Landlady Alternate Ending

So many times, stories have been created into movies and those movies have been cherished. From the story “The Landlady” and the episode “The Tales of the Unexpected” many things can change in the process of creating the episode and some things are changed on purpose.

The theme in the short story, “The Landlady”, by Roald Dahl is that naive people who judge outward appearances should avoid trusting deceptive strangers because this can result in death. The first example is when Billy first enters the Bed and breakfast and puts his stuff down. “There were no hats and coats in the hall, there were no umbrellas, no walking sticks-nothing”(Dahl 26). This means that the place is empty because it is bad. This shows that Billy is naive and lacks wisdom. Furthermore, when talking with the landlady she says that Temple and Mulholland are still on the 4th floor together. “But my dear boy, he never left. He’s still here. Mr.Temple is also here. They’re on the fourth floor, both of them together”( Dahl 32). These are signs of danger because usually, someone who hears that

Another clever feature of the structuring of this story is the use of enigma and the deferral of information. The Landlady seemed to know precisely that Billy was going to arrive at her door, "It's all ready for you my dear". This creates tension because it makes the reader wonder why everything was set up. It suggests that the Landlady has psychic abilities which are quite strange and mysterious. Another strange aspect of the Landlady actions is her ability to move extremely quickly, "He presses the bell. Far away in the back room he heard it ringing, and at once- it must have been at once because he had barley taken his finger away from the bell-button- the door swung open and a woman was standing there". The fact that the Landlady was so fast in opening the door and how she anticipated the doorbell reveals how extraordinary and bizarre she was. Another clue as to the suspiciousness of the Landlady is that she reveals how one of the other guests didn't have "a blemish on his body". It is quite unusual that she knows this considering that all he did was stay in her Bed and Breakfast. Also, the fact that the animals in the house were stuffed gives another clue as to what happened to the other men but Billy is too naïve to realise this. The way the Landlady looks at Billy and speaks to him is also an important clue as to what happened to the other

Even though the gruesome, ghastly and demonic story known as “The Landlady” ends in a disturbing way, it portrays many characteristics about the protagonist, Billy. There are numerous ways to characterize Billy, a 17-year-old kid on his first business trip in the strange city of Bath, England. Billy begins his journey to a hotel known as the Bell and Dragon but stumbles to a halt when he sees a seemingly cozy bed and breakfast that catches his eye. For a few pages everything seems great; unfortunately for Billy, he has some flaws which ultimately lead to his shocking death at the hands of a demented landlady. These are curiosity, a tendency to miss important clues, and gullibility.

As an expression of Roald Dahl’s more sinister and mysterious writing style, The Landlady, a short story, has both a written and video edition. The two have some notable differences, including the points of view. Although the written version is portrayed through third person limited writing, the video is depicted with a third person omniscient plot. An example of a scene in which this occurs is the point in the story where it ends abruptly at the highest point of action in the printed adaptation, with an eerie cliffhanger, “‘No, my dear,’ she said. ‘Only you.’

As the wind blows softly against the glass, the Landlady and I sit by the hearth. There is a moment of silence in the room then the Landlady says, “Are you tired, Billy?”

The words made him very uneasy, he couldn't believe that the landlady was charging so little to stay a night yet he was one of the only guests.

As Mr. Mulholland was yelling, a booming sound came from his lips, “I was twenty eight and had a wife and two kids waiting for me in London.” Christopher’s face began to shimmer again and Gregory Temple showed, watching the Landlady with red bloodshot eyes. “You can’t do this anymore,”

After drinking many cups of tea Billy had started to feel uneasy. He had a headache, his vision was spinning and he was taking short breaths. They both walked up to the stairs, with the landlady leading. At this point he had almost no control in his body, and then he came to a sudden epiphany. He only started feeling like this after drinking the tea. It must be the tea that is causing this! The landlady must of put something in the tea Billy thought. That would be a perfect explanation for all the suspiciousness.

Roald Dahl uses various writing techniques in the horror short story, “The Landlady,” to build suspense, or the uncertainty or anxiety that a reader will feel about what may happen next in a story, novel, or drama. In this short story, the protagonist, Billy Weaver, a young, handsome seventeen-year-old, traveled from London to Bath, due to work, and looks for accommodation. Eventually, he came across a quaint bed and breakfast owned by a landlady who appeared to be generous. The landlady portrayed herself as a kind, innocent soul, but her intentions spoke otherwise. As the tale continued, Billy realizes that things are not what they initially appeared to be at the bed and breakfast. Through the use of foreshadowing and characterization, the author, Roald Dahl, of the horror short story, “The Landlady,” effectively builds suspense for the reader in the thread of the plot.

I followed him slowly, watching as he glanced back at me every so often. We made it downstairs and he walked me across the living room, into the kitchen. I glanced

He decided to watch some television and dragged the Hefty bag into the den where

Right now, Billy thought the best thing to do was call the police and try to depart the bed and breakfast as fast as he could. Soon, he was repacked, on his way down to the receptionist desk to cross out his name and leave. As soon as he reached the door and was about to turn the knob, the Landlady spoke.

me to come in and to follow him. He waddled into the living room where

The Doctor sauntered down the hall, smiling slightly to himself as he ran his fingers over the organic metal, and he searched for his room. When he finally found it, he pulled open the door and stepped inside.