Lamps In The Whirlpool Character Analysis

In the novel Sister of My Heart, the writer has artistically portrayed the physical and psychological tensions and tortures to which women are subjected. She has created a new empowering image for women. The diversity of women and the diversity within each woman is portrayed through Anju and Sudha. Divakaruni poignantly explores the struggle of Indian women as they seek new pastures in a world that would have them remain submissive. Her characters struggle to release themselves from a tradition bound society in order to gain an independent identity. There is a shift from being controlled through tradition to asserting.

Chitra Banerjee Divakaruni’s novel, The Palace of Illusions is the epitome of feminism. It retells the story of Mahabharata from the view point of Draupadi, the daughter of King Drupad. The delicate threads of her life have beautifully been interwoven to bring forth a grasping story. Chitra Banerjee has herself written “I would uncover the story that lay invisible between the lines of the men’s exploits. Better still I would have her one of her tell it herself, with all her joys and doubts, her struggles and her triumphs, her heartbreaks, her achievements, the unique female way in which she sees her world and her place in it.”(XV).

Having moved far from the misery of conventional archetypal women of long back, they think that its hard to stay as housewives. They soon find that their endeavors to accommodate themselves to homemaking just add to their sufferings. When they find that surrendering professional roles does not make them in at any rate happy at home, the female heroines look to escape from their domestic duties too. Giving up their roles as wives and mothers, they swing back to their parent's' homes. The parental homes get to be havens for their fretful souls. There they start their quest for knowledge and for an answer for their private hardships.

In oriental society, the family is a critical segment, which is viewed as the principal organization. Inside the family, every part assumes a part that characterizes this establishment. However, consider the possibility that a relative neglects to do his or part in the family. What are the outcomes that are looked by the family? Avarice, childishness, and the want to get the consideration of all may demolish families, as effectively depicted and deified by family quarrels. It is basic to comprehend that the parts and obligations of every individual from the family ought to be played legitimately for the advancement of every part and for the satisfaction of the objectives and targets of this organization.

Divakaruni contains exquisitely written eleven short stories. The Falgu-like undercurrent of feminist cry runs through the nucleus of the stories. All the stories have women at their foci and lays bare their burning problems, their psychological conflict, their identity crisis, their demythologizing of the womanhood, their rebellious angst against the patriarchal domination, their search for identity, their self-independent and self-actualisation in their lives. Arranged Marriage is Divakaruni’s testament for women’s liberation, women’s right to self-expression and their way-out to individualization. Some of her heroines take control of their destinies single-handedly and some with the assistance of other

After going through this novel, “The hero’s walk” Nandana, the young girl has no other option than to live with her grandparents. In passing days, she may be adapted to Indian culture. Her grandfather Sripathi as usual writer letter to the editor of the News paper starting, “early this morning, at Toturpuram beach, I saw the most amazing sight....”

For a long time in many societies especially in Africa and the middle east where the common stereotype for women, which is also a life fulfilling dream for some is that their only purpose in life is to find a man, get married, have children, to support and care for their families and live happy for the rest of their lives, but this is not the case for Godwin’s protagonist. In this short story she is unhappy with her roles as a housewife and seeks to explore different roles. She slowly deteriorates when tasked with making engaging decisions. Little by little she steps out of her role in the family, she withdraws from the environment that puts her in the role of a mother and wife and her commitment to marriage. Her unhappiness and sickness is shown throughout the story, her roles as a wife and mother clearly the cause of her sickness and sadness and is visible when she tells her husband she does not want to see him and their son, she eventually

Our society has created an identity for women since ancient days. Women are considered as an weaker sex and inferior to men. Though she plays a important role in her life, she is not found as an individual human being with all emotions and sufferings. She is supposed to live a life of dedication, surrendering and devotion. In Indian fiction, the women are modelled with the above qualities. Those qualities of women created a large impact on the Indian psyche and the expectation of society, and consciously or unconsciously

The female characters regularly confront occasions that abandon them swooning, startled, shouting, and crying. A desolate, thoughtful, and mistreated courageous woman is regularly the focal figure of the novel, so her sufferings are the concentration of

