Laertes Character

On the other hand, Laertes wants to revenge his father’s death. Therefore this mistake murder leads Hamlet to his downfall as Claudius and Laertes want to kill him.

Laertes also brings revenge and betrayal out of Hamlet. Though an enemy, Laertes is a foil to Hamlet. Laertes helps in the development of Hamlet through the similarities they share. These include anger over the death of their fathers, and desire to exact revenge. Betrayal is also relevant because Laertes betrays Claudius in the end, revealing his plan to kill Hamlet. Hamlet betrays his father by verbally abusing his mother, against the wishes of his father. The differences between the two men are very strong. Hamlet would not kill Claudius in the church because he was praying. Laertes, however stated that he would kill Hamlet in a church, praying or not. Another difference is that Hamlet cannot be a man of action and a man of thought at the same time. He does not use his mind when he acts. He just acts. When he is pondering something, he is unable to act out his thoughts, and keeps quiet. Laertes, however, is able to act while thinking. He finds out that Hamlet killed his father and immediately devises a plan to kill him. This flaw makes Hamlet dangerous to himself, and is ultimately his downfall.

In Shakespeare's Hamlet, Laertes and Hamlet both lose a father by unnatural and sudden death. The unnatural death of the father is brought on by someone close to the son. When Laertes discovers that his father is dead, he is outraged. When Hamlet learns from the ghost of his father's murder, he weeps, and promises action, though he delivers none. Both Laertes and Hamlet grieve deeply for their fathers, but Laertes acts upon this grief while Hamlet carefully plots his revenge and waits for the perfect moment to avenge King Hamlet. Laertes' unplanned action causes his death by his own sword, while Hamlet's apparent inaction finally gets him the revenge that Laertes has attempted. Though Laertes' grief at his father's death causes his

Laertes loses his family because of Hamlet’s actions. His father is killed by him and his sister kills herself because of her grief. Laertes and King Claudius begin to plot Hamlet’s murder, planning to poison him, by drink or wound, whichever comes first. However, the plan backfires on the both of them and Laertes dies from his own blade, but not before saying “The King, the King’s to blame.”

Laertes plots for vengeance due to Hamlet killing his father and second-handedly killing his sister, Ophelia. Hamlet, who is still a self-absorbed narcissist, is beyond clueless to Laertes intentions for fighting. In the end, Hamlet is cut with the poisonous sword, Laertes is stabbed with the poisonous sword, Gertrude drinks from the poisonous cup, and King Claudius finally gets what he deserves after Hamlet, as he’s dying, stabs him and forces him to drink the poison. Hamlet, who suffered through a road of vengeance, finally kills Claudius at the last possible second. All of Hamlet’s family and friends die because of his inability to be a man of action and a man of thought at the times when they are opportune. His delay of killing Claudius led him to become invested in his own issues and become the domino effect for the death of others. His moral ambiguity is questioned even at the end of the play because he killed Claudius at the last possible second. In Shakespeare’s tragedies, like Hamlet, Hamlet desire for vengeance ultimately corrupts the morals and decisions he makes further affecting the people around him as he is so self-involved. Hamlet’s morals suffer because he never once looked within himself to understand where he went wrong. Hamlet’s moral ambiguity creates this significance to the play by emphasizing the fact that

    In Shakespeare’s play, Hamlet, the characters of Laertes and Hamlet both display impulsive reactions when angered. Once Laertes discovers his father has been murdered, he immediately assumes the slayer is Claudius. As a result of Laertes' speculation, he instinctively moves to avenge Polonius' death. "To hell, allegiance! Vows, to the blackest devil! Conscience and grace, to the profoundest pit! I dare damnation: to this point I stand, that both worlds I give to negligence, let come what comes; only I'll be revenged most thoroughly for my father." Act 4 Scene 5 lines 128-134 provide insight into Laertes' mind, displaying his desire for revenge at any cost.

To begin with, Laertes is the most similar foil to Hamlet when it comes to circumstance and rage. They both want revenge for their father’s death, though their method of revenge are different. Laertes is a man of action and wants to get revenge right away after learning that his father Polonius has been killed. In contrast to Laertes, Hamlet does not even make public knowledge of his father’s murder. Laertes doesn’t procrastinate his attempt at revenge like Hamlet. However, he is very shallow and Hamlet is a genius in comparison. Hamlet thinks of ways to plan his revenge against Claudius, though it is his tendency to overthink that leads him to his tragic flaw. He himself realizes that Laertes is put in a similar position to himself. “I’ll be your foil, Laertes: in mine ignorance your skill shall, like a star i’ the darkest night, Stick fiery off indeed” (V.ii.5-7). Rage is another emotion the characters have in common. When Laertes learns of his father’s death, he gets enraged and wants to get revenge instantly. "To hell, allegiance! Vows, to the blackest devil! Conscience and grace, to the profoundest pit! I dare damnation: to this point I stand, that both worlds I give to negligence, let come what comes; only I'll be revenged most thoroughly for my father." (Act 4 Scene 5 lines 128-134). Laertes says to Claudius that he will honor his father when he says that he was “in deed his father’s son more than in words” and that he will kill Hamlet. “To cut his throat i’

