find a way to forgive him. So Lancelot went ahead on his journey but he tried to commit suicide as he went on a boat and out to sea for seven days. On the seventh day, he got a break from the sea- just as God did- and landed at the shores of Carbonek where his son Galahad had been born. All the way to the entrance, lion statues kept appearing as his symbol was the lion. This was to represent that he was about to have some conflict with himself. As he crosses two lions at the entrance, they take away his sword as he subconciously is prepairing himself to enter in his realm of curing himself. As Lancelot entered the castle, he could see nothing as his soul was at the time empty at the bottom. He heard a voice calling him from above in the direction of where

Not only does Lancelot’s affair with Guinevere cause him a great deal of suffering, it wreaks havoc on the lives of many other men as well. For instance, their affair brings tragedy to Sir Gawain and his family. Lancelot kills Gawain’s innocent brothers, Sir Gaheris and Sir Gareth, while rescuing the queen from being executed for adultery. Sir Gawain consequently instigates a blood feud against Lancelot that will eventually lead to his own death. King Arthur and his

The most powerful symbol in the novel is the fairy tale. Gemma’s version of sleeping beauty is an allegory of the Holocaust and is her way to tell the story of her past without being perished by the harsh reality of what she had escaped from. Like her story she is a symbol of survival.

With these warnings in mind, book VII, Lancelot and Guinevere, sees the public behavior of Guinevere shame Arthur after the knights’ return from the quest for the Holy Grail. Lancelot tries to break off

The stories of Lancelot (The Knight of the Cart) and Perceval (The Story of the Grail) within Chrétien de Troyes’ Arthurian Romances depict a world of Medieval Romance that is somewhat different from one that was depicted in earlier epics. These romances are more focused on the battle between love and honor rather than on war and valor, which were depicted in earlier epics of de Troyes’ time. The tale of Lancelot follows a star-struck knight who undergoes an inner conflict between both the lover and hero inside him. His intense commitment to rescuing the queen causes him to make rash decisions which inevitably restrain him from controlling his own fate. Perceval’s story exhibits a different purpose for love in a knight’s life. Unlike Lancelot, he accepts love only when he believes it can further advance him in becoming the perfect knight. The two heroes’ actions showcase an inner conflict between maintaining their honor as knights and the love for another. Through these two tales, Chrétien de Troyes shows that that idealistic love and conscious chivalry cannot necessarily successfully coexist, yet it is the unachievable idealistic view that these two ideals do coexist.

Marie tells of a knight from King Arthur’s court. His name is Lanval and he has great qualities which include beauty and valor. Marie uses the theme of great love with Lanval which cannot happen with the real world. Lanval is a well put together idea of a man who is distant from the world. His happiness and love also to exist apart. We are to notice how otherworldly the beloved lady and the ladies are. People should be able to tell that the lady should be identified as almost like a magical fairy from another realm that is greater. Lanval’s love is not meant to exists in society it is supposed to be separate. He leaves his horse behind to go see the lady which would make him an outcast since the horse is associated with a knight. He is very

Lancelot is valiant, faithful and humble. When Lancelot is in Lionesses, he competes with other guys. He

"Drawing from many sources, Malory develops Lancelot's qualities of self-control, rectitude, and humaneness...the third tale (Lancelot du Lake) concentrates on Lancelot's chivalry inspired by a yet unconsummated passion. Undertaking his quest because of Gwenyver, he becomes the best knight in the world" (Walters xxix). One need not look far into the sixth book to find examples of Lancelot's character. In the beginning of the tale, we are introduced to Sir Lancelot very abruptly with "Of all his knights one was supreme, both in prowess at arms and in nobility of bearing, and this was Sir Lancelot, who was also the favorite of Queen Gwynevere, to whom he had sworn oaths of fidelity" (Malory 118). It is here we are introduced to Lancelot's two primary character traits: that of his being a great knight and that of being faithful to Guinevere. He is not yet the best knight, or the perfect lover, as he has not yet been tested. Lancelot soon feels bored with his life at court, and so searches out adventure. It is during these adventures that

The adulterous affair between King Arthur’s most trusted knight Lancelot, and his wife, Guinevere, is symbolic to the coming of the mischievous serpent in God’s garden as a result to an end of a perfect world. According to the influential work of Sir Thomas Malory at the end of the 15th century, there became one of the major causes of the downfall of Arthur’s Round Table. Through various parts of literature, Lancelot’s romantic character becomes known. In The Knight of the Cart (ca. 1175), by Chrûtien de Troyes Sir Lanceolt rescues Guinevere from the evil knight, Meleagent, and ultimately spends the night with the queen in her chamber. He later listens and obeys every instruction she asks Lancelot to do, such as to do his worst in the Tournament. Another major romance of which Lancelot is the protagonist is the extensive early 13th-century Prose Lancelot, a part of the Vulgate Cycle of Arthurian romances. Here, he is raised by the Lady of the Lake, and by 18 sent to Arthur’s court after realizing his royal percentage. He is given a sword by Guinevere, who knights him in a ceremony of divided loyalties. He goes to act of numerous adventures for the king to earn his reputation, but his adultery with the queen disables his legitimacy to succeed in the quest for the Holy Grail. In the last romance of the cycle, Lancelot and the

The Lady of Shallot can be interpreted as a symbol of artists and their commitment to their work, in this poem represented by weaving, but also paralleling Tennyson and his poetry. She sacrificed herself to her passion and ironically Sir Lancelot made her into nothing more than a piece of art, he said, “She has a lovely face; / God in his mercy lend her grace” (line 169) she can no longer weave “A magic web with colors gay,” (line 38) rather, just be objectified into a dead-pale beauty not able to offer anymore creativity.

Tennyson portrays the isolation of women through the reoccurring theme of Romanticism, this is shown through the poet’s constant associations with nature being the centre of the poem. The poet focuses more on the surroundings of the main character as she lives “By the island in the river…And the silent isle embowers The Lady of Shalott.” Tennyson presents the speaker to hide the details of the actual lady, her imprisonment and the curse which leads us to believe she is a mystery as the nature around her seems overpowering and consuming her. Tennyson portrays the lady in the poem to be an embodiment of a typical woman of the contemporary culture as he describes ‘A charmed web’ which the woman is ‘weaving, either night or day’. The ‘web’ can be a symbol of slavery but also a symbol of creativity and possibility. When the woman tries to turn away from the web she refuses to be a slave and ultimately