Her heroines are sensitive, intelligent and career-oriented. Study of her novels reveals how poignantly, she expresses the frustration and disappointments of women who experience social and cultural oppression in the male-dominated society. Shashi Deshpande started her writing career all of a sudden. In her own terms: “There was really nothing. It was very strange. May be it was there waiting inside and suddenly at one moment, it came out. Until then, I was looking around to see what I could do. I was very unhappy not doing anything, just looking after the home and children. It was perhaps a kind of claustrophobic existence. I could feel something building up in me and that caused the outburst. Otherwise, it would have perhaps led to a breakdown.”(“Denying the otherness” II) Her novels are autobiographical in nature depicting her own experiences of the educated middle class Indian women’s predicament and they tend to be gender specific. That Long Silence is a saga of suppressed women prisoned in the room of silence. It is Jaya’s journey in search of one’s true self who confronts the gender oriented traditional

Lakshmi is a young girl that grew up in Nepal. She lost her father at a very young age and she and her mother begin to struggle. Her mother eventually married again, but her family still struggled. Lakshmi’s stepfather was no good because he had no job and all he did was bet at the coffee shop. Because Lakshmi’s family struggled, she was sent away to work as a “maid” and thought it would provide for her family. When Lakshmi realized what she would be doing for work, she hoped and prayed every day that she would soon be back home.

Bell writes, “Tired of being a good girl who met all her parents’ and community’s expectations, Jayanthi began casually hooking up with men after college, often meeting several in one night” (33). Initially, Jayanthi adopted the “good girl” strategy as a part of society’s expectations and fulfilled her parents’ desire of being a typical Indian girl. In other words, Jayanthi’s initial approach to her reality as well as her personal identity was to act according to her parents’ and society’s expectations. However, throughout the passage of time, Jayanthi becomes “tired” of the “good girl strategy” as she still did not find her sense of identity but instead, her initial reality was altered because she did not embrace who she was. Essentially, Jayanthi did not embrace her reality at present as she feels that her life was determined by her family’s expectations. In essence, her pre-conceived reality of being a typical Indian daughter was altered because of her individual desire to find her sense of identity that is more complicated than that laid out from her cultural background.

Anita Nair is a popular Indian English-language writer. She has much insight into the concerns of studies, family, love and striving for fame and fortune . She makes an attempt to show the quality of strength in a woman. Anita Nair also adds that strength is not usually considered a woman as this. Her styles ultimately differ from other feminist writers. In other words, she is a feminist with difference. She traces the real position of women in the families as well as in the society. Her attempt to exhibit the plight, fears, dilemmas, contradictions and ambitions of her women characters is remarkable. Her primary focus of attention is the world of women, the struggle of women in the content of modern Indian society. Her novel reveals the

A wise man by the name of Revathi Sankaran once said, “If I were asked to define Motherhood. I would have defined it as Love in its purest form. Unconditional Love.” Universally, mothers strive to make their child feel loved, nurtured, and valued. However, the specific ways a mother does this, and the experience of motherhood altogether, differs from culture to culture. In Shilpi Somaya Gowda’s Secret Daughter, there is a powerful manifestation of how the way that a women is perceived and the gender roles that she is expected to take in her country impacts her experience in motherhood. Kavita, who lives in India, looses her two daughters due to the harsh outcomes of gender discrimination, and is forced to move to the city in the hopes of creating

Previously women did not give much importance to their personal existence. They were living for the family and children. With modernization and the well informed world that we lived in bring a sea changes in the minds of women in Manipur. They started voicing out their feeling and do not want to be at the back stage anymore. They are today generation women and know the best for themselves. The verses which were discussed in the earlier part of article ranges from the earlier generation of writers who were romantic and trying to run away from reality. Poet like Memchoubi strongly believes in equal treatment strong influence of western feminism. And with activist like Sharmila there is a universal voice of standing up for their fellow being for the cause of humanity. The lines are simple so the any ordinary reader can associate with. Comparatively there are many women writers now. And each of them is contributing in shaping up the legacy of women tradition in Manipuri