In “Hamlet” however, this clear symmetry is replaced with a more muddled intertwinement. Rather than maintaining two relatively separate plot threads in the journeys of Lear and Gloucester, Shakespeare opts to interweave the motivations and fates of Laertes and Hamlet, using their conflict as the central dynamic, while their parallels take a reduced role. In this sense, while King Lear is driven solely by the dualism of the story, Hamlet relies on the clash of the two plots to suggest injustice. This injustice, through conflict, is shown most prominently in Hamlet’s and Laertes’ duel at the end of the play. Hamlet, describing Laertes as a “a very noble youth.” (5.1.231), reveals a respect towards his foe that suggests that it is circumstance, not choice, that forces his hand. Similarly, Laertes’ singular goal, “To this point I stand, that both the worlds I give to negligence, let come what comes, only I’ll be revenged most thoroughly for my father.” (4.5.151-154) shows that his wrath is fueled solely by duty, such that his pursuit of revenge imparts upon him a single-minded myopia that drives him inexorably towards the final conflict. Ironically, upon meeting Claudius after hearing of his father’s death, Laertes asks “How came he

Hamlet and Laertes are two people with almost all the same aspects in the Shakespeare's Hamlet. They both want to avenge the death of their father's and they both love Ophelia. Hamlet's and Laerte's similarities can be described in many ways but one can talk about the main ones: being the love they have for Ophelia, the death of their father's and how they associate with their families.

A more noteworthy comparison between Hamlet and Laertes would be each man’s intense relationship with Ophelia, the former’s love interest and the latter’s sister. Both men are passionately preoccupied with Ophelia’s actions, mainly those pertaining to her sexuality, but in different ways. Prior to the events in the play Hamlet actively pursues a romance with Ophelia, but during his staged madness he violently criticizes her for acting at all interested in his advances. As the play progresses Hamlet flips back and forth between sneering at Ophelia and declaring his love for her, but in either case he shows an obvious devotion to the girl. Laertes holds the same amount of devotion, but towards protecting her from Hamlet and anything else that may compromise her virtue. When he is told of her descent into

Although, Laertes and Hamlet show clear evidence of hate towards one another, one may suggest that they have some resemblance between one another. Throughout the entire play, Laertes could be classified as an absent character with minimal influence towards other characters. With Laertes and Hamlet both having intelligence, Laertes attending the University of Paris and Hamlet at Wittenberg, shows each characters are mentally stable until madness slowly deteriorates each down to their breaking point. During Act 4, Scene 5, Hamlet “unknowingly” kills Polonius, drawing his sword multiple times through the King, while Laertes is secretly sailing back from France in hope to see his father. When ALertes arrives he demands for his father, that is when Claudius declares that his father has died.

Laertes is a mirror to Hamlet. Hamlet is a scholar at Wittenberg, and Laertes at France. Both are admired for their swordsmanship. Both men loved and respected their fathers, and displayed some dishonesty when plotting to avenge their father's deaths.

Laertes serves a foil to Hamlet, although they are not similar in birth, they are similar in that they both have a dear father murdered. Using this parallel, Shakespeare uses Laertes to show what Hamlet should be doing, contrasting Laertes’s words of action to Hamlet’s own words of action. We see this most clearly when Laertes is talking with Claudius and he says that he will “cut [Hamlet’s] throat i' th' church” to avenge his father, this contrasts directly with Hamlet who decides not to kill a praying Claudius when he has the chance (4.7.144). Laertes also serves as external conflict as he challenges Hamlet to a fight and is convinced by Claudius to kill Hamlet with a poisoned sword. Without this fight, who knows if Hamlet would have gotten around to kill Claudius? But when we really look at Laertes’ words and consequent action, we see another similarity with Hamlet, both are rash and passionate. This is significant because

Laertes volunteering to be the murderer in this plan also develops part of Claudius’ plan. In this scene, Laertes conflict with Hamlet heightens. Laertes is becoming more upset with Hamlet and this request is Laertes’ first act against Hamlet. The theme that vengeful behaviour is complicated is developed in this passage. Laertes’ father has just been killed by Hamlet, which makes Laertes want to get revenge on him.

One of the most important subplots of the play Hamlet is the character of Laertes and how he demands revenge for the slaying of his father. Laertes is an antagonist character in the play Hamlet and works against the main character. However, Claudius is Hamlet's real enemy in the play so Laertes might be classified as a foil rather than a true antagonist. Laertes is an extremely important character to the plot, although his importance is only seen at the end of the play. Therefore, he should be classified as a major character. His actions ultimately begin the final climax of the play's plot. Laertes is the son of the priest Polonius and the older brother of Ophelia, late female companion of Prince Hamlet. At first, Laertes seems to only be a peripheral character but functions to further the plot in the latter half of the play upon his return to Denmark.