Lais of Marie de France

Marie de France, supposed author of the series of Lais, recounts her stories through short texts, which are centered on women and their place in the 12th century. There are several supernatural elements throughout her work, which are mainly and explicitly present in ‘Guigemar’ and ‘Yonec’. This can be defined as ‘events or things that cannot be explained by nature or science and that are assumed to come from beyond or to originate from otherworldly forces.’ It is not however the only narrative device she has used in her written pieces. It is with the combination of the supernatural with the self-propelled ship or the transformation of the hawk into a knight, and the natural, the symoblisation of the stick and the rossignol, that Marie de France explores human relations between her characters.

Although Guillemette appears in only four of the ten scenes of the Farce (according to the scene division in the modern French translation), she is much more

The debate on whether to sanction Queen Guinevere by death, or not, takes place between the Pope, King Arthur and Sir Lancelot through letters. Men who are the source of women’s suffering are the same ones to redeem them from their bondage.

The purpose of this paper is to introduce, discuss, and analyze the book "The Return of Martin Guerre" by Natalie Zamon Davis. Specifically, it will discuss the life of the peasant during the Middle Ages. This book is a fascinating account of a true case that happened during the 16th century in France. The book is also an excellent example of how the peasants lived in the Middle Ages, from what they ate, to how they traveled and what their family lives were like.

Werewolves a very well-known fantasy creature, who have been depicted as vicious beasts who will turn on their best friends. In the lay “Bisclavret” the stereotypes of werewolves is no different. Marie de France redefines the werewolf in a very courageous tale of a man and his loyalty. Bisclavret was a very loyal man regardless being werewolf or not. This was shown in multiple scenarios, such as the interaction with his and wife and with the King. The O.E.D. defines loyalty as “Faithful adherence to one's promise, oath, word of honor” (def.1). Throughout the entire story Bisclavret is faithful to everyone he made an oath too. Others have to break

In Marie De France’s poem “Lanval”, the knight Lanval faces immense cultural pressure to get married and have a male heir, as it is the norm in King Arthur’s kingdom. It may appear that “Lanval” is supporting the concept of the institution of marriage, as the story had a heavy focus on marriage, and the court nearly punished Lanval for rejecting Guinevere. On the surface, the poem could easily mislead the reader to believe this is the case, but without further analysis, the reader may miss the courting that the mystery-lady has provided Lanval, which prove why the text critiques the establishment of marriage, as her courting is very much of the inverse of a typical heterosexual relationship in the culture. This misunderstanding can be

Although the Lais of Marie de France may seem to be ordinary tales of knights and chivalry, each explores the complicated issues surrounding love, loyalty, and gender. Marie uses four stories in particular to make statements on the relationships between men and women of that time.

tale and la Mort d' Arthur the leading plot of both these stories is conceived by the wife and Guinevere's lust and pursuit of love and happiness.

The tales of Marie de France, shed light on the romantic relationships and chivalry of this time period. This is very insightful for modern people to be able to read and understand the culture of that time. Knighthood and chivalry were respected by some, but many times they were disregarded for passion. Love and marriage are largely connected to physical attractiveness of the person and the passion involved. Marriage is not a very serious commitment and will be disregarded whenever another presents themselves as a more attractive lover. Religion is not huge in the stories but can be present when looking for a lover. Magic plays a part in the Yonec and Bisclavret stories, but is not largely present throughout.

In her poem "Lanval," Marie de France shares a fantasy with her readers, telling the tale of a mysterious woman who journeys from a distant land to be with Lanval, a dishonored knight of King Arthur's Round Table. Marie's portrayal sets Lanval's mistress apart from the maidens and ladies in waiting at King Arthur's court, as she eclipses even Queen Guenever. Much like an editor of a modern woman's fashion magazine, Marie targets her audience of mostly aristocratic twelfth-century women. She describes a mysterious lady whose retinue, meadow pavilion, clothing, figure, cultured sentiments, deportment, and conduct depict her as a superior being. Lanval's mistress is a model Marie's readers

Boom! The door flies open and a handsome knight runs into the room and yells, “Come my lady we must go now, for he is on his way”. The lady jumps to her feet and says “My love whom is on their way?” he responds, “your husband is on the way and he has heard of our romance”. The couple joins hands and quickly runs through the castle hoping that they are not seen. Suddenly the king jumps from a dark shadow, stops the couple in a sudden halt, and says, “Where do you think you are going?” With no response from the lady, the king reaches to his side and pulls a rope that releases a large bucket of acid onto the queen and her secret lover, which eats their bodies flesh within minutes only leaving the two skeletons holding each other’s hands. This

Marie de France lived in a time when social graces were paramount to a good reputation, lordships and to securing good marriages. A woman was considered less valuable if she lost her virginity; a wife was subjected to her feudal lord, father, brother or son after her husband’s death. According to Angela Sandison’s article “The Role of Women in the Middle Ages”, this was because in the Middle Ages the Church and the aristocracy controlled public opinion and the legal system. These authorities of the times believed a woman’s place was in a submissive role to a man. In The Lay of the Nightingale, we will see how this social and religious hierarchy will impact the behaviors of the three people involved.

"Marie Antoinette was the Austrian born child bride of the future King Louis XVI of France. It was an arranged marriage designed to

While the theme of love itself, may it be positive or negative, is reoccurring, Marie’s presentation of romantic relationships and their differing qualities can be considered a theme alone. In “Guigemar”, the relationship between the knight and his lady represents loyalty, and an ability to heal or cure. Yet, the relationship between the beast and his wife in “Bisclavret” demonstrates the selfish and traitorous behavior that can occur between partners, especially if one has proved to be adulterous.

The characters in lais Cheverfoil are familiar with this. Every meeting between Tristan and Isolde is a betrayal, and so when the knight so gently leaves the message for Isolde on the Cheverfoil, he consciously goes against his king. The end of this story is known to medieval readers and us, and therefore these manifestations of love and tenderness, attention, beauty, which is so much in the relations of Tristan and Isolde, work exclusively to show real love, that does not depend on the persons who has this feeling. This once again indicates that Marie previously worked with the image and an attempt to translate the whole essence of true love in literature: "Thus sped the hour, till it was time for them to part; but when these lovers freed them from the other's arms, the tears were wet upon their cheeks," (de France) and not tries to portray the