Landscape in The Sea Gull a Novel by Anton Chekhov Essay

The film The Sea Inside shares the heart warming real life story of a man named Ramon Sampedro. At the young age of twenty-six he suffered an accident while diving into shallow waters of the ocean that left him a quadriplegic. Now at the age of fifty-four, Ramon must depend on his family to survive. His older brother Jose, Jose’s wife, Manuela and their son Javi do their best to take care of Ramon and make him feel loved. Although Ramon is extremely grateful to his family and friends for their help all these years, he has come to see his life as aggravating and unsatisfying. He wishes to die with the little dignity he has left in his life. However, Ramon’s family is dead set against the thought of assisted suicide and the

He does not feel anything toward women and in fact, refers to them as “the lower race” (1) and that “their beauty aroused hatred in him and the lace on their linen reminded him of scales” (118). As the story ends, the readers learn about Gurov’s consciousness and that his feelings towards women have changed. The motive for his alteration begins with Gurov’s love for Anna, and later these feelings makes him “sleepless and restless” because of continuous thinking and dreaming about Anna.

The migrant experience varies for each person, some will have endured traumatic episodes in their life and these experiences are explored in Skrzynecki’s poetry. Through thorough interpretations of Peter Skrzynecki poems, ‘Crossing the Red Sea’, ‘Migrant Hostel’ and ‘Immigrants at Central Station’ the responder gains insight into the emigration experience which encompasses the physical and emotionally draining journey which is a result of the grave uncertainty and doubt lingering around the migrants future. Despite this, through each of his poems the composer also alludes to a future filled with hope and a sense of belonging.

Anton Chekhov’s short story, “At Home,” provides a representation on how societies view morality when faced with the action of discipline. This view is imperative to the story because Chekhov wants the reader to recognize the futile ways societies determine what is morally correct or incorrect, by implementing consequences without considering why an action must be punished. Evgeni Bykovski, an attorney, is faced with this exact problem as he determines how to properly teach and discipline his son, Seriozha, who has been caught stealing, smoking, and lying. Nevertheless, Evgeni finds himself at his most difficult trial because as he ponders how to punish his son, he encounters his own set of crossroads on how societies discipline

“The Swimmer,” a short fiction by John Cheever, presents a theme to the reader about the unavoidable changes of life. The story focuses on the round character by the name of Neddy Merrill who is in extreme denial about the reality of his life. He has lost his youth, wealth, and family yet only at the end of the story does he develop the most by experiencing a glimpse of realization on all that he has indeed lost. In the short story “The Swimmer,” John Cheever uses point of view, setting and symbolism to show the value of true relationships and the moments of life that are taken for granted.

Viktor E. Frankl, an Austrian neurologist and psychiatrist who also had survived the Holocaust, writes “When we are no longer able to change a situation – we are challenged to change ourselves” (BrainyQuote). Frankl survived genocide against his own people and still chose to have a positive outlook on it because he understands that if he did not, he would continually live an unhappy, upset life. Like Frankl, Ivan Denisovich Shukhov, the main character in One Day In The Life of Ivan Denisovich by Alexander Solzhenitsyn, contains a similar outlook to that of Frankl. The novel takes place during Soviet Russia in a gulag in Siberia, or otherwise known as a labor work camp. The whole book is about only one day that Shukhov lives; from 5 in the morning to 10 at night and all that happens in between. In this labor camp, not only are the weather conditions very cold, making it difficult to work in such circumstances, but also the workers are punished and harshly treated if they do not obey the guards. When placed in this environment, it is easy to be discouraged and miserable, but instead of facing the negatives of his situation, Shukhov remains affirmative in his thoughts – which are most important in order to survive not only physically, but also mentally. This stoicism portrayed in the narrative can also be found in Epictetus’s work, The Handbook. In this text, Epictetus discusses how he believes people can live a happy life, despite the hard conditions they are put through

A story, of any type, is greatly affected by the characters’ outlook on life. A bright, hopeful main character will give the narrative a more lighthearted feel, and cause the reader to feel encouraged and satisfied. If the character has a negative perspective, however, it can elicit sadness, pity, or even irritation from the reader. In Voltaire’s Candide and Tolstoy’s Death of Ivan Ilyich, two characters with very different worldviews are displayed. The lighthearted Candide maintained an attitude of cheerfulness and perseverance even through the hardships of his life, which stems from his deep love and care for others, while the coldhearted despair of Ivan Ilyich is only intensified into anger by the feigned optimism of those around him.

Though Anton Chekhov's "The Bet" was written in a different country at a different time, it portrays a timeless theme; greed is a crippling trait of mankind. This message can be seen through the author's use of characterization of both the lawyer and the banker. The banker was a static character; he was greedy from start to finish. The lawyer was a dynamic character and he saw the wrong in his ways and changed them in the end.

For a near-championship boxer to fall from the limelight after a defeat is fairly common, but to lose due to his own brother betting against him is unheard of. Elia Kazan’s On the Waterfront portrays the role of this former fighter living his life as a bum under a local mob boss. This movie stands out from how movies are portrayed today. It didn’t have a lot of fast chase scenes, immense battles, or over-the-top special effects. This movie focused on its characters, by portraying their reactions to the cumbersome niche they play on the dockyard. It was driven by a series of intertwined conflicts, and a strong mix of character development and storytelling, and made for a phenomenal piece of art.

Though language each character tried to define life and their struggle in hope of controlling it. In one scene, Masha in her drunken state unmasks her true emotions and declares her love for Konstantin, upon rejection she proclaims the meaninglessness of life without love and how in the end the only result of it is misery. Her pretence of having a callous exterior was to masks the underling pain that she is unable to deal with. Dim lighting accentuated the foreboding mood of misery and her off centre positioning on stage underpinned the neglect of sympathy she was receiving from other characters, most importantly Konstantin, due to the seemingly “unimportance” of her character. At the pinnacle of emotional pretence, Irina as a character constantly maintains a façade of extravagance. Upon returning to the lake, she vociferates the “perfection” of her life and career, but moments’ later runs off stage and sobs in despair. The use of split staging depicts Irina’s battling emotions and her fear of showing emotional sincerity least it enhances her vulnerability. Throughout the play the seagull is a recurring motif and appears in peaks of tension in the play. In this case it reinforces the theme of the existentialism revealing the characters denial of their misery and unwillingness to change their

The stories of Anton Chekhov mark a focal moment in European fiction. This is the point where 19th realist caucus of the short stories started their transformation into modern form. As such, his work straddles two traditions. The first is that of the anti-romantic realism which has a sharp observation of external social detail. It has human behavior conveyed within tight plot. The second is the modern psychological realism in which the action in typically internal and expressed in associative narrative that is built on epiphanic moments. In consideration of the two sides, Chekhov developed powerful personal styles that presage modernism without losing traditional frills of the form. This essay will discuss the Chekhov's portrayal of women.

The main argument of the book ‘The Sea-Wolf’ is about opposing behaviors of human being depicted by the role of nature in revealing the inner self of a person. In this regard, London uses two of his main characters to demonstrate the distinct opposing sides of human beings. The first part is about Humphrey, who is a young Dutch struggling with his demons and difficulties in the sea as he hope to change his life and those of fellow crews . Humphrey is initially weak, rich and naïve, and with straight morals . Humphrey believes on fairness, compassion, and all through the story despite being close to the evil Larsen he refuses to follow his footsteps .

Through an exploration of the boundaries between social constraint and inner compulsion, Melville and Chekov reveal the restrictions forced upon one’s personal desires as they struggle to find a balance between conflicting values and social norms. Anna and Gurov in ‘The Lady with the Dog’ are restrained by the socially expected conventions in their marriages, inhibiting their ability to express their inner compulsion of desire. Chekov reveals their yearning to escape their individual lives as they cope with personal troubles by distancing themselves from marriage

Authors, Jean Rhys and Charlotte Bronte constructed their novels in completely different time periods and came from different influences in writing. Jean Rhys’s fiction book, Wide Sargasso Sea is an interesting relation to Jane Eyre. The female character of Jane Eyre forms into a furiously, passionate, independent young woman. The female character of Jean Rhys’s illustration is a character that Jane will know further on as Rochester’s crazy wife who is bolted in an attic. Jean Rhys further studies this character, where as Charlotte Bronte approved that it was left explained (Thorpe 175). Antoinette, considerably like Jane, evolves in a world with minimal amount of love to offer. Both these women are taken cared of as children by

Bazarov and his Nihilism makes the relationship between him and Arkadys uncle, Pavel an interesting one. After their first meeting Bazarov makes a few comments to Arkady, “What an oddball of an uncle you’ve got!” (Turgenev 17) He